More than ten million readers have enjoyed Robert Boyd Munger's spiritually challenging meditation on Christian discipleship. Now revised and expanded, My Heart--Christ's Home leads you to examine for yourself all the aspects of your life--considering what Christ most desires for you.
Robert Burns (1759-1796), also known as the National Bard, Bard of Ayrshire and the Ploughman Poet, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. This book contains his complete poems, songs, and correspondence, with a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham. Table of Contents: The Life of Robert Burns Poems: Winter. A Dirge The Death and dying Words of poor Mailie Poor Mailie's Elegy First Epistle to Davie, a brother Poet Second Address to the Deil The auld Farmer's New-year Morning Salutation to his auld Mare Maggie To a Haggis A Prayer under the pressure of violent Anguish A Prayer in the prospect of Death Stanzas on the same occasion A Winter Night Remorse The Jolly Beggars Death and Dr. Hornbook The Twa Herds; or, the Holy Tulzie Holy Willie's Prayer Epitaph to Holy Willie The Inventory The Holy Fair The Ordination The Calf To James Smith The Vision Halloween... Epitaphs, Epigrams, Fragments: On the Author's On R.A., Esq On a Friend For Gavin Hamilton On wee Johnny On John Dove, Innkeeper, Mauchline On a Wag in Mauchline On a celebrated ruling Elder On a noisy Polemic On Miss Jean Scott... Songs and Ballads: Handsome Nell Luckless Fortune Tibbie, I hae seen the day John Barleycorn The Rigs o' Barley Montgomery's Peggy The Mauchline Lady The Highland Lassie Peggy The rantin' Dog the Daddie o't My Nannie O Bonnie Peggy Alison Green grow the Rashes, O My Jean Robin Young Peggy The Cure for all Care Eliza The Sons of Old Killie And maun I still on Menie doat The Farewell to the Brethren of St. James's Lodge, Tarbolton On Cessnock Banks Mary The Lass of Ballochmyle... General Correspondence Remarks on Scottish Songs and Ballads The Border Tour The Highland Tour Burns's Assignment of his Works
Filmmaker, musicologist, painter, ethnographer, graphic designer, mystic, and collector of string figures and other patterns, Harry Smith (1923-1991) was among the most original creative forces in postwar American art and culture, yet his life and work remain poorly understood. Today he is remembered primarily for his Anthology of American Folk Music (1952)--an idiosyncratic collection of early recordings that educated and inspired a generation of musicians and roots music fans--and for a body of innovative abstract and nonnarrative films. Constituting a first attempt to locate Smith and his diverse endeavors within the history of avant-garde art production in twentieth-century America, the essays in this volume reach across Smith's artistic oeuvre. In addition to contributions by Paul Arthur, Robert Cantwell, Thomas Crow Stephen Fredman, Stephen Hinton, Greil Marcus, Annette Michelson, William Moritz, and P. Adams Sitney, the volume contains numerous illustrations of Smith's works and a selection of his letters and other primary sources.
Robert Burns, the chief of the peasant poets of Scotland, was born in a little mud-walled cottage on the banks of Doon, near “Alloway’s auld haunted kirk,” in the shire of Ayr, on the 25th day of January, 1759. As a natural mark of the event, a sudden storm at the same moment swept the land: the gabel-wall of the frail dwelling gave way, and the babe-bard was hurried through a tempest of wind and sleet to the shelter of a securer hovel. He was the eldest born of three sons and three daughters; his father, William, who in his native Kincardineshire wrote his name Burness, was bred a gardener, and sought for work in the West; but coming from the lands of the noble family of the Keiths, a suspicion accompanied him that he had been out—as rebellion was softly called—in the forty-five: a suspicion fatal to his hopes of rest and bread, in so loyal a district; and it was only when the clergyman of his native parish certified his loyalty that he was permitted to toil. This suspicion of Jacobitism, revived by Burns himself, when he rose into fame, seems not to have influenced either the feelings, or the tastes of Agnes Brown, a young woman on the Doon, whom he wooed and married in December, 1757, when he was thirty-six years old. To support her, he leased a small piece of ground, which he converted into a nursery and garden, and to shelter her, he raised with his own hands that humble abode where she gave birth to her eldest son. The elder Burns was a well-informed, silent, austere man, who endured no idle gaiety, nor indecorous language: while he relaxed somewhat the hard, stern creed of the Covenanting times, he enforced all the work-day, as well as sabbath-day observances, which the Calvinistic kirk requires, and scrupled at promiscuous dancing, as the staid of our own day scruple at the waltz. His wife was of a milder mood: she was blest with a singular fortitude of temper; was as devout of heart, as she was calm of mind; and loved, while busied in her household concerns, to sweeten the bitterer moments of life, by chanting the songs and ballads of her country, of which her store was great. The garden and nursery prospered so much, that he was induced to widen his views, and by the help of his kind landlord, the laird of Doonholm, and the more questionable aid of borrowed money, he entered upon a neighbouring farm, named Mount Oliphant, extending to an hundred acres. This was in 1765; but the land was hungry and sterile; the seasons proved rainy and rough; the toil was certain, the reward unsure; when to his sorrow, the laird of Doonholm—a generous Ferguson,—died: the strict terms of the lease, as well as the rent, were exacted by a harsh factor, and with his wife and children, he was obliged, after a losing struggle of six years, to relinquish the farm, and seek shelter on the grounds of Lochlea, some ten miles off, in the parish of Tarbolton. When, in after-days, men’s characters were in the hands of his eldest son, the scoundrel factor sat for that lasting portrait of insolence and wrong, in the “Twa Dogs.” In this new farm William Burns seemed to strike root, and thrive. He was strong of body and ardent of mind: every day brought increase of vigour to his three sons, who, though very young, already put their hands to the plough, the reap-hook, and the flail. But it seemed that nothing which he undertook was decreed in the end to prosper: after four seasons of prosperity a change ensued: the farm was far from cheap; the gains under any lease were then so little, that the loss of a few pounds was ruinous to a farmer: bad seed and wet seasons had their usual influence: “The gloom of hermits and the moil of galley-slaves,” as the poet, alluding to those days, said, were endured to no purpose; when, to crown all, a difference arose between the landlord and the tenant, as to the terms of the lease; and the early days of the poet, and the declining years of his father, were harassed by disputes, in which sensitive minds are sure to suffer.
Robert Burns (1759-1796), also known as the National Bard, Bard of Ayrshire and the Ploughman Poet, was a Scottish poet and lyricist. He is widely regarded as the national poet of Scotland and is celebrated worldwide. This book contains his complete poems, songs, and correspondence, with a New Life of the Poet, and Notices, Critical and Biographical by Allan Cunningham. Table of Contents: The Life of Robert Burns Poems: Winter. A Dirge The Death and dying Words of poor Mailie Poor Mailie's Elegy First Epistle to Davie, a brother Poet Second Address to the Deil The auld Farmer's New-year Morning Salutation to his auld Mare Maggie To a Haggis A Prayer under the pressure of violent Anguish A Prayer in the prospect of Death Stanzas on the same occasion A Winter Night Remorse The Jolly Beggars Death and Dr. Hornbook The Twa Herds; or, the Holy Tulzie Holy Willie's Prayer Epitaph to Holy Willie The Inventory The Holy Fair The Ordination The Calf To James Smith The Vision Halloween… Epitaphs, Epigrams, Fragments: On the Author's On R.A., Esq On a Friend For Gavin Hamilton On wee Johnny On John Dove, Innkeeper, Mauchline On a Wag in Mauchline On a celebrated ruling Elder On a noisy Polemic On Miss Jean Scott… Songs and Ballads: Handsome Nell Luckless Fortune Tibbie, I hae seen the day John Barleycorn The Rigs o' Barley Montgomery's Peggy The Mauchline Lady The Highland Lassie Peggy The rantin' Dog the Daddie o't My Nannie O Bonnie Peggy Alison Green grow the Rashes, O My Jean Robin Young Peggy The Cure for all Care Eliza The Sons of Old Killie And maun I still on Menie doat The Farewell to the Brethren of St. James's Lodge, Tarbolton On Cessnock Banks Mary The Lass of Ballochmyle… General Correspondence Remarks on Scottish Songs and Ballads The Border Tour The Highland Tour Burns's Assignment of his Works
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