Contains all the major political, philosophical and educational writings of William Godwin, one of the foremost philosophers of his age. His work on government and individual freedom, "Political Justice", made him the chief exponent of English radicalism in the latter half of the 18th century.
First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.
William Godwin-husband of Mary Wollstonecraft, father of Mary Shelley, friend of Coleridge, Lamb, Hazlitt, and mentor of Wordsworth, Southey, and Shelley-has been recently recognized as an original moral and revolutionary thinker and a novelist of great skill, a man whose influence was far wider than is usually assumed. In a new biography of this flamboyant and fascinating character, Marshall places Godwin in his social, political, and historical context, traces the development of his ideas, and critically analyzes his works. Marshall steers his course.with unfailing sensitivity and skill. It is hard to see how the task could have been better done.-Michael Foot, The Observer An ambitious study that offers a thorough exploration of Godwin's life and complex times.-Linda Simon, Library Journal
Gregory Maertz has written extensively on Romantic and Modern literature, art, and ideas. In these nine related essays, he investigates the expression of Romanticism in literature, philosophy, and cultural politics from the Renaissance to Modernism. The comparative essays in Part One examine the affinity between the religious logic of Sir Thomas Browne and Søren Kierkegaard; Tolstoy’s enduring attraction to Schopenhauer’s thought; Rilke’s debts to the sculptor Rodin; the identification of an early novel by William Godwin as the chief precursor text to Mary Shelley’s Frankenstein; and the corresponding literary projects of Osip Mandelstam, Rilke, and David Jones. In Part Two the essays are clustered around the literary activity of writers and philosophers associated with radicalism in Britain and transcendentalism in America: a reconsideration of the life of William Godwin; the central role played by English radicals in the transmission of German literature; Godwin’s innovations in travel fiction; and the crystallization of authorial identity around the influence of Goethe in the work of women writers such as Mary Wollstonecraft, Margaret Fuller, and George Eliot.