Ángel Rama was among the most prominent Latin American literary and cultural critics of the twentieth century. This volume brings together—and makes available in English for the first time—some of his most influential writings from the 1960s up until his death in 1983. Meticulously curated and translated by José Eduardo González and Timothy R. Robbins, Spanish American Literature in the Age of Machines and Other Essays will give readers a new, deeper appreciation of how Rama's views on Latin American literary history reflect the dynamic between the region and the rest of the world. His rich meditations on the relation between narrative technique, social class, and group behavior—from the point of view of the periphery of capitalism—make this volume an important contribution to the study of world literature.
Angel Rama (1926-1983) is a major figure in Latin American literary and cultural studies, but little has been published on his critical work. In this study, Jose Eduardo Gonzalez focuses on Rama's response to and appropriation of European critics like Walter Benjamin, Theodor Adorno, and Georg Lukacs. Gonzalez argues that Rama realized the inapplicability of many of their theories and descriptions of cultural modernization to Latin America, and thus reworked them to produce his own discourse that challenged prevailing notions of social and cultural modernization.
The Other Rāma presents a systematic analysis of the myth cycle of Paraśurāma ("Rāma with the Axe"), an avatára of Viṣṇu best known for decapitating his own mother and annihilating twenty-one generations of the Kṣatriya warrior caste in an extermination campaign frequently referred to as "genocide" by modern scholars. Compared to Rāma and Kṛṣṇa, the other human forms of Viṣṇu, Paraśurāma has a much darker reputation, with few temples devoted to him and scant worshippers. He has also attracted far less scholarly attention. But dozens of important castes and clans across the subcontinent claim Paraśurāma as the originator of their bloodline, and his mother, Reṇukā, is worshipped in the form of a severed head throughout South India. Using the tools of comparative mythology and psychoanalysis, Brian Collins identifies three major motifs in the mythology of Paraśurāma: his hybrid status as a Brahmin warrior, his act of matricide, and his bloody one-man war to cleanse the earth of Kṣatriyas. Collins considers a wide variety of representations of the myth, from its origins in the Mahābhārata to contemporary debates online. He also examines Paraśurāma alongside the Wandering Jew of European legend and Psycho's matricidal serial killer Norman Bates. He examines why mythmakers once elevated this transgressive and antisocial figure to the level of an avatāra and why he still holds such fascination for a world that continues to grapple with mass killings and violence against women.
Netflix’s series adaptation of One Hundred Years of Solitude premieres December 11, 2024! One of the twentieth century’s enduring works, One Hundred Years of Solitude is a widely beloved and acclaimed novel known throughout the world and the ultimate achievement in a Nobel Prize–winning career. The novel tells the story of the rise and fall of the mythical town of Macondo through the history of the Buendía family. Rich and brilliant, it is a chronicle of life, death, and the tragicomedy of humankind. In the beautiful, ridiculous, and tawdry story of the Buendía family, one sees all of humanity, just as in the history, myths, growth, and decay of Macondo, one sees all of Latin America. Love and lust, war and revolution, riches and poverty, youth and senility, the variety of life, the endlessness of death, the search for peace and truth—these universal themes dominate the novel. Alternately reverential and comical, One Hundred Years of Solitude weaves the political, personal, and spiritual to bring a new consciousness to storytelling. Translated into dozens of languages, this stunning work is no less than an account of the history of the human race.
Inspired by Walter Benjamin's notion of constellation, this book draws on theories of Latin American modernity to investigate the Spanish literary Baroque and its repetitions as a historical-cultural predicament in Latin American colonial and modern texts. Inca Garcilaso, Borges, Carpentier, Rulfo, Darío and a range of Latin American "Post-Symbolist" poets (Agustini, Pizarnik, Sosa, Lienlaf and Huinao) are juxtaposed with the Lazarillo, the Quijote, Fuenteovejuna and Góngora's Soledades to produce original readings on topics of violence, rape, frustrated pilgrimage, and the truncated ambitions of colonized peoples and confessional minorities. In turn, Benjamin is juxtaposed with Mallarmé to recast the aesthetic dynamics of modernity in political terms, in order to understand the Baroque within a more broadly historicized concept of the avant-garde. Generous in scope, this book addresses the community of Spanish and Latin American criticism as well as emerging and pressing theoretical concerns within the field of comparative literature.
Race mixture has played a formative role in the history of the Americas, from the western expansion of the United States to the political consolidation of emerging nations in Latin America. Debra J. Rosenthal examines nineteenth-century authors in the United States and Spanish America who struggled to give voice to these contemporary dilemmas about interracial sexual and cultural mixing. Rosenthal argues that many literary representations of intimacy or sex took on political dimensions, whether advocating assimilation or miscegenation or defending the status quo. She also examines the degree to which novelists reacted to beliefs about skin differences, blood taboos, incest, desire, or inheritance laws. Rosenthal discusses U.S. authors such as James Fenimore Cooper, Catharine Maria Sedgwick, Walt Whitman, William Dean Howells, and Lydia Maria Child as well as contemporary novelists from Cuba, Peru, and Ecuador, such as Gertrudis Gomez de Avellaneda, Clorinda Matto de Turner, and Juan Leon Mera. With her multinational approach, Rosenthal explores the significance of racial hybridity to national and literary identity and participates in the wider scholarly effort to broaden critical discussions about America to include the Americas.
This concise version contains brief biographies of important authors, plot summaries of individual works, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the modern era.
In Refiguring Spain, Marsha Kinder has gathered a collection of new essays that explore the central role played by film, television, newspapers, and art museums in redefining Spain's national/cultural identity and its position in the world economy during the post-Franco era. By emphasizing issues of historical recuperation, gender and sexuality, and the marketing of Spain's peaceful political transformation, the contributors demonstrate that Spanish cinema and other forms of Spanish media culture created new national stereotypes and strengthened the nation's place in the global market and on the global stage. These essays consider a diverse array of texts, ranging from recent films by Almodóvar, Saura, Erice, Miró, Bigas Luna, Gutiérrez Aragón, and Eloy de la Iglesia to media coverage of the 1993 elections. Francoist cinema and other popular media are examined in light of strategies used to redefine Spain's cultural identity. The importance of the documentary, the appropriation of Hollywood film, and the significance of gender and sexuality in Spanish cinema are also discussed, as is the discourse of the Spanish media star--whether involving film celebrities like Rita Hayworth and Antonio Banderas or historical figures such as Cervantes. The volume concludes with an investigation of larger issues of government policy in relation to film and media, including a discussion of the financing of Spanish cinema and an exploration of the political dynamics of regional television and art museums. Drawing on a wide range of critical discourses, including feminist, postcolonial, and queer theory, political economy, cultural history, and museum studies, Refiguring Spain is the first comprehensive anthology on Spanish cinema in the English language. Contributors. Peter Besas, Marvin D'Lugo, Selma Reuben Holo, Dona M. Kercher, Marsha Kinder, Jaume Martí-Olivella, Richard Maxwell, Hilary L. Neroni, Paul Julian Smith, Roland B. Tolentino, Stephen Tropiano, Kathleen M. Vernon, Iñaki Zabaleta
