Offering an unprecedented insight into one of the most glittering courts in history, this sumptuous book brings together some China's priceless national treasures, housed in Beijing's royal palace complex, the Forbidden City, and collected by Emperor Qianlong during his sixty-year reign from 1736 to 1795.
As one of the oldest civilizations in the world, China has a vast, rich history. In order to assist with the study of Chinese history, this book has been broken down into a series of straightforward, easy-to-read vignettes. Inside you will read about... ✓ The Great Flood ✓ The Great Wall is begun ✓ The Terra Cotta Army is created ✓ Gunpowder is invented ✓ Great Anti-Buddhist Persecution ✓ Marco Polo travels to China ✓ The Forbidden City is completed ✓ First Opium War ✓ SARS outbreak And much more! This book will provide in-depth insights into some of the most important events in Chinese history while providing an overall context within which these events took place. Designed as an introductory overview of Chinese history, this book is the perfect resource for those who are seeking to expand their knowledge of China and world history.
When the Reverend Halvor Ronning, his sister Thea, and fellow missionary Hannah Rorem set out in 1891 to found a Lutheran mission and school in the interior of China, they could not have foreseen the ways in which that decision would ripple across generations of the Ronning family. Halvor and Hannah would marry, and their son Chester, born in Hubei Province in 1894, would spend over half his life in China as a student, teacher, and a Canadian diplomat. Chester's daughter, Audrey, studied at Nanking University during the Chinese Civil War and later spent decades reporting on the People's Republic of China for the New York Times, Foreign Affairs, and many other publications. "During the last century," Audrey Topping notes, "a member of our family was there for almost every event of importance." China Mission presents a personal history of her family's ties to their adopted home and the momentous events that radically changed one of the most powerful countries in the world. The Ronnings found Imperial China at the end of the nineteenth century to be a nation on the cusp of change, and they were swept up as both observers and participants in these dramatic events. During their years as missionaries, the Ronnings witnessed the Boxer Uprising in 1898, the subsequent Palace Coup and the Siege of Peking, the death of the last emperor, and the collapse of China's dynasty system. They also endured personal challenges -- famine, births, deaths, and the almost constant threat of attack -- that were countered with songs, celebrations, friendship, and a deep appreciation for the culture of which they had become a part. Later, Chester Ronning would return to China, as would his daughter Audrey, bringing their family's story to the end of the twentieth century. This extraordinary account, compiled from the diaries, letters, and photographs of three generations, offers modern readers a rare and remarkable look at a world long gone.
Seventeen-year-old Alex Jackson comes home from school to find that his father, a CBC news cameraman, wants to take him to China's capital, Beijing. Once there, Alex finds himself on his own in Tian An Men Square as desperate students fight the Chinese army for their freedom. Separated from his father and carrying illegal videotapes, Alex must trust the students to help him escape. Closely based on eyewitness accounts of the massacre in Beijing, Forbidden City is a powerful and frightening story.
A spectacular photographic tour of China's natural scenery and architectural landmarks, now available in a charming miniature edition. This attractive little volume takes us on a visual journey through the greatest splendors of China’s varied geography and the chief monuments of its 5,000-year-old civilization. Its 243 color photographs, which include 12 panoramic gatefolds, show us the country’s most famous landmarks—like the Forbidden City and the Great Wall—as we have never seen them before, and and introduce us to less familiar but just as fascinating sights, like the the multicolored travertine lakes of Huanglong Valley and the beautiful calligraphic inscriptions on the rugged rocks of Mount Taishan. Extended captions at the back of the book provide a concise introduction to the history and significance of each of the forty-four locales depicted, twenty-eight of which have been designated as World Heritage sites by UNESCO.
The second installment in 'The People's Trilogy', the groundbreaking series from Samuel Johnson Prize-winning author Frank Dikötter 'For anyone who wants to understand the current Beijing regime, this is essential background reading' Anne Applebaum 'Essential reading for all who want to understand the darkness that lies at the heart of one of the world's most important revolutions' Guardian 'Dikötter performs here a tremendous service by making legible the hugely controversial origins of the present Chinese political order' Timothy Snyder In 1949 Mao Zedong hoisted the red flag over Beijing's Forbidden City. Instead of liberating the country, the communists destroyed the old order and replaced it with a repressive system that would dominate every aspect of Chinese life. In an epic of revolution and violence which draws on newly opened party archives, interviews and memoirs, Frank Dikötter interweaves the stories of millions of ordinary people with the brutal politics of Mao's court. A gripping account of how people from all walks of life were caught up in a tragedy that sent at least five million civilians to their deaths.
"The collection of the National Palace Museum is made up largely of the personal holdings of the Ch'ien-lung emperor (reigned 1736-95). Representing the artistic legacy of imperial China, it offers an unsurpassed view of Chinese civilization. The objects lavishly illustrated and described in this book, which include magnificent ritual bronzes, precious jades, monumental landscape paintings, and exquisite ceramics, are among the finest ever created." "Published to accompany the exhibition "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei," the book takes the reader through the most significant periods of Chinese culture: its foundations in the Neolithic and Bronze Ages, its flowering in the sophisticated world of the Sung dynasty, its exuberance during the Ming, and its technical brilliance under the Manchus. The author makes the unique beauty of this art accessible through comparisons of selected works and through discussion of their historical context."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.