Slipcased limited edition signed by S., R., and A. Crumb, including a signed print: a groundbreaking work of striking originality that charts a young artist's life through her own drawings--from toddlerhood to motherhood.
Rumored for years, Drawn Together finally charts the daily exploits and erotic craziness of this “First Couple” of comics. Who could have imagined that in 1972, when Aline Kominsky, a Long Island escapee and bodaciously talented artist, broke her foot one rainy fall day, it would result in the most unique collaboration in comics history? Laid up in her house, she was persuaded by R. Crumb, her nerdy, neurotic boyfriend, to pass the time drawing together a “two-man” comic. The result is a jaw-dropping yet tender account, not only of the joys and challenges of a legendary marriage but also of the obstacles faced by struggling female artists. In Drawn Together, our foremost male-female cartooning couple recall their success at shocking America with Weirdo Magazine, the life-altering birth of their precocious daughter Sophie, and their astonishing move to the safe haven of France. With an irresistible introduction and a striking four-color section, Drawn Together becomes a graphic cause-célebre and a must-have for any comics devotee.
The early work of the pioneering feminist cartoonist plus her acclaimed new story “Dream House" Aline Kominsky-Crumb immediately made her mark in the Bay Area’s underground comix scene with unabashedly raw, dirty, unfiltered comics chronicling the thoughts and desires of a woman coming of age in the 1960s. Kominsky-Crumb didn’t worry about self-flattery. In fact, her darkest secrets and deepest insecurities were all the more fodder for groundbreaking stories. Her exaggerated comix alter ego, Bunch, is self-destructive and grotesque but crackles with the self-deprecating humor and honesty of a cartoonist confident in the story she wants to tell. Collecting comics from the 1970s through today, Love That Bunch is shockingly prescient while still being an authentic story of its era. Kominsky-Crumb was ahead of her time in juxtaposing the contradictory nature of female sexuality with a proud, complicated feminism. Most important, she does so without apology. One of the most famous and idiosyncratic cartoonists of our time, Kominsky-Crumb traces her steps from a Beatles-loving fangirl, an East Village groupie, an adult grappling with her childhood, and a 1980s housewife and mother, to a new thirty-page story, “Dream House,” that looks back on her childhood forty years later. Love That Bunch will be Kominsky-Crumb’s only solo-authored book in print. Originally published as a book in 1990, this new expanded edition follows her to the present, including an afterword penned by the noted comics scholar Hillary Chute.
Presents comics, writings, and artwork by the Crumb family, especially Robert, Charles, Jesse, and Maxon, depicting their struggles with a disturbing family life, tragedies, and successes in the world of art. Contains adult content.
Ghose World tells of the adventures of Enid Coleslaw and Beck Doppelmeyer, two bored, supremely ironic teenage girls. They pass the time complaining about the guys they know and fantasising about strange men they see in the local diner. Clowes captures th
Aline Kominsky Crumb, one of the earliest female cartoonists, presents a collection of her own highly inventive and daring artwork over the last four decades, along with unusual photographs and memorabilia.
The Complete Dirty Laundry Comics collects the two issues of Dirty Laundry Comics as well as other comics that were collaborations between Robert Crumb and his wife Aline Kominsky-Crumb. Against the backdrop of the wild 1970s, the Crumbs appear as themselves in autobiographical vignettes. They wander through various situations ranging from the banal (Aline complaining that she doesn't draw as well as Robert) to the extreme (Robert shoving Aline's face into a pool of vomit). While both of these artists share an almost unrelenting frankness, they each have unique personalities and art styles.
Call Out: Words of wisdom from R. Crumb hisself ("sic"): All my life I've loved women and hated 'em at the same time, often at the exact same moment! ~I realized I was a geek and I wasn't going to make it with the girls. I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist. ~The only burning passion I'm sure I have, is the passion for sex. ~My personal obsession for big women interferes with some people's enjoyment of my work. I knew it was weird and disturbing and even offensive to a lot of people, particularly women. But I couldn't keep it out of the comics. I would always try to give it some sort of metaphorical sense because I derived such masturbatory pleasure out of drawing these women in bizarre situations with these little guys doing stuff to them.
Volume Five of the R. Crumb Sketchbooks covers two of the most noteworthy events of the artist's life: the family's move to southern France in 1991 and the release of Terry Zwigoff's 1994 documentary CRUMB. Solidly in his midlife crises years, our curmudgeon finds a measure of peace and acceptance of the cruel whims of fate--until the final...