Stagolee Shot Billy

Stagolee Shot Billy

Author: Cecil Brown

Publisher: Harvard University Press

Published: 2009-07-01

Total Pages: 308

ISBN-13: 9780674028906

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Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.


Stagolee Shot Billy

Stagolee Shot Billy

Author: Cecil Brown

Publisher:

Published: 2003-05-22

Total Pages: 312

ISBN-13:

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Delving into the subculture of St. Louis and the work of Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, whose transformation reflects changing views of black musical forms. 12 illustrations.


Stagolee Shot Billy

Stagolee Shot Billy

Author: Cecil Brown

Publisher: Harvard University Press

Published: 2004-09-30

Total Pages: 0

ISBN-13: 9780674016262

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Although his story has been told countless times--by performers from Ma Rainey, Cab Calloway, and the Isley Brothers to Ike and Tina Turner, James Brown, and Taj Mahal--no one seems to know who Stagolee really is. Stack Lee? Stagger Lee? He has gone by all these names in the ballad that has kept his exploits before us for over a century. Delving into a subculture of St. Louis known as "Deep Morgan," Cecil Brown emerges with the facts behind the legend to unfold the mystery of Stack Lee and the incident that led to murder in 1895. How the legend grew is a story in itself, and Brown tracks it through variants of the song "Stack Lee"--from early ragtime versions of the '20s, to Mississippi John Hurt's rendition in the '30s, to John Lomax's 1940s prison versions, to interpretations by Lloyd Price, James Brown, and Wilson Pickett, right up to the hip-hop renderings of the '90s. Drawing upon the works of James Baldwin, Richard Wright, and Ralph Ellison, Brown describes the powerful influence of a legend bigger than literature, one whose transformation reflects changing views of black musical forms, and African Americans' altered attitudes toward black male identity, gender, and police brutality. This book takes you to the heart of America, into the soul and circumstances of a legend that has conveyed a painful and elusive truth about our culture.


I, Stagolee

I, Stagolee

Author: Cecil Brown

Publisher: North Atlantic Books

Published: 2011-06-07

Total Pages: 276

ISBN-13: 1583943927

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It's the birth year of Ragtime music, 1895, and Lee "Stagolee" Shelton, a St. Louis pimp, murders Billy Lyons, a political gang member. Afterwards, Stagolee makes a deal with Judge Murphy to bring order to the underworld. As a member of a group of pimps called the "Stags," Stagolee makes alliances with the Democratic Party and votes for a Democratic Mayor. Later, the Stag Party, along with the Democratic Party, elects St. Louis's first black policeman. It is this policeman who is sent to arrest Stagolee for the murder of Billy Lyons. Now, nearly 50 years after singer Lloyd Price introduced mainstream audiences to the "Stagger Lee" story, Cecil Brown portrays the events that gave rise to this mainstay of African-American popular culture. This follows the successful Stagolee Shot Billy, Brown's nonfiction account of the same story.


Stagger Lee

Stagger Lee

Author: Derek McCulloch

Publisher:

Published: 2006

Total Pages: 0

ISBN-13: 9781582406077

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A graphic novel adaptation of the legend of Lee Shelton, better known as Stagger Lee, which tells of the dice game that led to Lee shooting and killing Billy Lyons, and which inspired the famous song.


Unprepared To Die

Unprepared To Die

Author: Paul Slade

Publisher: Soundcheck Books

Published: 2015-11-01

Total Pages: 151

ISBN-13: 099294807X

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The Gory Stories Behind The Murder Ballads Cheerfully vulgar, revelling in gore, and always with an eye on the main chance, murder ballads are tabloid newspapers set to music, carrying word of the latest ‘orrible murders to an insatiable public. Victims are bludgeoned, stabbed or shot in every verse and killers often hanged, but the songs themselves never die. Instead, they mutate – morphing to suit local place names as they criss cross the Atlantic and continue to fascinate each generation’s biggest musical stars. Paul Slade traces this fascinating genre’s history through eight of its greatest songs. Stagger Lee’s “biographers” alone include Duke Ellington, James Brown, Bob Dylan, Dr John, The Clash and Nick Cave. No two tell his story in quite the same way. Covering eight classic murder ballads, including “Knoxville Girl”, “Tom Dooley” and “Frankie & Johnny”, Slade investigates the real-life murder which inspired each song and traces its musical development down the decades. Billy Bragg, The Bad Seeds’ Mick Harvey, Laura Cantrell, Rennie Sparks of The Handsome Family and a host of other leading musicians add their own insights.


The Life and Loves of Mr. Jiveass Nigger

The Life and Loves of Mr. Jiveass Nigger

Author: Cecil Brown

Publisher: Frog Books

Published: 2008-07-29

Total Pages: 244

ISBN-13: 9781583942109

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“If you're black you don't need to get at anything. You're already there. You can live right out of your insides.” So says the antihero of this legendary novel that reimagines the Bible’s prodigal son as a young black man in post-Civil Rights-era America. George Washington—one of his many aliases—is a classic trickster figure, a blend of con artist, deep thinker, and willing object of white women’s sexual fantasies. Fed up with life in racist America, he leaves his rural South for Denmark on a curious quest, determined to discover if there is “any mother fucker in this despiteful world who ever told himself the truth.” In Denmark he spends his days bantering with fellow black expatriates and his nights bedding a series of white women who project their desires on him. Inevitably, these worlds collide, with Washington, aka Anthony Miller, aka Paul Winthrop, aka Mr. Jiveass Nigger, increasingly alienated in a world of opportunists. A return to America after his self-imposed exile promises transformation, but is Washington too far gone? Cecil Brown brings blistering prose, unabashed eroticism, and biting satire to this controversial masterpiece that’s as timely today as when it was first published.


Dude, Where's My Black Studies Department?

Dude, Where's My Black Studies Department?

Author: Cecil Brown

Publisher: North Atlantic Books

Published: 2007-05-15

Total Pages: 161

ISBN-13: 1556435738

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***WINNER, 2008 PEN Oakland - Josephine Miles National Literary Award Blacks have been vanishing from college campuses in the United States and reappearing in prisons, videos, and movies. Cecil Brown tackles this unwitting "disappearing act" head on, paying special attention to the situation at UC Berkeley and the University of California system generally. Brown contends that educators have ignored the importance of the oral tradition in African American upbringing, an oversight mirrored by the media. When these students take exams, their abilities are not tested. Further, university officials, administrators, professors, and students are ignoring the phenomenon of the disappearing black student – in both their admissions and hiring policies. With black studies departments shifting the focus from African American and black community interests to black immigrant issues, says Brown, the situation is becoming dire. Dude, Where’s My Black Studies Department? offers both a scorching critique and a plan for rethinking and reform of a crucial but largely unacknowledged problem in contemporary society.


The Dog Walker

The Dog Walker

Author: Lesley Thomson

Publisher: Bloomsbury Publishing

Published: 2017-04-06

Total Pages: 419

ISBN-13: 178497224X

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Brand new from the #1 bestselling author of The Detective's Daughter. Stella and Jack must reawaken the secrets of the past in order to solve the mysteries of the present. January, 1987. In the depths of winter, only joggers and dog walkers brave the Thames towpath after dark. Helen Honeysett, a young newlywed, sets off for an evening run from her riverside cottage and disappears. Twenty-nine years later, Helen's body has never been found. Her husband has asked Stella Darnell, a private detective, and her side-kick Jack Harmon, to find out what happened all those years ago. But when the five households on that desolate stretch of towpath refuse to give up their secrets, Stella and Jack find themselves hunting a killer whose trail has long gone cold.


Voicing the Popular

Voicing the Popular

Author: Richard Middleton

Publisher: Routledge

Published: 2013-09-05

Total Pages: 343

ISBN-13: 1136092749

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How does popular music produce its subject? How does it produce us as subjects? More specifically, how does it do this through voice--through "giving voice"? And how should we understand this subject--"the people"--that it voices into existence? Is it singular or plural? What is its history and what is its future? Voicing the Popular draws on approaches from musical interpretation, cultural history, social theory and psychoanalysis to explore key topics in the field, including race, gender, authenticity and repetition. Taking most of his examples from across the past hundred years of popular music development--but relating them to the eighteenth- and nineteenth-century "pre-history"--Richard Middleton constructs an argument that relates "the popular" to the unfolding of modernity itself. Voicing the Popular renews the case for ambitious theory in musical and cultural studies, and, against the grain of much contemporary thought, insists on the progressive potential of a politics of the Low.