An updated approach for working with the Triple Goddess in modern times The Triple Goddess has three facets: the maiden, the mother, and the crone. The Triple Goddess represents many things such as birth, life, death and the phases of the moon, waxing, full and waning. Whilst in the form we recognise it may well be a modern idea, it still gives a wonderful way of working with the goddess and her phases, to help us evolve and understand our own pathway through life and this journey can help you to embrace your own personal power.
In a brilliant mix of magic, history, and romance, M. K. Hobson moves her feisty young Witch, Emily Edwards, from the Old West of 1876 to turn-of-the-nineteenth-century New York City, whose polished surfaces conceal as much danger as anything west of the Rockies. Like it or not, Emily has fallen in love with Dreadnought Stanton, a New York Warlock as irresistible as he is insufferable. Newly engaged, she now must brave Dreadnought’s family and the magical elite of the nation’s wealthiest city. Not everyone is pleased with the impending nuptials, especially Emily’s future mother-in-law, a sociopathic socialite. But there are greater challenges still: confining couture, sinister Russian scientists, and a deathless Aztec goddess who dreams of plunging the world into apocalypse. With all they must confront, do Emily and Dreadnought have any hope of a happily-ever-after?
Working as a medical aesthetician to help people heal their spirits, Amity, the Goddess of Health, meets two masculine Etruscan werewolves, Remy and Rom, who are looking for a woman to handle both of them - and help them defeat a deadly demon.
Meet Danu, the Irish mother goddess of wisdom; Freya, the Norse goddess of love and war; and eleven other Celtic and Norse goddesses very much alive in today's world. Explore each deity's unique mythology and see how she relates to Sabbats and moon rites. Goddess Alive, also includes crafts, invocation rituals, and other magical activities to help you connect with each goddess.
Gertrude Stein called it "the only really modern novel form that has come into existence," yet the mystery genre was a century old before it featured its first gay main character in a novel. Since then, gay and lesbian detective fiction has been one of the fastest growing segments of the genre. It incorporates gay and lesbian cultural elements and offers crossover appeal. Its authors call upon a century of development in the mystery genre, while providing new, more accurate images of lesbians and gay men than generally found in mainstream literature and popular media. This groundbreaking study of gay and lesbian detective fiction examines mystery series and historically significant stand-alone novels published since the early 1960s. Part I is an overview that describes how these novels make gay and lesbian life visible and forge new, powerful images. It also examines how they fit into the larger history of mystery fiction. The series analyses in Part II are grouped according to the type of main character (police officer, private investigator, amateur sleuth, etc.). Each section discusses main and secondary characters of that type, characteristic themes for the group, and more. The analyses of individual series cover main characters, themes, plot points and other elements. Comments from authors interviewed for this book play a central role in those analyses. Part III lists series-spanning themes (e.g., homophobia, the closet, gay marriage) and the novels and series that address each of those themes.
This book provides a critical reappraisal of Barbara Creed’s ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman’s victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed’s ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory.
This discounted ebundle of The Goddess War Trilogy includes: Antigoddess, Mortal Gods, Ungodly “Blake presents a gory, thrilling vision of the twilight of the gods, in all their pettiness and power, while letting readers draw their own messages and conclusions.” —Publishers Weekly, starred review Antigoddess Old Gods never die...Or so Athena thought. But then the feathers started sprouting beneath her skin, invading her lungs like a strange cancer, and Hermes showed up with a fever eating away his flesh. Desperately seeking the cause of their slow, miserable deaths, Athena and Hermes travel the world, gathering allies and discovering enemies both new and old. Mortal Gods Ares, god of war, is leading the other dying gods into battle. Which is just fine with Athena. She's ready to wage a war of her own, and she's never liked him anyway. If Athena is lucky, the winning gods will have their immortality restored. If not, at least she'll have killed the bloody lot of them, and she and Hermes can die in peace. Ungodly For the Goddess of Wisdom, what Athena didn't know could fill a book. That's what Ares said. So she was wrong about some things. So the assault on Olympus left them beaten and scattered and possibly dead. So they have to fight the Fates themselves, who, it turns out, are the source of the gods' illness. And sure, Athena is stuck in the underworld, holding the body of the only hero she has ever loved. But Hermes is still topside, trying to power up Andie and Henry before he runs out of time and dies, or the Fates arrive to eat their faces Other Tor Teen books by Kendare Blake Anna Dressed in Blood Girl of Nightmares At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
“A wickedly entertaining” (The New York Times) detective story that chronicles one Mississippi man’s relentless search for an authentic portrait of William Shakespeare. Following his divorce, down-and-out writer and Mississippi exile Lee Durkee holed himself up in a Vermont fishing shack and fell prey to a decades-long obsession with Shakespearian portraiture. It began with a simple premise: despite the prevalence of popular portraits, no one really knows what Shakespeare looked like. That the Bard of Avon has gotten progressively handsomer in modern depictions seems only to reinforce this point. “Intensely readable…with bust-out laughing moments” (Garden & Gun), Stalking Shakespeare is Durkee’s fascinating memoir about a hobby gone awry, the 400-year-old myriad portraits attached to the famous playwright, and Durkee’s own unrelenting search for a lost picture of the Bard painted from real life. As Durkee becomes better at beguiling curators into testing their paintings with X-ray and infrared technologies, we get a front-row seat to the captivating mysteries—and unsolved murders—surrounding the various portraits rumored to depict Shakespeare. Whisking us backward in time through layers of paint and into the pages of obscure books on the Elizabethans, Durkee travels from Vermont to Tokyo to Mississippi to DC and ultimately to London to confront the stuffy curators forever protecting the Bard’s image. For his part, Durkee is the adversary they didn’t know they had—a self-described dilettante with nothing to lose, the “Dan Brown of Elizabethan portraiture.” A bizarre and surprisingly moving blend of biography, art history, and madness, Stalking Shakespeare is a “gripping, poignant, and enjoyable” (The Washington Post) journey that will forever change the way you look at one of history’s greatest cultural and literary icons.
When Ava Goddard sees toga-clad people that no one else can, she knows her life is about to change. After first seeing these strange people, Ava quickly jumps to the conclusion that she is A) going crazy or B) she's always been crazy but is only now realizing it. That is until she actually meets one of these hallucinations and learns that she's a demigoddess. Not only that, but she's the daughter of Jupiter himself. Ava soon learns that being a demigoddess isn't as fabulous as she first thought it would be. Her life is invaded by gods and goddesses who want to befriend her, including a frightening but ironically protective God of Death, a vengeful Queen of the Gods and a snarky dryad in Ava's tree. And on top of it all, she has to deal with her mother, an overdramatic best friend and a soccer playing potential boyfriend as well. Worse still, there's a goddess who is lurking in the dark and has been biding her time for the past several millennia, waiting for her chance to take over—and she's just found Jupiter's one weakness. Ava. Publisher's Note: This book has previously been released elsewhere. It has been revised and re-edited for re-release with Finch Books.
When Phoebe's mom returns from Greece with a new husband and plans to move to an island in the Aegean Sea, Phoebe's well-plotted senior year becomes ancient history. Now, instead of enjoying a triumphant track season and planning for college with her best friends, Phoebe is trying to keep her head above water at the berexclusive Academy. If it isn't hard enough being the new kid in school, Phoebe's classmates are all descendents of the Greek gods! When you're running against teammates with superpowers, dealing with a stepsister from Hades, and nursing a crush on a boy who is quite literally a god, the drama takes on mythic proportions!
