Staging France between the World Wars

Staging France between the World Wars

Author: Susan McCready

Publisher: Lexington Books

Published: 2016-09-21

Total Pages: 177

ISBN-13: 1498522793

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Staging Francebetween the World Wars aims to establish the nature and significance of the modernist transformation of French theater between the world wars, and to elucidate the relationship between aesthetics and the cultural, economic, and political context of the period. Over the course of the 1920s and 30s, as the modernist directors elaborated a theatrical tradition redefined along new lines: more abstract, more fluid, and more open to interpretation, their work was often contested, especially when they addressed the classics of the French theatrical repertory. This study consists largely of the analysis of productions of classic plays staged during the interwar years, and focuses on the contributions of Jacques Copeau and the Cartel because of their prominence in the modernist movement and their outspoken promotion of the role of the theatrical director in general. Copeau and the Cartel began on the margins of theatrical activity, but over the course of the interwar period, their movement gained mainstream acceptance and official status within the theater world. Tracing their trajectory from fringe to center, from underdogs to elder statesmen, this study illuminates both the evolution of the modernist aesthetic and the rise of the metteur-en-scène, whose influence would reshape the French theatrical canon.


Staging France Between the World Wars

Staging France Between the World Wars

Author: Susan McCready

Publisher:

Published: 2016

Total Pages: 0

ISBN-13: 9781498522786

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Introduction -- Subject to interpretation -- Mobilizing the canon -- Molière -- Racine et Shakespeare -- The romantics -- Hitting the mainstream -- Conclusion


The Culture of War

The Culture of War

Author: Colin Foss

Publisher: Liverpool University Press

Published: 2020-10-20

Total Pages: 248

ISBN-13: 1789627710

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During the Siege of Paris, literature was big business. A study of cultural production and consumption, The Culture of War examines how Parisians fuelled the industries of literature even as the Prussian blockade isolated them from the outside world in the winter of 1870-1871.


April in Paris

April in Paris

Author: Irena Makaryk

Publisher: University of Toronto Press

Published: 2018-11-22

Total Pages: 327

ISBN-13: 1487518595

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Attracting over fifteen million visitors, the 1925 Paris Expo had an ambitious goal to create a new modernist style which would reflect the great scientific, industrial, and technological advances that produced a new spirit known as "modern." In April in Paris, author Irena R. Makaryk explores the theatre arts’ vital cultural and political impact at this celebrated international exhibition. Drawing extensively from unexplored archival documents from France, Austria, and North America, April in Paris is the first major study to focus on theatre arts at the 1925 Paris Expo and the audacious Soviet contributions to this fair. Turning a spotlight on the uses and representations of theatricalized spaces, Makaryk analyses their political challenge at a time when relations between the West and the USSR were rife with tension. Copiously illustrated with beautiful colour and black and white illustrations, this book elucidates the complex role of the international fair as a catalyst for spirited cultural debate and for aesthetic change.


Antonin Artaud

Antonin Artaud

Author: Blake Morris

Publisher: Routledge

Published: 2021-12-30

Total Pages: 129

ISBN-13: 0429670974

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Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance. Antonin Artaud was an active theatre-maker and theorist whose ideas reshaped contemporary approaches to performance. This is the first book to combine an overview of Artaud’s life with a focus on his work as an actor and director; an analysis of his key theories, including the Theatre of Cruelty and the double; a consideration of his work as a director at the Théâtre Alfred Jarry and his production of Strindberg’s A Dream Play; and a series of practical exercises to develop an approach to theatre based on Artaud’s key ideas. As a first step towards critical understanding and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.


Staging West German Democracy

Staging West German Democracy

Author: Jan Uelzmann

Publisher: Bloomsbury Publishing USA

Published: 2019-03-21

Total Pages: 294

ISBN-13: 150134711X

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Staging West German Democracy examines how political “founding discourses” of the nascent Federal Republic (FRG) were reflected, reinforced, and actively manufactured by the Federal government in conjunction with the West German, state-controlled newsreel system, the Deutsche Wochenschau. By looking at the institutional history of the Deutsche Wochenschau and its close relationship to the Federal Press Office, Jan Uelzmann traces the Adenauer administration's project of maintaining a “government channel” in an increasingly diverse, de-centralized, and democratic West German media landscape. Staging West German Democracy reconstructs the company's integral role in the planning, production, and dissemination of pro-government PR, and through detailed analyses reveals the films to celebrate the FRG as an economically successful and internationally connected democracy under Adenauer's leadership. Apart from providing election propaganda for Adenauer's CDU party, these films provided an important stabilizing factor for the FRG's project of explaining and promoting democracy to its citizens, and of defining its public image against the backdrops of the Third Reich past and a competing, contemporary incarnation of German nationhood, the German Democratic Republic (GDR). In this regard, Staging West German Democracy adds in important ways to our understanding of the media's role in the West German nation building process.


Surrealist Ghostliness

Surrealist Ghostliness

Author: Katharine Conley

Publisher: U of Nebraska Press

Published: 2020-04-01

Total Pages: 364

ISBN-13: 1496211529

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In this study of surrealism and ghostliness, Katharine Conley provides a new, unifying theory of surrealist art and thought based on history and the paradigm of puns and anamorphosis. In Surrealist Ghostliness, Conley discusses surrealism as a movement haunted by the experience of World War I and the repressed ghost of spiritualism. From the perspective of surrealist automatism, this double haunting produced a unifying paradigm of textual and visual puns that both pervades surrealist thought and art and commemorates the surrealists’ response to the Freudian unconscious. Extending the gothic imagination inherited from the eighteenth century, the surrealists inaugurated the psychological century with an exploration of ghostliness through doubles, puns, and anamorphosis, revealing through visual activation the underlying coexistence of realities as opposed as life and death. Surrealist Ghostliness explores examples of surrealist ghostliness in film, photography, painting, sculpture, and installation art from the 1920s through the 1990s by artists from Europe and North America from the center to the periphery of the surrealist movement. Works by Man Ray, Claude Cahun, Brassaï and Salvador Dalí, Lee Miller, Dorothea Tanning, Francesca Woodman, Pierre Alechinsky, and Susan Hiller illuminate the surrealist ghostliness that pervades the twentieth-century arts and compellingly unifies the century’s most influential yet disparate avant-garde movement.


Edinburgh Companion to the First World War and the Arts

Edinburgh Companion to the First World War and the Arts

Author: Ann-Marie Einhaus

Publisher: Edinburgh University Press

Published: 2017-05-24

Total Pages: 480

ISBN-13: 1474401643

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A new exploration of literary and artistic responses to WW1 from 1914 to the presentThis authoritative reference work examines literary and artistic responses to the wars upheavals across a wide range of media and genres, from poetry to pamphlets, sculpture to television documentary, and requiems to war reporting. Rather than looking at particular forms of artistic expression in isolation and focusing only on the war and inter-war period, the 26 essays collected in this volume approach artistic responses to the war from a wide variety of angles and, where appropriate, pursue their inquiry into the present day. In 6 sections, covering Literature, the Visual Arts, Music, Periodicals and Journalism, Film and Broadcasting, and Publishing and Material Culture, a wide range of original chapters from experts across literature and the arts examine what means and approaches were employed to respond to the shock of war as well as asking such key questions as how and why literary and artistic responses to the war have changed over time, and how far later works of art are responses not only to the war itself, but to earlier cultural production.Key FeaturesOffers new insights into the breadth and depth of artistic responses to WWIEstablishes links and parallels across a wide range of different media and genresEmphasises the development of responses in different fields from 1914 to the present


Absent the Archive

Absent the Archive

Author: Lia Brozgal

Publisher: Liverpool University Press

Published: 2020-11-04

Total Pages: 368

ISBN-13: 178962262X

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Absent the Archive is the first cultural history devoted to literary and visual representations of the police massacre of peaceful Algerian protesters. This corpus, or anarchive, includes a variety of cultural texts whose formal, diegetic, and discursive strategies represent the massacre and its erasure, its “becoming invisible,” and its afterlives as a trace, a memory, a sign.


Vercors 1944

Vercors 1944

Author: Peter Lieb

Publisher: Bloomsbury Publishing

Published: 2012-12-20

Total Pages: 244

ISBN-13: 1780961162

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A highly illustrated account of the conflict between the German Army and security forces and the French resistance in the Alps. Fighting insurgents has always been one of the greatest challenges for regular armed forces during the 20th century. The war between the Germans and the French resistance, also called FFI (Forces Françaises d'Intérieur), during World War II has remained a near-forgotten chapter in the history of these 'Small Wars'. This is all the more astonishing as agencies like the British SOE (Special Operations Executive) and the American OSS (Office of Strategic Services) pumped a good amount of their resources into the support of the French resistance movement. By diversionary attacks on German forces in the occupied hinterland the Allies hoped the FFI could provide assistance in disrupting German supply lines as well as crumbling their morale. The mountain plateau of the Vercors south-west of Grenoble was the main stronghold of the FFI, and in July 1944 some 8,000 German soldiers mounted an operation on the plateau and destroyed the insurgent groups there. This compact volume examines the battle of the Vercors, the largest operation against the FFI during World War II, and shows how the Germans' suit and crushing victory has caused traumatic memories for the French that persist to the present day.