David Glantz examines the Soviet study of war, the re-emergence of the operation level and its connection with deep battle, the evolution of the Soviet theory of operations in depth before 1941, and its refinement and application in the European theatre and the Far East between 1941 and 1945.
This collection of texts has been taken from formerly classified material in the official Red Army General Staff journal 'Military Thought'. The results are two volumes of great scope based on archival evidence. They stand as a compulsory reference point for anyone with an interest in the operational endeavours of the Soviet Army from the 1920's onward.
With the defeat and destruction of German Sixth Army at Stalingrad all but certain at the end of 1942, the war on the Eastern Front took a definitive turn as the Germans struggled to erect a new defensive front to halt the Soviet juggernaut driving west. Operation Don’s Main Attack is the first detailed study of the dramatic clash of armies that followed, unfolding inexorably over the course of two months across an expanse of more than 1,600 kilometers. Using recently released Russian archival material never before available to researchers, David M. Glantz provides a close-up account, from both sides, of the planning and conduct of Operation Don—the Soviet offensive by the Red Army's Southern front that aimed to capture Rostov in January–February 1943. His book includes a full array of plans, candid daily reports, situation maps, and strength and casualty reports prepared for the forces that participated in the offensive at every level. Drawing on an unprecedented and comprehensive range of documents, the book delves into many hitherto forbidden topics, such as unit strengths and losses and the foibles and attitudes of command cadre. Glantz’s work also presents rare insights into the military strategy, combat tactics, and operational art of such figures as Generals Eremenko and Malinovsky and Field Marshal Erich von Manstein. A uniquely informed study of a critical but virtually forgotten Soviet military operation, Operation Don’s Main Attack offers a fresh perspective on the nature of the twentieth century’s most terrible of wars.
David Glantz examines the Soviet study of war, the re-emergence of the operation level, the evolution of the Soviet theory of operations in depth before 1941, and its application in the European theatre and the Far East between 1941 and 1945.
Georgii Samoilovich Isserson (1898-1976) was one of the most prescient and prolific authors on military art in the years preceding World War II. His theories greatly influenced the Red Army's conduct of operations and were instrumental in achieving victory over Germany. This book gathers together for the first time English translations of Isserson's most influential works, including some that are still classified. His writings on the preparation and conduct of the deep offensive operation--the deployment of tanks, mechanized infantry, air power and airborne troops to penetrate deeply echeloned defenses--also serve as a primer on how to construct a position to defeat such an attack. His well argued defense of the deep operation based on an examination of recent wars and his reminiscences about the people and events that shaped Soviet military theory in the 1930s are included.
V K Triandafillov was an outstanding young commander who shaped the military theory and doctrine of the Red Army as it came to grips with the problem of future war. A conscript soldier who rose through the ranks to become an officer in the Tsarist Army, he saw combat in both the First World War and the Russian Civil War. A student of some of the finest military specialists teaching the first generation of young Red commanders, he sought to link theory and practice by using past experience to comprehend future combat.
No other nation has invested as much intellectual capital in the study of war as has the Soviet Union over the last six decades, and the doctrine, strategy, and tactics that have been developed by Soviet theoreticians are bound to guide any future Soviet military action. The Soviet Art of War makes available to Western readers selections from the most significant and influential Soviet military writings from 1917 to the present. The Scotts have examined thousands of Soviet military publications, including the restricted journal of the Soviet General Staff, Voyennaya Mysl', to make this book the most comprehensive account of Soviet military theory and practice yet published. The papers they have chosen thoroughly illustrate the development of the basic features of Soviet military art, from the days of trench warfare to the era of the nuclear battlefield. These documents demonstrate the emphasis on surprise, on deception, on mass deep penetration of enemy defenses, and on a unified strategy for all services. They also show the forms of military action—destruction and attrition, defense and offense, maneuver and position-as seen through the eyes of leading Soviet marshals, generals, and admirals. The usefulness of this material is further enhanced by the Scotts' commentary and their analysis of each group of readings.
This book offers a scientific interpretation of the field of military knowledge situated between strategy and tactics, better known as operational art', and traces the evolution of operational awareness and its culmination in a full-fledged theory. The author, a Brigadier General (ret.) in the Israeli Defence Forces and Doctor of History, King's College, London, clarifies the substance of operational art' and constructs a cognitive framework for its critical analysis. He chronicles the stages in the evolution of operational theory from the emergence of 19th-century military thought to Blitzkrieg. For the first time the Soviet theories of Deep Operations' and Strike Manoeuvre' that emerged in the 1920s and 1930 are discussed. The author argues that it is these doctrines that eventually led to the crystallization of the American Airland Battle theory, successfully implemented in the Gulf War.