1er. Concurso Internacional de Poesía "Yo soy mujer" 2010, auspiciado por el Movimiento Mujeres Poetas Internacional (MPI). Culminó con la selección de 10 poetas ganadoras, 7 menciones de honor y con ellas, un grupo selecto de poetas pre-seleccionadas para un total de 130 mujeres poetas que forman de esta compilación con sus versos en homenaje a la mujer. El jurado que apoyó esta selección estuvo constituido por tres caballeros jueces escritores Dominicanos destacados: Ramón Saba, Federico Jóvine Bermúdez, Isael Pérez y del MPI: Jael Uribe. El objetivo fue destacar 10 cualidades positivas de la mujer, estas cualidades fueron: Fuerte, Valiente, Soñadora, Perseverante, Romántica, Polifacética, Emprendedora, Apasionada, Sensible y Única. Para más detalles del concurso y sus ganadoras, además de la lista de poetas participantes, visite su blog: http: //antologiayosoymujer.blogspot.com Los invitamos a disfrutar de esta excelente compilación.
Combines the chants of María Sabina, a noted Mazatec tradional healer, watercolors by María Tzu, a weaver and folk artist, and information about them and their world.
Chicana Feminist Thought brings together the voices of Chicana poets, writers, and activists who reflect upon the Chicana Feminist Movement that began in the late 1960s. With energy and passion, this anthology of writings documents the personal and collective political struggles of Chicana feminists.
Beseeched by his dying mother to locate his father, Pedro Paramo, whom they fled from years ago, Juan Preciado sets out for Comala. Comala is a town alive with whispers and shadows--a place seemingly populated only by memory and hallucinations. 49 photos.
La Conquista de México, contada con todo detalle, sirve de decorado y soporte a una historia de amor y de guerra. Tras la batalla de Centla, la primera librada en el continente americano, los vencidos regalaron a los españoles un puñado de doncellas, entre las que se encontraba la que sería intérprete y amante de Hernán Cortés, doña Marina o La Malinche, como se conoce a la mujer atrevida e inteligente que desempeñó un papel decisivo en el éxito de la conquista del imperio azteca. Un "regalo" que Cortés valoró y conservó durante toda su vida. En esta novela, documentada con meticuloso rigor histórico, el autor imagina los sentimientos vacilantes de una joven india deslumbrada por la personalidad de un hombre audaz, calculador y sensible. Un amor que se sobrepone a la crudeza de las batallas, a las intrigas y traiciones, a las flaquezas y grandeza de los protagonistas y que es el hilo conductor de una narración repleta de emoción y ternura.
Benito Pérez Galdós, considered Spain’s most important novelist after Cervantes, wrote 77 novels, several works of theater and a number of other tomes during his lifetime (1843–1920). His works have been translated into all major languages of the world, and many of his most highly regarded novels, those of the contemporary period, have been translated into English two, three and even four times over. Of the few “contemporary novels” of Galdós that until now have not come to light in English, The Forbidden is certainly among the most noteworthy. The story line concerns a wealthy philanderer, José María Bueno de Guzmán, who attempts to buy the favors of his three beautiful married cousins. He is successful with the first, Eloísa, a grasping materialist who falls deeply in love with him. Then he rejects her in order to attempt to seduce the youngest, Camila. Meanwhile, the third, the pseudo-intellectual María Juana, jealous, seduces José María. But it is Camila, healthy, impetuous and wild, who resists his temptations and holds our attention. The novelist and critic Leopoldo Alas, Galdós’s contemporary, calls her “the most feminine, graceful, lively female character that any modern novelist has painted.” As a naturalistic study, in the manner of Balzac in particular, principal characters of Galdós’s other novels (El doctor Centeno, La de Bringas, La familia de León Roch) become fleetingly visible in The Forbidden. In addition, the entire Bueno de Guzmán family gives evidence of the naturalistic emphasis on heredity: they all display certain physical or mental disorders. Eloísa has a morbid fear of feathers, María Juana often feels that she has a tiny piece of cloth caught in her teeth, José María suffers bouts of depression, an uncle is a kleptomaniac, one of the relatives writes letters to himself, etc. At the same time, this novel shows the foibles of Spanish society where status is determined by one’s associates, by the wearing of finery, and by living on borrowed money. In their history of Spanish literature, Chandler and Schwartz call Galdós “the greatest novelist of the nineteenth century and the only one who deserves to be mentioned in the same breath with great novelists like Balzac, Dickens and Dostoievsky.” The Forbidden, written at the height of the author’s creative powers, is a major work and its publication for an English-speaking audience is long overdue.
Films like Zama and The Headless Woman have made Lucrecia Martel a fixture on festival marquees and critic's best lists. Though often allied with mainstream figures and genre frameworks, Martel works within art cinema, and since her 2001 debut The Swamp she has become one of international film's most acclaimed auteurs.Gerd Gemünden offers a career-spanning analysis of a filmmaker dedicated to revealing the ephemeral, fortuitous, and endless variety of human experience. Martel's focus on sound, touch, taste, and smell challenge film's usual emphasis on what a viewer sees. By merging of these and other experimental techniques with heightened realism, she invites audiences into film narratives at once unresolved, truncated, and elliptical. Gemünden aligns Martel's filmmaking methods with the work of other international directors who criticize—and pointedly circumvent—the high-velocity speeds of today's cinematic storytelling. He also explores how Martel's radical political critique forces viewers to rethink entitlement, race, class, and exploitation of indigenous peoples within Argentinian society and beyond.
