Sonnet Series and Itinerary Poems, 1820-1845
Sonnet Series and Itinerary Poems, 1820-1845

Author: William Wordsworth

Publisher:

Published: 2004

Total Pages: 1032

ISBN-13:

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This volume of The Cornell Wordsworth contains eight collections of poems, mostly sonnets, published between 1820 and 1845. The River Duddon is a series of sonnets describing an imagined journey. Ecclesiastical Sketches, by far the largest group in the volume, consists entirely of sonnets and moves through historical time rather than topographical space. Memorials of a Tour on the Continent, 1820 is a record of an actual tour, containing when first published 23 sonnets and 15 other poems. In Yarrow Revisited, and Other Poems, celebrating another tour, all but three of the 26 poems are sonnets. Memorials of a Tour in Scotland, 1833 originally consisted entirely of sonnets. Memorials of a Tour in Italy includes five poems that are not sonnets. The remaining two groups, Sonnets upon the Punishment of Death and Sonnets Dedicated to Liberty and Order, which are both quite short, move through neither space nor time, but are thematically linked.An account of the genesis, dates of composition, and publication of each series is followed by reading texts, including all available variants. The poems are followed by Wordsworth's own notes and by the editor's notes. Photographic reproductions of manuscript pages of special interest, with transcriptions, are included for all the collections except Sonnets Dedicated to Liberty and Order.

Wordsworth's Poetry, 1815-1845
Wordsworth's Poetry, 1815-1845

Author: Tim Fulford

Publisher: University of Pennsylvania Press

Published: 2019-02-08

Total Pages: 344

ISBN-13: 0812250818

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The later poetry of William Wordsworth, popular in his lifetime and influential on the Victorians, has, with a few exceptions, received little attention from contemporary literary critics. In Wordsworth's Poetry, 1815-1845, Tim Fulford argues that the later work reveals a mature poet far more varied and surprising than is often acknowledged. Examining the most characteristic poems in their historical contexts, he shows Wordsworth probing the experiences and perspectives of later life and innovating formally and stylistically. He demonstrates how Wordsworth modified his writing in light of conversations with younger poets and learned to acknowledge his debt to women in ways he could not as a young man. The older Wordsworth emerges in Fulford's depiction as a love poet of companionate tenderness rather than passionate lament. He also appears as a political poet—bitter at capitalist exploitation and at a society in which vanity is rewarded while poverty is blamed. Most notably, he stands out as a history poet more probing and more clear-sighted than any of his time in his understanding of the responsibilities and temptations of all who try to memorialize the past.

William Wordsworth and the Invention of Tourism, 1820-1900
William Wordsworth and the Invention of Tourism, 1820-1900

Author: Saeko Yoshikawa

Publisher: Routledge

Published: 2016-02-17

Total Pages: 323

ISBN-13: 1134767994

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In her study of the opening of the English Lake District to mass tourism, Saeko Yoshikawa examines William Wordsworth’s role in the rise and development of the region as a popular destination. For the middle classes on holiday, guidebooks not only offered practical information, but they also provided a fresh motive and a new model of appreciation by associating writers with places. The nineteenth century saw the invention of Robert Burns’s and Walter Scott’s Borders, Shakespeare’s Stratford, and the Brontë Country as holiday locales for the middle classes. Investigating the international cult of Wordsworthian tourism, Yoshikawa shows both how Wordsworth’s public celebrity was constructed through the tourist industry and how the cultural identity of the Lake District was influenced by the poet’s presence and works. Informed by extensive archival work, her book provides an original case study of the contributions of Romantic writers to the invention of middle-class tourism and the part guidebooks played in promoting the popular reputations of authors.

Album Verses and Romantic Literary Culture
Album Verses and Romantic Literary Culture

Author: Samantha Matthews

Publisher: Oxford University Press

Published: 2020-09-11

Total Pages: 224

ISBN-13: 0192599852

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'Will you write in my album?' Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s 'albo-mania' come from, and why was it satirized as a women's 'mania'? What was the relation between visitors' books associated with great institutions and country houses, personal albums belonging to individuals, and the poetry written in both? What caused albums' re-gendering from earlier friendship books kept by male students and gentlemen on the Grand Tour to a 'feminized' practice identified mainly with young women? When albums were central to women's culture, why were so many published album poems by men? How did amateur and professional poets engage differently with albums? What does album culture's privileging of 'original poetry' have to say about attitudes towards creativity and poetic practice in the age of print? This volume recovers a distinctive subgenre of occasional poetry composed to be read in manuscript, with its own characteristic formal features, conventions, themes, and cultural significance. Unique albums examined include that kept at the Grande Chartreuse, those owned by Regency socialite Lady Sarah Jersey, and those kept by Lake poets' daughters. As Album Verses and Romantic Literary Culture shows, album poetry reflects changing attitudes to identity, gender, class, politics, poetry, family dynamics, and social relations in the Romantic period.

Representing Place in British Literature and Culture, 1660-1830
Representing Place in British Literature and Culture, 1660-1830

Author: Evan Gottlieb

Publisher: Routledge

Published: 2016-04-08

Total Pages: 253

ISBN-13: 1317065883

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Revising traditional 'rise of the nation-state' narratives, this collection explores the development of and interactions among various forms of local, national, and transnational identities and affiliations during the long eighteenth century. By treating place as historically contingent and socially constructed, this volume examines how Britons experienced and related to a landscape altered by agricultural and industrial modernization, political and religious reform, migration, and the building of nascent overseas empires. In mapping the literary and cultural geographies of the long eighteenth century, the volume poses three challenges to common critical assumptions about the relationships among genre, place, and periodization. First, it questions the novel’s exclusive hold on the imagining of national communities by examining how poetry, drama, travel-writing, and various forms of prose fiction each negotiated the relationships between the local, national, and global in distinct ways. Second, it demonstrates how viewing the literature and culture of the long eighteenth century through a broadly conceived lens of place brings to the foreground authors typically considered 'minor' when seen through more traditional aesthetic, cultural, or theoretical optics. Finally, it contextualizes Romanticism’s long-standing associations with the local and the particular, suggesting that literary localism did not originate in the Romantic era, but instead emerged from previous literary and cultural explorations of space and place. Taken together, the essays work to displace the nation-state as a central category of literary and cultural analysis in eighteenth-century studies.

Sexuality and the Culture of Sensibility in the British Romantic Era
Sexuality and the Culture of Sensibility in the British Romantic Era

Author: C. Nagle

Publisher: Springer

Published: 2007-11-12

Total Pages: 232

ISBN-13: 0230609325

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This is the first study to fully trace the influence of Sensibility on British Romanticism. Sensibility continually found new forms of expression in the late Eighteenth and early Nineteenth century. Nagle explores how it coexisted and intermingled with Romanticism and revises the traditional narratives of literary periodization of this era.

Family Authorship and Romantic Print Culture
Family Authorship and Romantic Print Culture

Author: M. Levy

Publisher: Springer

Published: 2008-01-17

Total Pages: 233

ISBN-13: 023059008X

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This book explores the conjunction of authorship and family life as a distinctive cultural formation of Romantic-era Britain. It traces an alternative history of Romantic authorship, one that lies on the cusp between a vanishing manuscript culture and the dominance of print, grappling with an evolving tension between the private and public spheres.

Mountaineering and British Romanticism
Mountaineering and British Romanticism

Author: Simon Bainbridge

Publisher: Oxford University Press

Published: 2020-04-16

Total Pages: 319

ISBN-13: 0192599755

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This book examines the relationship between Romantic-period writing and the activity that Samuel Taylor Coleridge christened 'mountaineering' in 1802. It argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity's evolution. It explores how the desire for physical ascent shaped Romantic-period literary culture and investigates how the figure of the mountaineer became crucial to creative identities and literary outputs. Illustrated with 25 images from the period, the book shows how mountaineering in Britain had its origins in scientific research, antiquarian travel, and the search for the picturesque and the sublime. It considers how writers engaged with mountaineering's power dynamics and investigates issues including the politics of the summit view (what Wordsworth terms 'visual sovereignty'), the relationships between different types of 'mountaineers', and the role of women in the developing cultures of ascent. Placing the work of canonical writers alongside a wide range of other types of mountaineering literature, this book reassesses key Romantic-period terms and ideas, such as vision, insight, elevation, revelation, transcendence, and the sublime. It opens up new ways of understanding the relationship between Romantic-period writers and the world that they experienced through their feet and hands, as well as their eyes, as they moved through the challenging landscapes of the British mountains.