In this important volume, French philosopher and poet J.L. Chrétien boldly and subtly applies his vast experience in phenomenology to poetry and literature – showing indeed how to bridge the boundary with philosophy. His real aim is implicit and brave: to show that spiritual authors from Augustine to Claudel surpass Bergson in their philosophical grasp of intuition and joy. He thus claims new turf for spiritual authors in the context of examining an important human constellation of emotions. The approach is exquisitely multi-disciplinary and makes a vital contribution to our understanding of the phenomenology of religious experience. Available in English for the first time, his work will be of immediate interest to philosophers, theologians, literary critics, psychologists, art historians and sociologists.
Clutter: it’s not just the piles of junk in your closet. It’s also the nagging thoughts, endless to-do lists, and calendar full of obligations. It’s the fears and worries that cycle through your mind on repeat, and the sticky emotional energy that you pick up from the people around you. It’s the sense of panicky suffocation you feel when you contemplate all that you “have” to accomplish in a day, a week, or a lifetime. For almost thirty years, Stephanie Bennett Vogt has been teaching the art of clearing clutter at every level: physical, energetic, mental, and emotional. Her unique “slow-drip” approach to clearing is a welcome antidote to popular binge-cleaning methods that leave you feeling exhausted and overwhelmed. With her practical tips and step-by-step guidance, you’ll learn how to identify the root causes of clutter, create a personalized clutter-clearing plan, and break the endless cycle of clutter accumulation. Completely revised and updated with even more inspiring stories, helpful exercises, and insightful advice, Your Spacious Self: Clear the Clutter and Discover Who You Are, 10th Anniversary Edition is the ultimate guide to transforming your home and life.
The deepest words are the most prosaic. They are enriched by everybody's voice, and only through them are our joys, sufferings, doubts, and choices illuminated and shared. This book's brief meditations lend an ear to ten of them, from breath to wound, from way to abandonment, from attention to peace. The lesson of poets, the wisdom of saints, and the teaching of philosophers with these simple words afford innumerable pathways. To gather ourselves, letting the weight of these essential words sink into us, is to catch our breath silently, rendering its rhythm fuller and stronger. Yet what is the point, if we were to stand pat? The price of the highest breath can only be to give itself without reserve, until we lose our breath. A contribution to the venerable tradition of lectio divina, Ten Meditations for Catching and Losing One's Breath invites its reader to embark on a contemplative journey led by an author who was one of France's most prolific and profound philosophers in generations.
One of the enduring claims in the Christian tradition is that creation is good. Given the diversity of experience and the abundance of suffering in the world, however, such an affirmation is not always straightforward. The Play of Goodness provides a phenomenology of creation’s goodness that clarifies the ongoing relevance of the doctrine today. It argues that what is “good” about creation is not synonymous with a confession of faith and does not require an overly optimistic disposition, but instead appears within diverse and often surprising circumstances. Alongside original contributions to French phenomenology and creation theology, The Play of Goodness counterbalances a tendency in continental philosophy to focus on negative phenomena. By developing the philosophical concept of a prelinguistic experience of goodness, the book identifies a quality of goodness that is integral to the place in which we find ourselves. It also articulates shared points of contact among people in an increasingly polarized world, while demonstrating that distinctly theological concepts do not need to be presented in opposition to secular, agnostic, or atheist perspectives in order to be relevant. Benjamins develops an account of creation’s goodness that has the potential to animate an abiding affection for one’s place, accentuate our reasons to care for it, and confirm that what happens in our lives is of genuine significance.
Selected as one of Oprah.com’s 20 Tantalizing Beach Reads Selected as a New York Times Book Review Editors' Choice Isabel Merton is a renowned concert pianist, whose performances are marked by a rare responsiveness to the complexities of her art, and its intensities of feeling. At the height of her career, she feels increasingly torn between the compelling musical realm she deeply inhabits, and her fragmented itinerant artist’s life, with its frequent flights, anonymous hotels, and brief, arbitrary encounters. Away from her New York home on a European tour, Isabel meets a political exile from a war-torn country, a man driven by a rankling sense of injustice and a powerful desire to vindicate his cause and avenge his people. As their paths cross in several cities, they are drawn to each other both by their differences and their seemingly parallel passions–until a menacing incident throws her into a creative crisis, and forces her to reevaluate his actions, and her own motives. In this story of contemporary love and conflict, Hoffman illuminates the currents and undercurrents of our time, as she explores the luminous and dark faces of romanticism, and those perennial human yearnings, frustrations, and moral choices that can lead to destructiveness, or the richest art.
An original and profound exploration of contemplation from philosopher, theologian, and poet Kevin Hart. In Lands of Likeness, Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.
Since Heidegger, it has become something of an unquestioned presupposition to analyse selfhood from the perspective of being-in-the-world. In the book, DeLay sets out a view of existence instead emphasizing humanity’s ineluctable experience before-God. Surmounting received divisions between philosophy and theology, the work’s eight chapters explore our relation to God and others, tracing a path instituted in antiquity and latent still in certain strands of contemporary phenomenology. After two introductory explorations of the ancient conception of philosophy as a way of life undermining the modern notion of philosophy as methodologically atheist, the third chapter examines our relation to others through an assessment of how, paradoxically, we are together in the world yet ever alone. The theme of being-with-others is deepened with an analysis of forgiveness in its various forms. The theme is continued in the next chapter’s discussion of peace, which is seen to prove so elusive because of the omnipresence of evil in the world, a fact which itself is explored in connection to the varieties of silence we encounter throughout our daily lives. Utilizing these results from the preceding chapters on forgiveness, peace, and silence, the final chapters inquire into perennial questions as doubt, deception, and hope. Drawing together the previous results, the conclusion underscores the view of man that has theretofore emerged: we are open to a God who in Jesus Christ calls each of us back to ourselves.
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