Songs of the Nativity; Being Christmas Carols, Ancient and Modern. Several of Which Appear for the First Time in a Collection
Songs of the Nativity; Being Christmas Carols, Ancient and Modern. Several of Which Appear for the First Time in a Collection

Author: William Henry Husk

Publisher: Andesite Press

Published: 2015-08-09

Total Pages: 234

ISBN-13: 9781297612121

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Songs of the Nativity
Songs of the Nativity

Author: William Henry Husk

Publisher: Cambridge University Press

Published: 2014-11-13

Total Pages: 233

ISBN-13: 1108082882

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An 1864 collection of some eighty Christmas carols, both religious and 'festive', with twelve set to music.

The Directory on Popular Piety and the Liturgy
The Directory on Popular Piety and the Liturgy

Author: Peter C. Phan

Publisher: Liturgical Press

Published: 2005

Total Pages: 196

ISBN-13: 9780814628935

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2006 Catholic Press Association Award Winner After suffering an eclipse during the post-Vatican II liturgical reform, popular piety has regained its vital role in the spiritual life of Catholics. In response to its re-emergence, the Congregation for divine Worship and the Discipline of the Sacraments issued the Directory on Popular Piety and the Liturgy on December 17, 2001. The Directory was written for bishops and their collaborators as a pastoral guide addressing the relationship between liturgy and popular piety. Directory on Popular Piety and the Liturgy: Principles and Guidelines, A Commentary by Peter C. Phan provides a chapter-by-chapter commentary on the Directory, summarizing its contents, highlighting its strengths and weaknesses, and offering suggestions on how devotional practices can be implemented in the United States. For liturgists, religious educators and students, pastoral leaders, and other interested Christians, this volume is helpful toward promoting a vigorous and authentic devotional life in the community, while respecting the preeminence of liturgical worship. The Commentary begins with a preface by Peter C. Phan and an introduction by James Empereur, entitled Popular Piety and the Liturgy: Principles and Guidelines." Chapters in Part One: Emerging Trends: History, Magisterium, Theology are *Liturgy and Popular Piety in a Historical Perspective, - by Mark R. Francis; *Liturgy and Popular Piety in the Church's Magisterium, - by Peter Fink; and *Theological Principles for an Evaluation and Renewal of Popular Piety, - by Nathan Mitchell. Chapters in Part Two: Guidelines for the Harmonization of Popular Piety with the Liturgy are *The Liturgical Year and Popular Piety, - by Keith F. Pecklers; *Veneration of the Holy Mother of God, - by Joyce Ann Zimmerman; *Veneration of the Saints and Beati, - by Rail Gomez; *Suffrage for the Dead, - by Peter C. Phan; *Shrines and Pilgrimages, - by Ana Maria Pineda. Concludes with a bibliography that presents the most significant recent writings on popular piety and liturgy, by Robert Brancatelli. Peter C. Phan, PhD, is the Ignacio Ellacuria Professor of Catholic Social Thought at Georgetown University. "

The Cambridge History of Fifteenth-Century Music
The Cambridge History of Fifteenth-Century Music

Author: Anna Maria Busse Berger

Publisher: Cambridge University Press

Published: 2015-07-16

Total Pages: 1058

ISBN-13: 1316298299

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Through forty-five creative and concise essays by an international team of authors, this Cambridge History brings the fifteenth century to life for both specialists and general readers. Combining the best qualities of survey texts and scholarly literature, the book offers authoritative overviews of central composers, genres, and musical institutions as well as new and provocative reassessments of the work concept, the boundaries between improvisation and composition, the practice of listening, humanism, musical borrowing, and other topics. Multidisciplinary studies of music and architecture, feasting, poetry, politics, liturgy, and religious devotion rub shoulders with studies of compositional techniques, musical notation, music manuscripts, and reception history. Generously illustrated with figures and examples, this volume paints a vibrant picture of musical life in a period characterized by extraordinary innovation and artistic achievement.

Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice

Author: Arie Wallert

Publisher: Getty Publications

Published: 1995-08-24

Total Pages: 241

ISBN-13: 0892363223

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Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

Maps of Meaning
Maps of Meaning

Author: Jordan B. Peterson

Publisher: Routledge

Published: 2002-09-11

Total Pages: 604

ISBN-13: 1135961751

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Why have people from different cultures and eras formulated myths and stories with similar structures? What does this similarity tell us about the mind, morality, and structure of the world itself? From the author of 12 Rules for Life: An Antidote to Chaos comes a provocative hypothesis that explores the connection between what modern neuropsychology tells us about the brain and what rituals, myths, and religious stories have long narrated. A cutting-edge work that brings together neuropsychology, cognitive science, and Freudian and Jungian approaches to mythology and narrative, Maps ofMeaning presents a rich theory that makes the wisdom and meaning of myth accessible to the critical modern mind.

Western Plainchant
Western Plainchant

Author: David Hiley

Publisher: Oxford University Press

Published: 1995

Total Pages: 764

ISBN-13: 9780198165729

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Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.