Where Currents Meet
Where Currents Meet

Author: Tanya Zaharchenko

Publisher: Central European University Press

Published: 2016-03-01

Total Pages: 227

ISBN-13: 9633861195

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This study of cultural memory in post-Soviet society shows how the inhabitants in Ukraine?s east negotiate the historical legacy they have inherited. Zaharchenko approaches contemporary Ukrainian literature at the intersection of memory studies and border studies, and her analysis adds a new voice to an ongoing exploration of cultural and historical discourses in Ukraine. The scholarly journey through storylines explores the ways in which younger writers in Kharkiv (Kharkov in Russian), a diverse, dynamic, but under-studied border city in east Ukraine today, come to grips with a traumatized post-Soviet cultural landscape. Zaharchenko?s book examines the works of Serhiy Zhadan, Andre? Krasniashchikh, Yuri Tsaplin, Oleh Kotsarev and others, introducing them as a ?doubletake? generation who came of age during the Soviet Union?s collapse and as adults, revisit this experience in their novels. Filling the space between society and the state, local literary texts have turned into forms of historical memory and agents of political life. ÿ

Jews and Ukrainians in Russia's Literary Borderlands
Jews and Ukrainians in Russia's Literary Borderlands

Author: Amelia Glaser

Publisher: Northwestern University Press

Published: 2012-02-22

Total Pages: 305

ISBN-13: 0810127962

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Studies of Eastern European literature have largely confined themselves to a single language, culture, or nationality. In this highly original book, Glaser shows how writers working in Russian, Ukrainian, and Yiddish during much of the nineteenth century and the early part of the twentieth century were in intense conversation with one another. The marketplace was both the literal locale at which members of these different societies and cultures interacted with one another and a rich subject for representation in their art. It is commonplace to note the influence of Gogol on Russian literature, but Glaser shows him to have been a profound influence on Ukrainian and Yiddish literature as well. And she shows how Gogol must be understood not only within the context of his adopted city of St. Petersburg but also that of his native Ukraine. As Ukrainian and Yiddish literatures developed over this period, they were shaped by their geographical and cultural position on the margins of the Russian Empire. As distinctive as these writers may seem from one another, they are further illuminated by an appreciation of their common relationship to Russia. Glaser’s book paints a far more complicated portrait than scholars have traditionally allowed of Jewish (particularly Yiddish) literature in the context of Eastern European and Russian culture.

Ukrainian Literature in the Twentieth Century
Ukrainian Literature in the Twentieth Century

Author: George S. N. Luckyj

Publisher: Published for the Shevchenko Scientific Society by University of Toronto Press

Published: 1992

Total Pages: 152

ISBN-13:

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A survey of the main literary trends of Ukraine, its chief authors, and their works, as seen against the historical background of the present century. Luckyj (Slavic studies emeritus, U. of Toronto) provides information about literary developments both in Ukraine and in the Ukrainian diaspora. Annotation copyrighted by Book News, Inc., Portland, OR

Toward a History of Ukrainian Literature
Toward a History of Ukrainian Literature

Author: George G. Grabowicz

Publisher: Harvard Ukrainian Research Institute

Published: 1981

Total Pages: 120

ISBN-13:

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Ukrainian literature, reflecting a turbulent and often discontinuous political and social history, presents special problems to the historian of literature. In this book George Grabowicz approaches these problems through a critique of the major non-Soviet position in the field, the History of Ukrainian Literature of the eminent Slavist Dmytro Čyzevs'kyj. Grabowicz examines critically the method and theory as well as the actual literaryhistorical argument of Čyzevs'kyj's History and challenges some of its basic premises, particularly regarding the periodization of Ukrainian literature, the thesis of its "incompleteness," and the postulate of a purely stylistic history of literature. Ultimately, he proposes an alternative historiographic model, one which would be attuned above all to the specifics of the given culture.

The Battle for Ukrainian
The Battle for Ukrainian

Author: Michael S. Flier

Publisher: Harvard Ukrainian Research Institute

Published: 2017

Total Pages: 0

ISBN-13: 9781932650174

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The Ukrainian language has followed a tortuous path over 150 years of tsarist, Soviet, and post-Soviet history. The Battle for Ukrainian documents that path, and serves as an interdisciplinary study essential for understanding language, history, and politics in both Ukraine and the post-imperial world.

The Ukrainian and Russian Notebooks
The Ukrainian and Russian Notebooks

Author: Igort

Publisher: Simon and Schuster

Published: 2016-04-26

Total Pages: 384

ISBN-13: 1451678878

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Graphic novelist Igort illuminates two harrowing moments in recent history--the Ukraine famine and the assassination of a Russian journalist.

The Last Empire
The Last Empire

Author: Serhii Plokhy

Publisher: Basic Books

Published: 2015-09-08

Total Pages: 522

ISBN-13: 0465097928

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The New York Times bestselling author of The Gates of Europe offers “a stirring account of an extraordinary moment” in Russian history (Wall Street Journal) On Christmas Day, 1991, President George H. W. Bush addressed the nation to declare an American victory in the Cold War: earlier that day Mikhail Gorbachev had resigned as the first and last Soviet president. The enshrining of that narrative, one in which the end of the Cold War was linked to the disintegration of the Soviet Union and the triumph of democratic values over communism, took center stage in American public discourse immediately after Bush's speech and has persisted for decades -- with disastrous consequences for American standing in the world. As prize-winning historian Serhii Plokhy reveals in The Last Empire, the collapse of the Soviet Union was anything but the handiwork of the United States. Bush, in fact, was firmly committed to supporting Gorbachev as he attempted to hold together the USSR in the face of growing independence movements in its republics. Drawing on recently declassified documents and original interviews with key participants, Plokhy presents a bold new interpretation of the Soviet Union's final months, providing invaluable insight into the origins of the current Russian-Ukrainian conflict and the outset of the most dangerous crisis in East-West relations since the end of the Cold War. Winner of the Lionel Gelber Prize Winner of the Pushkin House Russian Book Prize Choice Outstanding Academic Title BBC History Magazine Best History Book of the Year

Ukrainian Cinema
Ukrainian Cinema

Author: Joshua First

Publisher: Bloomsbury Publishing

Published: 2015-01-06

Total Pages: 264

ISBN-13: 0857726706

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Ukrainian Cinema: Belonging and Identity during the Soviet Thaw is the first concentrated study of Ukrainian cinema in English. In particular, historian Joshua First explores the politics and aesthetics of Ukrainian Poetic Cinema during the Soviet 1960s-70s. He argues that film-makers working at the Alexander Dovzhenko Feature Film Studio in Kiev were obsessed with questions of identity and demanded that the Soviet film industry and audiences alike recognize Ukrainian cultural difference. The first two chapters provide the background on how Soviet cinema since Stalin cultivated an exoticised and domesticated image of Ukrainians, along with how the film studio in Kiev attempted to rebuild its reputation during the early Sixties as a centre of the cultural thaw in the USSR. The next two chapters examine Sergei Paradjanov's highly influential Shadows of Forgotten Ancestors (1965) and its role in reorienting the Dovzhenko studio toward the auteurist (some would say elitist) agenda of Poetic Cinema. In the final three chapters, Ukrainian Cinema looks at the major works of film-makers Yurii Illienko, Leonid Osyka, and Leonid Bykov, among others, who attempted (and were compelled) to bridge the growing gap between a cinema of auteurs and concerns to generate profit for the Soviet film industry.

The Ukrainian West
The Ukrainian West

Author: William Jay Risch

Publisher: Harvard University Press

Published: 2011-06-13

Total Pages: 375

ISBN-13: 0674050010

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This book examines the political, social, and cultural history of the western Ukrainian city of Lviv and how this anti-Soviet city became symbolic of the Soviet Union's postwar evolution.