The 1904 war that broke out in present day Namibia after the Herero tribe rose against an oppressive colonial regime--and the German army's brutal suppression of that uprising--are the focus of this collection of essays. Exploring the annihilation of both the Herero and Nama people, this selection from prominent researchers of German imperialism considers many aspects of the war and shows how racism, concentration camps, and genocide in the German colony foreshadow Hitler's Third Reich war crimes.
Published by the South African colonial administration in the late 1920s, the purpose of this book was to present to the League of Nations a short sketch of each of the principal "tribes" in Namibia. Three of the chapters were written by Heinrich Vedder ("The Herero", "The Namas", "The Berg Damara"), while the chapters on "The Owambos" and "The Bushmen" were written by C.H.L. Hahn and L. Fourie, two South African colonial officials. The articles are mainly concerned with "anthropological zoo-ism",and are quite interesting as a distillation of the prejudices of colonial officials and as a reflection of the knowledge they thought they had on the historical/ethnological background of the peoples in the territory. The interest of the authors lie in magico-religious beliefs and "superstition", physical characteristics, puberty and initiation rites, laws and customs, the holy fire, and marriage and courtship, while there is less information on social conditions, material culture, production and trade.The contributions by Vedder contain some sections on history, based on premises such as that "the history of the Berg Damaras commences with the history of missionary activities amongst them". There are several photos and a brief bibliography at the end of each chapter. (Eriksen/Moorsom 1989).
This is the first paperback edition of a book which originally appeared under the title "South-West Africa Under German Rule", and appears with a new introduction by the author. The history of Namibia offers many parallels to developments in other European colonies. The settlers, with a greater or lesser use of force, established themselves in the country and their confrontation with the African population often culminated in rebellion in the area of major settlement; a European settler community would then consolidate itself over the ruins left by military conquest. The pattern was repeated in Namibia during the Nama and Herero wars. Helmut Bley shows how the roots of German totalitarianism stem from the colonial period. He provides a picture of how social insecurity, bureaucracy and rigid economic thinking produced the racialism and the extremism of the last years of German rule. The abuse of the Africans provided the roots of the abuse of the Jews.
Slaps in the face, kicks, beatings, and other forms of run-of-the-mill violence were a quotidian part of life in German Southwest Africa at the beginning of the twentieth century. Unearthing this culture of normalized violence in a settler colony, Violence as Usual uncovers the workings of a powerful state that was built in an improvised fashion by low-level state representatives. Marie A. Muschalek's fascinating portrayal of the daily deeds of African and German men enrolled in the colonial police force called the Landespolizei is a historical anthropology of police practice and the normalization of imperial power. Replete with anecdotes of everyday experiences both of the policemen and of colonized people and settlers, Violence as Usual re-examines fundamental questions about the relationship between power and violence. Muschalek gives us a new perspective on violence beyond the solely destructive and the instrumental. She overcomes, too, the notion that modern states operate exclusively according to modes of rationalized functionality. Violence as Usual offers an unusual assessment of the history of rule in settler colonialism and an alternative to dominant narratives of an ostensibly weak colonial state.
I'm not doing a German accent You aren't doing an African accent We aren't doing accents A group of actors gather to tell the little-known story of the first genocide of the twentieth century. As the full force of a horrific past crashes into the good intentions of the present, what seemed a far-away place and time is suddenly all too close to home. Just whose story are they telling? Award-winning playwright Jackie Sibblies Drury collides the political with the personal in a play that is irreverently funny and seriously brave. We Are Proud To Present . . . received its European premiere at the Bush Theatre, London, on 28 February 2014.
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