Underage agents Juni and Carmen Cortez set out on their new mission: journeying inside the virtual reality world of a 3-D video game designed to outsmart them. Relying on humor, gadgetry, bravery, family bonds and lightning-quick reflexes, the Spy Kids must battle through tougher and tougher levels of the game-facing many challenges.
Juni Cortez's retirement from the OSS force is cut short when he receives an urgent message from the President of the United States. His sister, Carmen, is trapped inside a virtual-reality video game by the notorious Toymaker. Now, in order to stop the Toymakers evil game plan, the SPY Kids must go on one of their most dangerous missions yet. In a game where things are never what they seem, the SPY Kids must rely on their grandfather and a crazy group of video gamers. It's the SPY Kids against the Toymaker in the ultimate game of power...and survival. With 8 colour film stills.
Carmen and Juni are assigned guard duty for a famous pop star The pop star's talents are the result of a powerful gem that has now fallen into the hands of an evil villainess. The Spy Kids must save the star!
During the 1990s, Austin achieved "overnight" success and celebrity as a vital place for independent filmmaking. Directors Richard Linklater and Robert Rodriguez proved that locally made films with regional themes such as Slacker and El Mariachi could capture a national audience. Their success helped transform Austin's homegrown film community into a professional film industry staffed with talented, experienced filmmakers and equipped with state-of-the art-production facilities. Today, Austin struggles to balance the growth and expansion of its film community with an ongoing commitment to nurture the next generation of independent filmmakers. Chainsaws, Slackers, and Spy Kids chronicles the evolution of this struggle by re-creating Austin's colorful movie history. Based on revealing interviews with Richard Linklater, Robert Rodriguez, Mike Judge, Quentin Tarantino, Matthew McConaughey, George Lucas, and more than one hundred other players in the local and national film industries, Alison Macor explores how Austin has become a proving ground for contemporary independent cinema. She begins in the early 1970s with Tobe Hooper's horror classic, The Texas Chainsaw Massacre, and follows the development of the Austin film scene through 2001 with the production and release of Rodriguez's $100-million blockbuster, Spy Kids. Each chapter explores the behind-the-scenes story of a specific movie, such as Linklater's Dazed and Confused and Judge's Office Space, against the backdrop of Austin's ever-expanding film community.
When their parents go on a spy mission to Brazil, Carmen and Juni are assigned two babysitters from the OSS. But when one sprouts tentacles and the other whiskers, they realize that these are spies on the prowl--and Carmen and Juni are on their own to solve the case.
The OSS has discovered that an evil family plans to take over the world, using a new hit reality show. With the world to save and a competition to win, the Spy Kids take on this evil family, both on the screen and off.