"... succeeds in conveying the exciting and fascinating character of the concert party genre, as well as showing clearly how this material can be used to rethink a number of contemporary theoretical themes and issues." --Karin Barber Under colonial rule, the first concert party practitioners brought their comic variety shows to audiences throughout what was then the British Gold Coast colony. As social and political circumstances shifted through the colonial period and early years of Ghanaian independence, concert party actors demonstrated a remarkable responsiveness to changing social roles and volatile political situations as they continued to stage this extremely popular form of entertainment. Drawing on her participation as an actress in concert party performances, oral histories of performers, and archival research, Catherine M. Cole traces the history and development of Ghana's concert party tradition. She shows how concert parties combined an eclectic array of cultural influences, adapting characters and songs from American movies, popular British ballads, and local story-telling traditions into a spirited blend of comedy and social commentary. Actors in blackface, inspired by Al Jolson, and female impersonators dramatized the aspirations, experiences, and frustrations of their audiences. Cole's extensive and lively look into Ghana's concert party provides a unique perspective on the complex experience of British colonial domination, the postcolonial quest for national identity, and the dynamic processes of cultural appropriation and social change. This book will be essential reading for scholars and students of African performance, theatre, and popular culture.
As the Civil War looms, a teenager finds refuge from her abusive father in a Shaker community in this “lovely and thought-provoking” novel (Kirkus Reviews). Rosemary Elizabeth likes Pleasant Hill. Unlike her former home, the Kentucky Shaker community is serene and full of beautiful things. The food is plentiful and delicious, and she dresses in spotless white garments. Above all, she and her younger siblings are now safe from their drunken, often violent, father, and from the war between the Union and the Confederacy, which is said to be drawing closer every day. Perfection is the goal at Pleasant Hill, and Rosemary Elizabeth vows to be perfect so she’ll be allowed to stay. As time passes, however, she finds herself more and more at odds with the Shaker path, the rules that are supposed to govern everything she says and does and even what she dreams. If she eliminates all the imperfections the Shakers find in her, will anything remain? “Built around a historical incident—a visit by the soldiers of Morgan’s Raiders to Pleasant Hill in 1862—this fine coming-of-age novel rewards readers with an unusual glimpse into a rarely portrayed religion as well as a different perspective on the Civil War.” —Booklist
When the charismatic founder/leader of a religious movement dies, the popular belief is that the movement usually disintegrates. However, many new religions not only survive but prosper, despite leadership transition. In this book, prominent scholars examine what happened to eleven new movements following the deaths of their leaders, and why. An Introduction by J. Gordon Melton serves to integrate the case studies.
The intimate guide to life as a Shaker in 19th century America "Never make more free with your inferiors than you are willing they should make with you; it learns them to be saucy." Such sage words of advice come from Mother Ann Lee's Society of the Shakers, who in 1844 published A Juvenile Guide, or Manual of Good Manners, Consisting of Counsels, Instructions, & Rules of Deportment for the Young. Known for their piety, their economy, and (perhaps most famously) their celibacy, the Shakers knew a thing or two about etiquette and proper decorum. With this incredible artifact of a bygone era, you can experience what it was like to live in a rural 19th century religious community, where children were taught to "be careful not to talk too loud, nor too much" and to "always have a place for every thing, and keep every thing in its place."
Americans were enthralled by the Shakers in the years between 1925 and 1965. They bought Shaker furniture, saw Shaker worship services enacted on Broadway, sang Shaker songs, dressed in Shaker-inspired garb, collected Shaker artifacts, and restored Shaker villages. William D. Moore analyzes the activities of scholars, composers, collectors, folklorists, photographers, writers, choreographers, and museum staff who drove the national interest in this dwindling regional religious group. This interdisciplinary study places the activities of individuals -- including Doris Humphrey, Charles Sheeler, Laura Bragg, Juliana Force, and Edward Deming Andrews -- within the larger cultural and historical contexts of nationalism, modernism, and cultural resource management. Taking up previously unexamined primary sources and cultural productions that include the first scholarly studies of the faith, material culture and visual arts, stage performances, and museum exhibitions, Shaker Fever compels a reconsideration of this religious group and its place within American memory. It is sure to delight enthusiasts, public historians, museum professionals, furniture collectors, and anyone interested in the dynamics of cultural appropriation and stewardship.
There is no more entertaining show in town right now than Roberto Aguirre-Sacasa's BASED ON A TOTALLY TRUE STORY. --NY Daily News. A brisk and breezy new comedy...Roberto Aguirre-Sacasa deftly weaves narrative, structure, and talk together into a supple f
Shunned at school because he sprouts flowers every full moon, Rink Bowagon makes a special pair of shoes for a classmate who is able to appreciate his unique abilities.
