Whenever an extraordinary move of God takes place in the Church, questions and concerns are raised - especially in connection with the manifestations that occur and the use of prophetic symbolism. This book sets out to answer the four most commonly asked questions:
Dr. Hare's investigation into Spiritualism, giving evidence of spirit manifestations and communications. A large portion of this work deals with the morals of Christians.
GOD HAS ALWAYS DONE MIRACLES IN HIS CHURCH ~ AND STILL DOES! The Holy Spirit has never left the Church and neither have His supernatural gifts and manifestations. They have been available in every century ~ from the days of the Apostolic Fathers, to the desert monks of Egypt and Syria, to the missionary outreaches of the Middle Ages, to the Reformation era and the awakenings and revivals that followed, to the Pentecostal explosion of the Twentieth Century and the increase of signs and wonders in the Twenty-first. Miracles, healings, deliverances, prophecies, dreams, visions ~ even raising the dead! ~ have all been in operation throughout the history of the Church. Anglicans, Baptists, Catholics, Congregationalists, Lutherans, Methodists, Moravians, Presbyterians, Quakers and many others have experienced the supernatural gifts and workings of the Spirit over the centuries. Miracles and Manifestations of the Holy Spirit in the History of the Church gathers up numerous accounts from a variety of historical sources and provides a handy reference for those who want to know more about: • How the Church has understood and operated in the gifts and manifestations of the Holy Spirit at various times in history. • Why the gifts and miracles were more frequently in manifestation in some eras than in others. • The many ways the Church has ministered in healing and deliverance. • How the Holy Spirit manifested in great revivals. • How the river of gifts and miracles continues to flow today.
Controversial, misunderstood, and sometimes overlooked, Minor White (1908–1976) is one of the great photographers of the twentieth century, whose ideas exerted a powerful influence on a generation of photographers and still resonate today. His photographic career began in 1938 in Portland, Oregon, with assignments for the WPA (Works Progress Administration). After serving in World War II and studying art history at Columbia University, White’s focus shifted toward the metaphorical. He began creating images charged with symbolism and a critical aspect called equivalency, referring to the invisible spiritual energy present in a photograph made visible to the viewer. This book brings together White’s key biographical information—his evolution as a photographer, teacher of photography, and editor of Aperture, as well as particularly insightful quotations from his journals, which he kept for more than forty years. The result is an engaging narrative that weaves through the main threads of White’s life, his growth as an artist, as well as his spiritual search and ongoing struggle with his own sexuality and self-doubt. He sought comfort in a variety of religious practices that influenced his continually metamorphosing artistic philosophy. Complemented with a rich selection of more than 160 images including some never published before, the book accompanies the first major exhibition of White’s work since 1989, on view at the J. Paul Getty Museum from July 8 to October 19, 2014.