Two women meet in a small Karoo village after the funeral of David, the man they both loved. One is white and was his wife. The other is black and the mother of his child. David, who was driven into exile because of his political activism against apartheid, reappears in the searing memories of the women. During a hot afternoon of truth and reconciliation, treaties of love are painfully hammered out. The young confront the old, and what is hope for these individuals is hope for the new South Africa.
Karl von Richter, a handsome young man with a dark past and a sinister future, is injured while skiing in the Italian Alps. He falls in love with Katrina Amorino, his dark-haired, blue-eyed nurse. Unaware Germany is preparing for war, Katrina naïvely moves to his home; but before she arrives, Karl joins the SS and begins implementing Hitler's deadly Final Solution, exterminating the Jews and other "deplorables." At the end of the war, SS Officer Karl heads home to find his parents dead, and Katrina and their young son missing. As he searches for Katrina, Karl's conscience reawakens, revealing dark truths. Meanwhile, Katrina, hiding in fear, agonizes over her impetuous decisions that have become a litany of sorrows that haunts her for decades to come.
Special Sorrows carefully delineates the centrality of Jewish, Polish and Irish supporters in the United States to national liberation movements abroad and details how such movements shaped immigrant life in the United States.
One kingdom. One crown. One family. “Maybe it’s time the great House of Rey came to an end. After all, what are we now? Just a house of rage and sorrow.” Esmae once wanted nothing more than to help her golden brother win the crown of Kali but that dream died with her best friend. Alexi broke her heart, and she vowed to destroy him for it. And with her sentient warship Titania beside her, how can she possibly fail? As gods, beasts, and kingdoms choose sides, Alexi seeks out a weapon more devastating than even Titania. Past lives threaten the present. Old enemies claim their due. And Esmae cannot outrun the ghosts and the questions that haunt her. What really happened to her father? What was the third boon her mother asked of Amba? For in the shadows, lurking in wait, are secrets that will swallow her whole. The House of Rey is at war. And the entire galaxy will bleed before the end.
"This is no small achievement. For the language-lover the translation provides elegant, flowing English verse, for the classicist it conveys close approximation to the Latin meaning coupled with a sense of the movement and rhythmic variety of Ovid's language"—Geraldine Herbert-Brown, editor of Ovid's Fasti: Historical Readings at its Bimillennium "This book fills a gap. There is no similar annotated English translation of Ovid's exile poetry. Thoroughly grounded in Ovidian scholarship, Green's introduction and notes are helpful and informative. The translation is accurate, idiomatic, and lively, closely imitating the Latin elegiac couplet and capturing Ovid's changing moods."—Karl Galinsky, author of Ovid's Metamorphoses: An Introduction to the Basic Aspects
The “intimate and expansive” (Time) memoir of “one of the most important artists working in the world today” (Financial Times), telling a remarkable history of China over the last hundred years while also illuminating his artistic process “Poignant . . . An illuminating through-line emerges in the many parallels Ai traces between his life and his father’s.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, BookPage, Booklist, Kirkus Reviews Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist—and how his work has been shaped by living under a totalitarian regime. Ai Weiwei’s sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird’s Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his life story and that of his father, whose creativity was stifled. At once ambitious and intimate, Ai Weiwei’s 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.
Thomas Wildus thinks he's an ordinary twelve year old, but when a man with gold-flecked eyes gives him an ancient text called The Book of Sorrows, he discovers hidden powers and a secret family legacy. As he tries to unravel the truth, dark forces threaten to end his rise to power and force him to fight for the future of all mankind.
In this book, fourteen mesmerizing fables - and the etchings they inspired - draw us back to our origins in a garden of sorrow and exile, death and renewal, beauty and melancholy. John Hughes re-imagines a series of fables in which Australian animals take on human qualities, as thief and actor, warrior and poet, farmer and merchant. These are reverse fables - in the way that the Antipodes reverse Northern Hemisphere logic - that cast us back to the flux at the beginning of the world: inchoate nature, the world in a state of formation, the garden, and the inferno. Accompanied by artist Marco Luccio's darkly wry etchings, this collaboration between two artists is as unique as the stories it contains.
Affirmation. Both directly and, as befitted the Roman Callimachus, allusively, Ovid repeatedly asserts, often with a wit and irony that borders on defiance, his conviction of the injustice of his sentence and of the pre-eminence of the eternal values of poetry over the ephemeral dictates of an earthly power. These elegies are throughout informed by Ovid's awareness of a continuing pride in his poetic identity and mission. In technical skill and inventiveness, they rank.
