Songs of the Finnish Migration presents music and lyrics for more than eighty Finnish-language immigrant songs, alongside singable English translations and detailed notes on migration history and music in the New World. These songs provide a vivid and imaginative portrayal of momentous migration that forever changed Finnish and Finnish American society.
Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a framework to fully contextualize and understand this process of music curation.
“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.
Ole Hendricks was an immigrant both representative and exceptional—a true artistic talent who nevertheless lived a familiar immigrant experience. By day, he was a farmer. But at night, his fiddle lit up dance halls, bringing together all manner of neighbors in rural Minnesota. Each tune in his repertoire of waltzes, reels, polkas, quadrilles, and more were copied neatly into his commonplace book. Such tunebooks, popular during the nineteenth century, rarely survive and are often overlooked by folk scholars in favor of commercially produced recordings, published sheet music, or oral tradition. Based on extensive historical and genealogical research, Amy Shaw presents a grounded picture of a musician, his family, and his community in the Upper Midwest, revealing much about music and dance in the area. This notable contribution to regional music and folklore includes more than one hundred of Ole's dance tunes, transcribed into modern musical notation for the first time. Ole Hendricks and His Tunebook will be valuable to readers and scholars interested in ethnomusicology and the Norwegian American immigrant experience.
Drawing on decades of research, folklorists Jim Leary and Richard March have distilled a definitive presentation of Upper Midwestern traditional and ethnic music, from Ojibwa drums to Norwegian fiddles, from polka to salsa, from gospel choirs to southeast Asian rock bands. The book Down Home Dairyland: A Listener’s Guide provides a wonderful overview of Wisconsin’s musical heritage through forty essays, fifty-seven photographs, plus a rich discography and bibliography. Both the cassette and the music CD sets provide samplings from the Down Home Dairyland series of forty half-hour radio programs on Wisconsin Public Radio. These audio collections include interviews with traditional musicians, sample sound recordings, and discussion of the patterns of musical styles in the region. Distributed for the Center for the Study of Upper Midwestern Cultures, University of Wisconsin–Madison.
A newly annotated edition of a landmark 1926 collection of lumberjack songs, augmented by a biography of pioneering song collector Franz Rickaby and additional songs that he collected.
This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.
Songs in Their Heads is a vivid and engaging book that bridges the disciplines of music education, ethnomusicology, and folklore. This revised and expanded edition includes additional case studies, updated illustrative material, and a new section exploring the relationship between children's musical practices and current technological advances. Designed as a text or supplemental text for a variety of music education methods courses, as well as a reference for music specialists and classroom teachers, this book can also help parents understand and enhance their own children's music making.
