Spirited Performance
Spirited Performance

Author: Nienke van der Heide

Publisher: BoD – Books on Demand

Published: 2015-06-17

Total Pages: 334

ISBN-13: 3945021324

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In the heart of Asia, straddling the western Tien Shan mountain range, lies the former Soviet republic Kyrgyzstan. The country prides itself in an age old oral epic tradition that recounts the mighty deeds of the hero Manas. When explorers first encountered Manas performers in the late nineteenth century, they hailed their art as a true representation of the heroic age, and compared it to masterpieces such as the Kalevala and the Iliad. Today there are still many excellent performers who can keep their audiences spellbound. They are believed to draw their inspiration from the spirit of Manas himself. This book portrays the meaning of this huge work of art in Kyrgyz society. Based on extended periods of anthropological fieldwork between 1996 and 2000, it explores the calling of its performers, describes the transformations of the oral tradition in printed media and other forms of art, and examines its use as a key symbol for identity politics. It deals extensively with the impact of the Soviet period, during which Kyrgyzstan became an autonomous republic for the first time in history. The tremendous changes initiated during these years had far-reaching consequences for the transmission and reception of the Manas epic. The specific Soviet approach to ethnicity was also elementary in the decisions to assign the Manas epic the role of national symbol after 1991, when Kyrzygstan was thrown into the turnoil of a post-socialist existence.

Homer in Performance
Homer in Performance

Author: Jonathan Ready

Publisher: University of Texas Press

Published: 2018-08-13

Total Pages: 441

ISBN-13: 1477316035

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Before they were written down, the poems attributed to Homer were performed orally, usually by rhapsodes (singers/reciters) who might have traveled from city to city or enjoyed a position in a wealthy household. Even after the Iliad and the Odyssey were committed to writing, rhapsodes performed the poems at festivals, often competing against each other. As they recited the epics, the rhapsodes spoke as both the narrator and the characters. These different acts—performing the poem and narrating and speaking in character within it—are seldom studied in tandem. Homer in Performance breaks new ground by bringing together all of the speakers involved in the performance of Homeric poetry: rhapsodes, narrators, and characters. The first part of the book presents a detailed history of the rhapsodic performance of Homeric epic from the Archaic to the Roman Imperial periods and explores how performers might have shaped the poems. The second part investigates the Homeric narrators and characters as speakers and illuminates their interactions. The contributors include scholars versed in epigraphy, the history of art, linguistics, and performance studies, as well as those capable of working with sources from the ancient Near East and from modern Russia. This interdisciplinary approach makes the volume useful to a spectrum of readers, from undergraduates to veteran professors, in disciplines ranging from classical studies to folklore.

A Presence that Disturbs
A Presence that Disturbs

Author: Anthony J. Gittins CSSp

Publisher: Wipf and Stock Publishers

Published: 2018-02-14

Total Pages: 192

ISBN-13: 1725239329

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This powerful, moving, and "disturbing" book looks at the contemporary issues that block the attainment of a revitalized church--a church united rather than fragmented, a church tuned to justice for all rather than to provincial myopia. A Presence that Disturbs will engage the general reader and the specialist alike with a fresh perspective on what it means to follow Christ. Three themes garnered from Holocaust survivor Viktor Frankl underpin the message of this book. To live you must choose: you must not let life "just happen." To love you must encounter: you must know that human encounter is the only authentic way to know and love. To grow you must suffer: you must know that suffering can be a vehicle of growth, a chance for redemption, a way to turn ourselves to the outside. Gittins discusses these themes in the context of the search for meaning. The new lease on life endowed by the Holy Spirit, the function of imaginative ministry, the communitas of true discipleship, and the radical actions of Jesus' ministry are just a few of the ideas explored in the quest for a new understanding of discipleship. "Authentic Christianity," says Gittins, "is outreaching and encountering; it communicates and ministers. Christianity, like its sibling, Judaism, does not produce complacency, but complicity or participation with others. Theses pages are an invitation to renewed discipleship and an appeal to radical Christianity in the footsteps and in the Spirit of Jesus, who prayed that his followers be one in him."

From Soul to Hip Hop
From Soul to Hip Hop

Author: Tom Perchard

Publisher: Routledge

Published: 2017-07-05

Total Pages: 571

ISBN-13: 1351566229

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The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchard?s introduction gives a detailed overview of the book?s contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.

Preaching Through Time
Preaching Through Time

Author: Casey C. Barton

Publisher: Wipf and Stock Publishers

Published: 2017-07-28

Total Pages: 255

ISBN-13: 1498234658

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As preachers who come to the pulpit, before God and before God's people, each and every week, how do we make sense of the text as we live a new moment of its ongoing story? Most options available to the preacher necessitate a hermeneutical step that requires us to preach outside of time in timeless truths, experiences, or realities. But the gospel is the drama of God appearing to and working with and loving God's people in time. Preaching Through Time gives the preacher a timely homiletic for preaching together the times of God's gospel, then and now, while calling God's people to perform their own roles in today's moment of that gospel drama. Anachronism, preaching together the moments of God's drama, is the language event that will get us from text to timely sermon, week by week.

William Grant Still
William Grant Still

Author: Michael J. Dabrishus

Publisher: Bloomsbury Publishing USA

Published: 1996-08-20

Total Pages: 350

ISBN-13: 0313036446

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Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.