Sound Check For The Performing Musician
Sound Check For The Performing Musician

Author: Paul White

Publisher: SMT

Published: 2012-06-01

Total Pages: 425

ISBN-13: 0857128353

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No matter how talented a performer you are, if the sound out front isn't up to scratch, you won't win over your audience. Even relatively inexpensive equipment can produce exceptionally good results - if only you know how to use it... Sound Check For The Performing Musician is a practical guide to equipment and sound for small to medium-sized gigs. It covers everything from choosing PA equipment and back line amplification, to selecting the right type of microphone and more. Also discussed are stage monitoring, effects and processors, uning, DI techniques, radio mics, basic wiring information, amplifier and loundspeaker principles - and even performance tips. An essential guide to getting a great sound on stage Clear, simple terms give the lowdown on amps, PAs and mics Everything you need to create the best setup for your budget Paul White is one of the UK's most acclaimed and respected authors on music technology. An accomplished musician himself, with a number of albums to his credit, he started out writing for the poular recording magazines Home Studio Recording and Music Technology before moving to the industry's leading monthly, Sound on Sound, of which he is now editor. He also runs his own highly successful studio and has worked with many high-profile musicians.

How to Make Your Band Sound Great
How to Make Your Band Sound Great

Author: Bobby Owsinski

Publisher: Hal Leonard Corporation

Published: 2009-02-01

Total Pages: 252

ISBN-13: 9781423441908

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Beyond the skill involved in playing an instrument, getting musicians to play together well is an art form in itself. The secrets of how a guitarist, bassist, vocalist, drummer, keyboard player, and more can come together to create a unified sound usually reveal themselves only after years of stage and studio experience. This book explores every aspect of playing with other musicians, including the equipment, hardware, and software used in today's increasingly complex technological world, and the principles of sound every musician needs to know to work at the level of a professional band. So if you're ready to take your band beyond countless rehearsals and fast-forward to a professional sound, How to Make Your Band Sound Great is the guide you need to get you there. Complete with a 60-minute instructional DVD, How to Make Your Band Sound Great supplies instant access to producer and engineer Bobby Owsinski's years of real-life professional experience with bands of all types as a player, recording engineer, and record producer. The book-and-DVD package provides all you need to know to get your band on the way to sounding great using the techniques of veteran professional performing acts in the studio and on the stage.

Sound Check
Sound Check

Author: Tony Moscal

Publisher: Human Kinetics 1

Published: 1994

Total Pages: 294

ISBN-13: 9780793535590

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SOUNDCHECK THE BASICS OF SOUND AND SOUND SYSTEMS

Alan Parsons' Art & Science of Sound Recording
Alan Parsons' Art & Science of Sound Recording

Author: Julian Colbeck

Publisher: Hal Leonard Corporation

Published: 2014-09-01

Total Pages: 393

ISBN-13: 1480397237

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(Technical Reference). More than simply the book of the award-winning DVD set, Art & Science of Sound Recording, the Book takes legendary engineer, producer, and artist Alan Parsons' approaches to sound recording to the next level. In book form, Parsons has the space to include more technical background information, more detailed diagrams, plus a complete set of course notes on each of the 24 topics, from "The Brief History of Recording" to the now-classic "Dealing with Disasters." Written with the DVD's coproducer, musician, and author Julian Colbeck, ASSR, the Book offers readers a classic "big picture" view of modern recording technology in conjunction with an almost encyclopedic list of specific techniques, processes, and equipment. For all its heft and authority authored by a man trained at London's famed Abbey Road studios in the 1970s ASSR, the Book is also written in plain English and is packed with priceless anecdotes from Alan Parsons' own career working with the Beatles, Pink Floyd, and countless others. Not just informative, but also highly entertaining and inspirational, ASSR, the Book is the perfect platform on which to build expertise in the art and science of sound recording.

Sound and Music for the Theatre
Sound and Music for the Theatre

Author: Deena Kaye

Publisher: Taylor & Francis

Published: 2015-09-25

Total Pages: 420

ISBN-13: 1317690575

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Covering every phase of a theatrical production, this fourth edition of Sound and Music for the Theatre traces the process of sound design from initial concept through implementation in actual performances. The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects, to negotiating a contract. It shows you how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with ‘war stores’ describing real-life problems with solutions that you can apply in your own work, whether you’re a sound designer, composer, or sound operator.

The Sound of Music
The Sound of Music

Author: Richard Rodgers

Publisher: Hal Leonard Corporation

Published: 1960

Total Pages: 212

ISBN-13: 9780881880502

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(Vocal Score). Vocal score with 15 songs from one of musical theatre's masterpieces. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * The Sound of Music * and more!

Music Technology in Live Performance
Music Technology in Live Performance

Author: Tim Canfer

Publisher: CRC Press

Published: 2023-12-07

Total Pages: 253

ISBN-13: 1003803903

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Music Technology in Live Performance explores techniques to augment live musical performance and represents a comprehensive guide to best practices in music technology for live performance. This book presents a practical and accessible introduction to the theories of liveness and an array of live performance technologies and techniques. Areas covered include analogue and digital audio, live sound, the recording studio, and electronic music, revealing best professional practices and expert tips, alongside an exploration of approaches to increasing the exchange of energy in live performance. Music Technology in Live Performance is an ideal introduction for students of music performance, music production, and music technology, and a vital resource for professional musicians, producers, and technology developers.

Performing Electronic Music Live
Performing Electronic Music Live

Author: Kirsten Hermes

Publisher: CRC Press

Published: 2021-12-28

Total Pages: 347

ISBN-13: 1000470261

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Performing Electronic Music Live lays out conceptual approaches, tools, and techniques for electronic music performance, from DJing, DAWs, MIDI controllers, traditional instruments, live sound design, hardware setups, custom software and hardware, to live visuals, venue acoustics, and live show promotion. Through case studies and contrasting tutorials by successful artists, Kirsten Hermes explores the many different ways in which you can create memorable experiences on stage. Featuring interviews with highly accomplished musicians and practitioners, readers can also expand on their knowledge with hands-on video tutorials for each chapter via the companion website, performingelectronicmusic.live. Performing Electronic Music Live is an essential, all-encompassing resource for professionals, students of music production courses, and researchers in the field of creative-focused performance technology.

Boss Br-1180 Quick Guide
Boss Br-1180 Quick Guide

Author:

Publisher: Hal Leonard Corporation

Published: 2002-02-01

Total Pages: 210

ISBN-13: 9780634026188

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(Book). The BOSS BR-1180 Quick Guide is the fast way to get happening on BOSS's most powerful new digital recorder. Within a short time, you'll be recording instruments and vocals with one and two-mic setups. Organized in a step-by-step procedural manner, this book is written simply, in plain language, as if you've never recorded before. Topics covered include: cables and connections, mic setup positions including stereo recording, signal flow, audio editing basics, punch in/punch out, effects and much more, all the way through bouncing down your final mix! This book was made in cooperation with BOSS tech support staff and authored by Caroline J. Alexander. Caroline J. Alexander holds a Masters Degree in Music Design for the Moving Image from Bournemouth University in England. Gifted in composing, mixing, illustrating and writing, Caroline has mastered the craft of simplifying the most complex in music technology and making it easy to understand and use. The author of many instrument and software specific books, she co-authored the bestselling How to Do a Demo Quality Recording in Your Bedroom, 2nd Ed. and edited How MIDI Works, 6th Ed. , illustrating both. As a composer, she's scored for short films, animation, game rides and web sites.

The Oxford Handbook of Music Performance, Volume 2
The Oxford Handbook of Music Performance, Volume 2

Author: Gary McPherson

Publisher: Oxford University Press

Published: 2022-02-03

Total Pages: 649

ISBN-13: 0190058862

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The two-volume 'Oxford Handbook of Music Performance' provides the most comprehensive and authoritative resource for musicians, educators and scholars currently available. It is aimed primarily for practicing musicians, particularly those who are preparing for a professional career as performers and are interested in practical implications of psychological and scientific research for their own music performance development; educators with a specific interest or expertise in music psychology, who will wish to apply the concepts and techniques surveyed in their own teaching; undergraduate and postgraduate students who understand the potential of music psychology for informing music education; and researchers in the area of music performance who consider it important for the results of their research to be practically useful for musicians and music educators.