Judson

Judson

Author: David Judson

Publisher: Gibbs Smith

Published: 2020-03-17

Total Pages: 240

ISBN-13: 9781626400450

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Judson: Innovation in Stained Glass by David Judson and Steffie Nelson is a history of the world-renowned family of artisans who began crafting stained glass windows in Los Angeles in 1897. Five generations of Judsons have worked with artists, architects, and designers to create Old World-style stained glass whose quality and craftsmanship has often been compared to the work of Louis Tiffany. Famed for its Craftsman glass, Judson arts-and-crafts era windows have been celebrated by experts in the field for decades. Judson's work with Frank Lloyd Wright on Hollyhock House in the 1920s was recently re-saluted when the house was named to the UNESCO World Heritage Sites list. Established in the Pasadena during the heyday of the Arroyo Culture, headquarters of Judson Studios are still housed in the original Craftsman-era home and studio of patriarch William Lees Judson. Much of Judson's finest early work was installed in religious buildings. Along with the studio's numerous institutional and residential projects, Judson: Innovation in Stained Glass illustrates fine work in churches dating back to the early twentieth century. Modern work is also featured, including the extraordinary Air Force Academy Chapel in Colorado Springs, completed in 1962, a mid-century wonder whose soaring panels of color introduced an architecturally mesmerizing approach to stained glass that had never been executed before. In 2018, under David Judson's leadership, the studio created the world's largest fused glass window for the Church of the Resurrection in Leawood, Kansas. Including 140 panels, and measuring more than 3,400 square feet of art glass, the window made news internationally, intriguing congregants, tourists, and stained glass experts alike with its precision detail and artful melding of colors in a mural that depicted both sacred and secular stories. Once Judson Studios developed methods for blending subtle variations of color in glass for the Church of the Resurrection window, the possibilities of glass as an artist's medium were apparent. Now, in addition to its work in traditional leaded stained glass, Judson Studios is working with fine artists creating effects in fused glass that were previously unachievable. Most recently, fine artist Sarah Cain worked with Judson Studios to create a work in glass 10 feet high by 150 feet long; it was installed at the San Francisco International Airport in July 2019. About the Authors: David Judson is president of Judson Studios, the fifth generation of the Judson family to lead the studio since it was founded in 1897. David oversees the studio's creative process, where he works with architects, designers, and artists who turn to Judson for its legendary work in stained glass. In 2015, he opened the second Judson Studios facility which incorporates the firm's innovative fusing technology that allows fine artists to express their vision in glass. David is the president of the Stained Glass Association of America (SGAA) and lives with his family in Pasadena, California. Steffie Nelson has covered art, design, and culture for The New York Times, Los Angeles Times, W Magazine, and others.


Stained-Glass World

Stained-Glass World

Author: Kenneth Bulmer

Publisher: Gateway

Published: 2012-12-14

Total Pages: 136

ISBN-13: 0575122129

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A mind-shaking glimpse into the future of the earth: a brilliantly imagined, horrifyingly plausible glimpse into a world where the social elite, the Uppers, live in absolute luxury, boosting themselves with 'Joy Juice'. The 'Joy Juice' is the vital life fluid extracted from the workers, the second class citizens whose life is a constant search for and movement from one trip, one hallucination to the next. It is only when the workers are tripping that the Uppers can extract the 'Joy Juice'. But what happens when the good trips turn into bad ones? When pleasant dreams become nightmares?


Saving the Light at Chartres

Saving the Light at Chartres

Author: Victor A. Pollak

Publisher: Rowman & Littlefield

Published: 2020-03-16

Total Pages: 441

ISBN-13: 081176897X

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Built around 1200 and now a UNESCO World Heritage Site that draws more than a million visitors and pilgrims each year, Chartres Cathedral is one of the jewels of Western Civilization. How Chartres Cathedral and its priceless stained glass (today the largest such collection in one location) survived World War II’s widespread destruction of cultural monuments is one of the great stories of recent history. Saving the Light at Chartres begins half a decade before World War II, when a young French architect developed a plan to save the cathedral’s precious stained glass. As war engulfed Europe in the fall of 1939, master glass artisans dismantled the hundreds of windows, and soldiers, tradesmen, and laborers with local volunteers crated thousands of glass panels, stowed them in the crypt, and months later—just before German invaders reached Chartres—hauled them across the country to an underground quarry. This effort to save the stained glass is but a prologue. By August 1944, the U.S. Army had broken out of Normandy and was racing across France toward Paris and the Seine. Chartres became a key battleground. Allied bombing blew out the cathedral’s temporary window coverings, and when the Americans—assisted by French Resistance fighters—entered the city in the face of unexpectedly heavy defiance and snipers in the cathedral, many soldiers believed German artillery spotters were occupying the cathedral’s spires. When Colonel Welborn Griffith Jr.—a senior operations officer of Twentieth Corps in Patton’s Third Army—arrived, some were pressing to countermand the army’s standing order to avoid the cathedral and threatened to destroy it to neutralize the German spotters. Griffith was skeptical. He inspected the cathedral himself, climbed its towers, but found no Germans, so he rang the bell, waved an American flag, and ordered that the cathedral be spared, saving it from destruction. Griffith would be killed later that day. Victor Pollak tells both stories—the rescue of the windows and Colonel Griffith’s fateful role—in a compelling narrative. Saving the Light at Chartres honors the government and local teams who saved the windows, the Resistance that performed a vital role in the liberation of Chartres, Welborn Griffith, and the enduring treasure that is Chartres Cathedral.


WORLD of MICE (Stained Glass Color By Number)

WORLD of MICE (Stained Glass Color By Number)

Author: Sunlife Drawing

Publisher:

Published: 2019-10-03

Total Pages: 78

ISBN-13: 9781697364347

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30 Color By Number Stained Glass Designs with Cute Mice will Bring You a Lot of Fun While Coloring! It is Very Simple, as You Need Just to Color Stained Glass Elements According to the Numbers from the 22-Color Palette. * This Book is Also Available Without Numbers for Those Who Want to Use Their Own Color Combination. Try your Colors or create Your Own PALETTE on a sample page at the beginning of the book. The MOSAIC Color By Number Books series includes: ANIMAL MOSAIC Color by Number TRAVEL MOSAIC Color by Number CHRISTMAS MOSAIC Color by Number MOSAIC MANDALA Color by Number ANIMAL STENCILS Color by Number MOSAIC MANDALA Color by Number (Black Edition) WORLD of MICE (Stained Glass Color by Number) CHRISTMAS (Stained Glass Color by Number) CHRISTMAS MANDALA Color by Number ART ANIMAL STENCILS Color By Number


Stained Glass in England During the Middle Ages

Stained Glass in England During the Middle Ages

Author: Richard Marks

Publisher: Routledge

Published: 2006-01-16

Total Pages: 356

ISBN-13: 1134967500

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First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.


Rowan Lecompte

Rowan Lecompte

Author: Peter Swanson

Publisher: Acc Art Books

Published: 2022-08

Total Pages: 320

ISBN-13: 9781788841726

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* First book devoted to world-renowned stained-glass artist Rowan LeCompte, best known for his work in Washington National Cathedral* Stunning and richly illustrated, with over 150 windows in over 50 churches and buildings throughout the US, LeCompte was one of the world's most sought-after masters of stained glassRowan LeCompte (1925-2014) was a world-renowned stained-glass artist best known for his work in Washington National Cathedral that spanned an unprecedented 70 years of artistic commission. Rowan LeCompte: Master of Stained Glass celebrates LeCompte's artistic inspiration, distinctive technique, and unique perspective on a medieval decorative art, which he transformed into a fine art for modern times. The book traces his fascinating trajectory, from a determined teenager to a charming octogenarian with a clear vision of what stained glass can do within and beyond cathedral walls. More than an artist biography, this book illuminates the essence of human nature and its balance of light and darkness. Growing up in Baltimore, young Rowan LeCompte was fascinated by color and light, collecting colored glass fragments that his older brother - Stuart, a scientist - had discarded from his lab at Johns Hopkins. A visit to the Washington National Cathedral at age 14 would prove transformative for LeCompte, who later described the day as his "second birthday." At age 15, LeCompte knew what he wanted to do for the rest of his life: combine his love of architecture and painting through the study of stained glass. Just a year later, he earned his first commission in the National Cathedral: the very place that forged his destiny. Rowan LeCompte's seven decades of work not only fulfilled his teen ambition beyond expectations - it changed the art of stained glass itself. Rowan LeCompte: Master of Stained Glass takes readers behind-the-scenes of LeCompte's process, hearing from the artist first-hand about his unexpected inspirations - and rejected ideas - for color and design, and illustrating his work from the first 'cartoon' storyboards of windows, to painting the finishing touches on some of his best-known work. This beautiful 4-color photo art book tells of the complete history of Rowan's life, incorporating brilliant full-color photos of many of the windows which highlight the details of the imagination and innovation of this modern artist working in an ancient medium. It was his single-minded determination to create works that make the world a more beautiful place that will mark Rowan LeCompte as a great master for years to come. Rowan LeCompte: Master of Stained Glass is a companion to Peter Swanson's two films about Rowan. One of these films, Let There Be Light, documented LeCompte's final commission for the Washington National Cathedral's centennial celebration. The film won the Best of Festival award at Washington, D.C.'s Independent Film Festival.


Glass

Glass

Author: Alan Macfarlane

Publisher: University of Chicago Press

Published: 2002-10

Total Pages: 284

ISBN-13: 9780226500287

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Picture, if you can, a world without glass. There would be no microscopes or telescopes, no sciences of microbiology or astronomy. People with poor vision would grope in the shadows, and planes, cars, and even electricity probably wouldn't exist. Artists would draw without the benefit of three-dimensional perspective, and ships would still be steered by what stars navigators could see through the naked eye. In Glass: A World History, Alan Macfarlane and Gerry Martin tell the fascinating story of how glass has revolutionized the way we see ourselves and the world around us. Starting ten thousand years ago with its invention in the Near East, Macfarlane and Martin trace the history of glass and its uses from the ancient civilizations of India, China, and Rome through western Europe during the Renaissance, Enlightenment, and Industrial Revolution, and finally up to the present day. The authors argue that glass played a key role not just in transforming humanity's relationship with the natural world, but also in the divergent courses of Eastern and Western civilizations. While all the societies that used glass first focused on its beauty in jewelry and other ornaments, and some later made it into bottles and other containers, only western Europeans further developed the use of glass for precise optics, mirrors, and windows. These technological innovations in glass, in turn, provided the foundations for European domination of the world in the several centuries following the Scientific Revolution. Clear, compelling, and quite provocative, Glass is an amazing biography of an equally amazing subject, a subject that has been central to every aspect of human history, from art and science to technology and medicine.


Greek and Roman Gods Stained Glass Coloring Book

Greek and Roman Gods Stained Glass Coloring Book

Author: Arkady Roytman

Publisher: Courier Corporation

Published: 2009-05-01

Total Pages: 20

ISBN-13: 0486469956

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A sparkling way to color powerful gods of popular mythology, these 16 stained glass designs include Poseidon, the king of the sea; Zeus, the ruler of the sky whose weapon was a thunderbo


The Beauty of Stained Glass

The Beauty of Stained Glass

Author: Patrick Reyntiens

Publisher: Herbert Press

Published: 1990

Total Pages: 232

ISBN-13:

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Stained glass can be thought of as a decorative adjunct to architecture or as fine art productive of a wide variety of rich and deep experiences in the beholder. Although both aspects are covered in this book, it is glass as fine art that concerns the author - from the unique wondrous beauty of the windows of Europe's great cathedrals to the much later masterpieces of Tiffany, LaFarge and today's artists. Treating the subject chronologically, he explores the chronological background to each period in order to establish the motivation of the society and the intentions of the artists who caused a particular kind of stained glass to come into being. There are enquiries into the changing meaning of colour, the influence of other contemporary arts (architecture, painting, tapestry, ceramics, illuminated manuscripts), the origin of glass and the manner in which, in early times, ideas travelled from one region to another. There are also accounts of how stained glass windows are made and descriptive analyses of the beauty of individual works. Patrick Reyntiens considers late developments in the 20th century. Among these is the rise of the studio panel of stained glass or glass emancipated from the constraints of modern architecture, of which he himself is a practitioner.