Staging the Screen

Staging the Screen

Author: Greg Giesekam

Publisher: Palgrave

Published: 2007-11-19

Total Pages: 296

ISBN-13: 9781403916983

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The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work


Staging the Screen

Staging the Screen

Author: Greg Giesekam

Publisher: Bloomsbury Publishing

Published: 2018-02-06

Total Pages: 296

ISBN-13: 1137090995

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The use of film and video is widespread in contemporary theatre. Staging the Screen explores a variety of productions, ranging from Piscator to Forced Entertainment, charting the impact of developing technologies on practices in dramaturgy and performance. Giesekam addresses critical issues raised by multi-media work and inter-media work


The Art of Knife Fighting for Stage and Screen

The Art of Knife Fighting for Stage and Screen

Author: Erick Vaughn Wolfe

Publisher: Routledge

Published: 2022-02-07

Total Pages: 140

ISBN-13: 1000531155

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The Art of Knife Fighting for Stage and Screen: An Actor’s and Director’s Guide to Staged Violence provides detailed information for the safe use of knives and daggers in a theatrical setting and an in-depth understanding of safe theatrical weapons. The book starts with an extensive safety review, then moves on to the basic techniques of dagger fighting, starting with grip and body postures. Readers will then learn about the basic actions of cuts, parries, blocks, and disarms. During this process, they will explore the connection between body and weapon and start learning the elements of storytelling through choreography. Special attention is given to suicides, threats, and murder and how directors, choreographers, performers, teachers, and students can approach these techniques in a way that is physically and mentally safe. The book also covers the use of throwing knives, knife flips, and other tricks to help add a little flair to your fight. The Art of Knife Fighting for Stage and Screen teaches the safe theatrical use of the knife for directors, performers, educators, and students of stage combat.


Stage and Screen

Stage and Screen

Author: Bert Cardullo

Publisher: A&C Black

Published: 2011-11-17

Total Pages: 290

ISBN-13: 1441168699

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Classic and new essays examining the historical, cultural, and aesthetic relationships between theater and film.


Between Stage and Screen

Between Stage and Screen

Author: Egil Törnqvist

Publisher: Amsterdam University Press

Published: 1995

Total Pages: 244

ISBN-13: 9053561374

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Ingmar Bergman is worldwide known as a film and stage director. Yet no-one has attempted to compare his stage and screen activities. In Between Stage and Screen Egil Törnqvist examines formal and thematical correspondences and differences between a number of Bergman's stage, screen, and radio productions. In the prologue Bergman's spiritual and aesthetic heritage and his position in the twentieth century media landscape is outlined. In the epilogue the question is answered to what extent one can speak of Bergman's directorial 'method' irrespective of the chosen medium.


Anglo-American Stage and Screen Drama

Anglo-American Stage and Screen Drama

Author: Mike Ingham

Publisher: Springer Nature

Published: 2023-12-29

Total Pages: 293

ISBN-13: 3031451988

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Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate.


The 100 Most Influential Entertainers of Stage and Screen

The 100 Most Influential Entertainers of Stage and Screen

Author: Virginia Forte

Publisher: Encyclopaedia Britannica

Published: 2016-07-15

Total Pages: 475

ISBN-13: 1508100438

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This book presents biographies of 100 of the most influential entertainers of all time. It includes the best-known actors, comedians, directors, and musicians who have kept audiences tuned in and have constantly pushed the limits of entertainment.


Shakespearean Biofiction on the Contemporary Stage and Screen

Shakespearean Biofiction on the Contemporary Stage and Screen

Author: Edel Semple

Publisher: Bloomsbury Publishing

Published: 2023-11-02

Total Pages: 209

ISBN-13: 1350359211

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This book is the first edited collection to explore Shakespeare's life as depicted on the modern stage and screen. Focusing on the years 1998-2023, it uniquely identifies a 25-year trend for depicting Shakespeare, his family and his social circle in theatre, film and television. Interrogating Shakespeare's afterlife across stage and screen media, the volume explores continuities and changes in the form since the release of Shakespeare in Love, which it positions as the progenitor of recent Shakespearean biofictions in Anglo-American culture. It traces these developments through the 21st century, from pivotal moments such as the Shakespeare 400 celebrations in 2016, up to the quatercentenary of the publication of the First Folio, whose portrait helped make the author a globally recognisable icon. The collection takes account of recent Anglo-American socio-political, cultural and literary concerns including feminism, digital media and the biopic and superhero genres. The wide variety of works discussed range from All is True and Hamnet to Upstart Crow, Bill and even The Lego Movie. Offering insights from actors, dramatists and literary and performance scholars, it considers why artists are drawn to Shakespeare as a character and how theatre and screen media mediate his status as literary genius.


A Philosophy of Comedy on Stage and Screen

A Philosophy of Comedy on Stage and Screen

Author: Shaun May

Publisher: Bloomsbury Publishing

Published: 2015-12-17

Total Pages: 144

ISBN-13: 1472580451

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As far as we know, only human beings have a sense of humour – although chimps might laugh when tickled, and dogs respond similarly in play, Seth McFarlane's fan-base is comprised exclusively of humans. Whilst animals and robots might feature as prominent characters in our favourite comic movies, shows and stand-up routines, we have no reason to suspect that their real-life brethren get the joke. Drawing on the philosophy of Martin Heidegger, Shaun May attempts to address this issue – suggesting that there is something distinctive about human beings which grounds our ability to make and comprehend jokes. Guiding the reader through a range of examples, including the films of Charlie Chaplin, the stand-up of Francesca Martinez, the TV show Family Guy and Samuel Beckett's Endgame, he demonstrates that in order to get the joke you have to 'be there'.


Stage-Play and Screen-Play

Stage-Play and Screen-Play

Author: Michael Ingham

Publisher: Taylor & Francis

Published: 2016-12-08

Total Pages: 239

ISBN-13: 131755521X

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Dialogue between film and theatre studies is frequently hampered by the lack of a shared vocabulary. Stage-Play and Screen-Play sets out to remedy this, mapping out an intermedial space in which both film and theatre might be examined. Each chapter’s evaluation of the processes and products of stage-to-screen and screen-to-stage transfer is grounded in relevant, applied contexts. Michael Ingham draws upon the growing field of adaptation studies to present case studies ranging from Martin McDonagh’s The Cripple of Inishmaan and RSC Live’s simulcast of Richard II to F.W. Murnau’s silent Tartüff, Peter Bogdanovich’s film adaptation of Michael Frayn’s Noises Off, and Akiro Kurosawa’s Ran, highlighting the multiple interfaces between media. Offering a fresh insight into the ways in which film and theatre communicate dramatic performances, this volume is a must-read for students and scholars of stage and screen.