By analyzing ways in which indigenous cultures described the American Southwest, David Teague persuasively argues against the destructive approach that Americans currently take to the region. Included are Native American legends and Spanish and Hispanic literature. As he traces ideas about the desert, Teague shows how literature and art represent the Southwest as a place to be sustained rather than transformed. 14 illustrations.
Elaine Horwitch was a feisty, larger-than-life gallerist who put contemporary Southwest art on the culture map. Prefaced by a historical survey of art in Arizona and New Mexico, Southwest Rising examines Horwitch's remarkable life and highlights many of the artists she promoted in the 1960s, 1970s, and 1980s, as well as some of her top rivals in the art business. This book looks at Southwest art through the lens of art markets and institutions, and the creative spirit of artists who contributed to the rise of a unique genre.
The traditional arts of the Southwest are brought together in one volume for the first time. Comprehensive descriptions of Native American and Hispano art are accompanied by full-color photographs of art from museums, galleries, and private collections.
Joseph G. McCoy was a cattle rancher who forged a career spanning decades in the westerly frontiers of North America. This book contains Joseph's recollections of his career and major events in his life. The life of a livestock trader and herder in the nineteenth century was not easy; dangers abounded in lands which were newly charted. Organizing an efficient and profitable business in such conditions was no easy feat; ranchers had to be physically tough and determined, as well as capable with overseeing and operating a farm. The frequent threat of cattle theft - a common occurrence in the frontier lands - meant security was an added concern. We also receive a history of Kansas, whereby we learn of the state's steady development. The growth of the population, the establishment of banks and storefronts, and the arrival of the railroads were all landmarks of progress in McCoy's home state.
A key to the interpretation of rock art of the American Southwest, providing descriptions and illustrations of rock art symbols, along with their ascribed meanings, and including general and specific information on rock art sites.
One of the most entertaining genres of American literature is the bold, masculine, wildly exaggerated, and highly imaginative frontier humor of the Old Southwest, produced between 1835 and 1861 in an area that extended from Virginia, the Carolinas, and Georgia westward to Lousiana, Arkansas, Missouri, and Texas. Hennig Cohen and William B. Dillingham have tapped the wealth of this region to produce a collection that over the last three decades has become the standard anthology of Old Southwestern humor. This new, extensively revised edition includes an expanded introduction, a dozen replacement sections, an updated bibliography, and works by three new writers--Phillip B. January, Matthew C. Field, and John Gorman Barr. Most generously represented are George Washington Harris, Augustus Baldwin Longstreet, Johnson Jones Hooper, and Thomas Bangs Thorpe. Selections from twenty-five authors are featured along with brief biographical essays that combine historical and political analysis with perceptive literary criticism. These selections document important facets of antebellum American culture and provide the background of the literary achievement of Mark Twain and William Faulkner.
