Innovative artist Spider Webb has brought the traditional art of tattooing into the modern age, elevating the primitive or folk art iconography into modern art with startling interpretations. 400 color and black and white tattoo flash, in two volumes, feature dragons and other mythological beasts, skulls, eagles, beautiful women, hearts, daggers, serpents, and tigers of the natural and supernatural worlds. Many tattoos may be seen as social and political commentary as well. Here is an opportunity to review a prolific artist's work that people from around the globe have been happy to bear as permanent expressions of their inner lives. This book will be treasured by all who enjoy tattoo art.
Hundreds of historic and colourful tattoo designs are presented -- many to a sheet -- to be separated from the book and hung up for frequent reference. The classic designs include patriotic, nostalgic, floral, bird, animal, romantic, military, religious, humorous, naughty, and beautiful images from throughout the twentieth century. Artists will want these for inspiration and graphic historians for authenticity. They reflect a counter culture that has strong impact on society today.
Innovative artist Spider Webb has brought the traditional art of tattooing into the modern age, elevating the primitive or folk art iconography into modern art with startling interpretations. 400 color and black and white tattoo flash, in two volumes, feature dragons and other mythological beasts, skulls, eagles, beautiful women, hearts, daggers, serpents, and tigers of the natural and supernatural worlds. Many tattoos may be seen as social and political commentary as well. Here is an opportunity to review a prolific artist's work that people from around the globe have been happy to bear as permanent expressions of their inner lives. This book will be treasured by all who enjoy tattoo art.
Innovative artist Spider Webb has brought the traditional art of tattooing into the modern age, elevating the primitive or folk art iconography into modern art with startling interpretations. 400 color and black and white tattoo flash, in two volumes, feature dragons and other mythological beasts, skulls, eagles, beautiful women, hearts, daggers, serpents, and tigers of the natural and supernatural worlds. Many tattoos may be seen as social and political commentary as well. Here is an opportunity to review a prolific artist's work that people from around the globe have been happy to bear as permanent expressions of their inner lives. This book will be treasured by all who enjoy tattoo art.
This classic book will turn heads turn. Images of over a hundred heavily tattooed people from the early decades of the 20th century show proud carnival and circus performers, sailors, entertainers, and who knows, the girl next door? The Introduction is by Marcia Tucker, Curator at the Whitney Museum of American Art in New York, and the author provided material for the 1999 New York Natural History Museum's Body Art exhibition that confirmed tattoos as just one type of body decoration found worldwide. Here is an excellent opportunity for today's tattoo enthusiasts to see how the earlier generations did it.
Vintage Tattoo Flash is a one-of-a-kind visual explorationof the history and evolution of tattooing in America. Aluscious, offset-printed, hardcover tome-a beautiful andserious addition to the understanding of one of the world'soldest and most popular art forms. Electric tattooing as we know it today was invented inNew York City at the turn of the 19th century. In the firstdays of American tattooing, tattoos were primarily wornby sailors and soldiers, outlaws and outsiders. The visuallanguage of what came to be known as "traditional tattooing"was developed in those early days on the Boweryand catered to the interests of the clientele. Commonimagery that soon became canon included sailing ships,women, hearts, roses, daggers, eagles, dragons, wolves,panthers, skulls, crosses, and popular cartoon charactersof the era. The first tattooists also figured out that usingbold outlines, complimented by solid color and smoothshading, was the proper technique for creating art on abody that would stand the test of time. In the over 100years since then, techniques and styles have evolved, andthe customer base has expanded, but the core subjectmatter and philosophy developed at the dawn of electrictattooing has persisted as perennial favorites through themodern era. While most tattoos are inherently ephemeral, transportedon skin until the death of the collector, a visual recordexists in the form of tattoo flash: the hand-painted sheetsof designs posted in tattoo shops for customers to selectfrom. Painted and repainted, stolen, traded, bought andsold, these sheets are passed between artists through onechannel or another, often having multiple useful lives in avariety of shops scattered across time and geography. Theutility of these original pieces of painted art has made itso that original examples can still be found in use or up forgrabs if you know where to look. Vintage Tattoo Flash draws from the personal collectionof Jonathan Shaw-renowned outlaw tattooist andauthor-and represents a selection of over 300 pieces offlash from one of the largest private collections in existence.Vintage Tattoo Flash spans the first roughly 75years of American tattooing from the 1900s Bowery, to50s Texas, through the Pike in the 60s and the developmentof the first black and grey, single-needle tattooingin LA in the 70s. The book lovingly reproduces entirelyunpublished sheets of original flash from the likes of BobShaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, EdSmith, Paul Rogers, the Moskowitz brothers, and many,many others relatively known and unknown.
At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum
A gorgeous, full-scale reproduction of a rare, early 20th century book of Japanese tattoo designs. Accompanied by a lushly illustrated introductory essay detailing the book's mysterious origins and curious history. Around 1900, during the late Meiji era, an anonymous Japanese tattoo artist painted dozens of extraordinary tattoo designs on the silk pages of a small homemade book: writhing, bearded dragons; elegant geishas; eagles and snakes locked in midair combat; meticulously observed cranes on the wing; a spider in his web, awaiting prey. Within a decade, this enigmatic volume had become the prized possession of an Arkansas farmer and amateur tattooer whose travels never took him beyond the South Central states. Floating West reproduces the original book of designs in its entirety, making a singular object of tattoo history available to artists, enthusiasts, and historians worldwide.
For the first time in book form, tattoo artist Spider Webb shares one of his crowning artistic achievements, presenting 100 examples of patriotic American Eagle tattoo flash in a dizzying variety of arrangements, with striking elements from both classic and modern eras. In this collection that includes nautical, psychedelic, and old-school themes, every striking piece honors American individuality and sacrifice in a unique way. Spider combined his gifts for tattooing and conceptual art to create the original work of art upon which this compilation is based, a 500-foot strip of 200 flash sheets depicting the most recognized national symbol of strength and independence. Reproduced in this highly collectible volume is the first half of this project, which was exhibited in its entirety at the Coney Island Museum in 2008. A vibrant and exciting aesthetic experience, this stimulating peek into the American tattooing tradition is ideal for fans of tattoo design and 20th-century American pop art.
