Have you ever found yourself looking for love in all the wrong places then thought if I am going to keep this up I may as well do it someplace warm? Follow Teresa the Traveler on a two-month solo backpacking trip through South America and Florida
In Godless Americana, author Sikivu Hutchinson challenges the myths behind Americana images of Mom, Apple pie, white picket fences, and racially segregated god-fearing Main Street USA. In this timely essay collection, Hutchinson argues that the Christian evangelical backlash against Women's rights, social justice, LGBT equality, and science threatens to turn back the clock on civil rights. As a result of this climate, more people of color are exploring atheism, agnosticism, and freethought. Godless Americana examines these trends, providing a groundbreaking analysis of faith and radical humanist politics in an era of racial, sexual, and religious warfare.
WINNER OF THE 2022 NATIONAL BOOK AWARD FOR NONFICTION INSTANT NEW YORK TIMES BESTSELLER “An elegant meditation on the complexities of the American South—and thus of America—by an esteemed daughter of the South and one of the great intellectuals of our time. An inspiration.” —Isabel Wilkerson An essential, surprising journey through the history, rituals, and landscapes of the American South—and a revelatory argument for why you must understand the South in order to understand America We all think we know the South. Even those who have never lived there can rattle off a list of signifiers: the Civil War, Gone with the Wind, the Ku Klux Klan, plantations, football, Jim Crow, slavery. But the idiosyncrasies, dispositions, and habits of the region are stranger and more complex than much of the country tends to acknowledge. In South to America, Imani Perry shows that the meaning of American is inextricably linked with the South, and that our understanding of its history and culture is the key to understanding the nation as a whole. This is the story of a Black woman and native Alabaman returning to the region she has always called home and considering it with fresh eyes. Her journey is full of detours, deep dives, and surprising encounters with places and people. She renders Southerners from all walks of life with sensitivity and honesty, sharing her thoughts about a troubling history and the ritual humiliations and joys that characterize so much of Southern life. Weaving together stories of immigrant communities, contemporary artists, exploitative opportunists, enslaved peoples, unsung heroes, her own ancestors, and her lived experiences, Imani Perry crafts a tapestry unlike any other. With uncommon insight and breathtaking clarity, South to America offers an assertion that if we want to build a more humane future for the United States, we must center our concern below the Mason-Dixon Line. A Recommended Read from: The New Yorker • The New York Times • TIME • Oprah Daily • USA Today • Vulture • Essence • Esquire • W Magazine • Atlanta Journal-Constitution • PopSugar • Book Riot • Chicago Review of Books • Electric Literature • Lit Hub
Disability—as with other marginalized topics in social policy—is at risk for exclusion from social debate. This multivolume reference work provides an overview of challenges and opportunities for people with disabilities and their families at all stages of life. Once primarily thought of as a medical issue, disability is now more widely recognized as a critical issue of identity, personhood, and social justice. By discussing challenges confronting people with disabilities and their families and by collecting numerous accounts of disability experiences, this volume firmly situates disability within broader social movements, policy, and areas of marginalization, providing a critical examination into the lived experiences of people with disabilities and how disability can affect identity. A foundational introduction to disability for a wide audience—from those intimately connected with a person with a disability to those interested in the science behind disability—this collection covers all aspects of disability critical to understanding disability in the United States. Topics covered include characteristics of disability; disability concepts, models, and theories; important historical developments and milestones for people with disabilities; prominent individuals, organizations, and agencies; notable policies and services; and intersections of disability policy with other policy.
Why the Theatre is a collection of 26 personal essays by college teachers, actors, directors, and playwrights about the magnetic pull of the theatre and its changing place in society. The book is divided into four parts, examining the creative role of the audience, the life of the actor, director, and playwright in performance, ways the theatre moves beyond the playhouse and into the real world, and theories and thoughts on what the theatre can do when given form onstage. Based on concrete, highly personal examples, experiences, and memories, this collection offers unique perspectives on the meaning of the theatre and the beauty of weaving the world of the play into the fabric of our lives. Covering a range of practices and plays, from the Greeks to Japanese Butoh theatre, from Shakespeare to modern experiments, this book is written by and for the theatre instructor and theatre appreciation student.
This volume examines the ways in which the media, including film, television, social media, and gaming, has constructed and sustained a narrative of white supremacy that has entered mainstream American discourse. With chapters by today’s preeminent critical race scholars, the book looks in particular at the ways media institutions have circulated white supremacist ideology across a wide range of platforms and texts that have had significant impact on shaping our current polarized and racialized social and political landscape. Systematically scrutinizing every media platform, this volume provides readers with an understanding of the ways in which media has provided institutional support for white supremacist ideology, and presents them with the means to examine and analyze the persistence of these narratives within our racial discourse, thus offering the necessary knowledge to challenge and transform these racially divisive and destructive narratives. White Supremacy and the American Media will be of interest not only to scholars working in critical race studies and popular culture in the United States, but also to those working in the fields of Film and Television Studies, Sociology, Geography, Art History, Communication and Media Studies, Cultural Studies, American Studies, Popular Culture, and Media Studies.
The Harlem Renaissance was an exciting period in American history, and readers are placed in the middle of this vibrant African American cultural movement through engaging main text, annotated quotations from historical figures and scholars, and carefully selected primary sources. Eye-catching sidebars and a comprehensive timeline highlight important artists, writers, and works from the Harlem Renaissance to give readers a strong sense of this essential social studies curriculum topic. The influence of the Harlem Renaissance can still be seen in the cultural contributions of African Americans today, making this a topic that is sure to resonate with readers.
Winner of the James H. Broussard First Book Prize PROSE Award in U.S. History (Honorable Mention) A major new interpretation recasts U.S. history between revolution and civil war, exposing a dramatic reversal in sympathy toward Latin American revolutions. In the early nineteenth century, the United States turned its idealistic gaze southward, imagining a legacy of revolution and republicanism it hoped would dominate the American hemisphere. From pulsing port cities to Midwestern farms and southern plantations, an adolescent nation hailed Latin America’s independence movements as glorious tropical reprises of 1776. Even as Latin Americans were gradually ending slavery, U.S. observers remained energized by the belief that their founding ideals were triumphing over European tyranny among their “sister republics.” But as slavery became a violently divisive issue at home, goodwill toward antislavery revolutionaries waned. By the nation’s fiftieth anniversary, republican efforts abroad had become a scaffold upon which many in the United States erected an ideology of white U.S. exceptionalism that would haunt the geopolitical landscape for generations. Marshaling groundbreaking research in four languages, Caitlin Fitz defines this hugely significant, previously unacknowledged turning point in U.S. history.
A highly original history of American portraiture that places the experiences of enslaved people at its center This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built.