Angel Companions contains 23 stained glass patterns for beautiful, free-form angels of all sizes. Each angel has a personality of its own and is shown in full color pictures. There are small angels, like 10-piece ¿Sunny¿ and larger angels, like ¿Grace¿ with over 50 pieces. Each has its own personality, all are easy to make and include construction tips. These angels are beautiful additions to any home and some, like ¿Guardian¿ can be personalized and make wonderful gifts.
An insightful corrective demonstrating the Arts and Crafts Movement's indelible impact on British and American stained glass Beautifully illustrated and based on more than three decades of research, Arts & Crafts Stained Glass is the first study of how the late-19th-century Arts and Crafts Movement transformed the aesthetics and production of stained glass in Britain and America. A progressive school of artists, committed to direct involvement both in making and designing windows, emerged in the 1880s and 1890s, reinventing stained glass as a modern, expressive art form. Using innovative materials and techniques, they rejected formulaic Gothic Revivalism while seeking authentic, creative inspiration in medieval traditions. This new approach was pioneered by Christopher Whall (1849-1924), whose charismatic teaching educated a generation of talented pupils--both men and women--who produced intensely colorful and inventive stained glass, using dramatic, lyrical, and often powerfully moving design and symbolism. Peter Cormack demonstrates how women made critical contributions to the renewal of stained glass as artists and entrepreneurs, gaining meaningful equality with their male colleagues, more fully than in any other applied art. Cormack restores stained glass to its proper status as an important field of Arts and Crafts activity, with a prominent role in the movement's polemical campaigning, its public exhibitions, and its educational program. Published for the Paul Mellon Centre for Studies in British Art
This book focuses on the aesthetic, symbolic, and cultural concepts of radiance and beauty in stained glass in modern art; global exchanges between stained-glass artists in Europe and the Americas; and the transformation of stained glass from religious decoration to secular material culture. Unique features of the book include its geographic breadth, encompassing England, France, Italy, USA, and Mexico, and its inclusion of American female glassmakers. Essays consider how stained glass became an art form during this time, and show how the narrative for the figurative design drew from the Bible, mythology, history, literature, and the symbolism of the time, including popular culture such as ecology and materiality. Written for students and the general public interested in the humanities, literature, history, art history, and new media and popular culture, this book examines the visual beauty and symbolism of stained-glass windows in Europe and American cultures during the late nineteenth and early twentieth centuries – the modern era.
The Detroit area boasts many fine examples of stained glass representing a variety of periods and styles. The European stained glass collection at teh Detroit Institute of Arts ranks amongst the most important in the United States. Churches and synagogues contain panels from notable designsers and studios, and exquisite glass can also be found in many public and private buildings like the Detroit Public Library, Cranbrook House, the Guardian Building, and the David Whitney, Jr., house. Discovering Stained Glass in Detroit contains sixty examples of the area's stained glass treasures, each stunningly presented in full color. Author Nola Huse Tutag accompanies each illustration with an explanatory text. Line drawings illustrate the buildings where the panels are located. The windows represent works by designers such as Louis Comfort Tiffany, Charles J. Connick, Frank Lloyd Wright, Henry Matisse, as well as those from European and American studios.
By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts.Beautifully illustrated with color plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
