In 54 chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals in a book that keeps turning around the question, "What does it mean to have a voice?"
“Tender and unflinching, a beautifully observed novel about familial love and stoicism in the face of heartbreak.”—Carys Bray, award-winning author of The Museum of You Maeve Maloney is a force to be reckoned with. Despite nearing 80, she keeps Sea View Lodge just as her parents did during Morecambe’s 1950s heyday. But now only her employees and regular guests recognize the tenderness and heartbreak hidden beneath her spikiness. Until, that is, Vincent shows up. Vincent is the last person Maeve wants to see. He is the only man alive to have known her twin sister, Edie. The nightingale to Maeve’s crow, the dawn to Maeve’s dusk, Edie would have set her sights on the stage—all things being equal. But, from birth, things never were. If only Maeve could confront the secret past she shares with Vincent, she might finally see what it means to love and be loved—a lesson that her exuberant yet inexplicable twin may have been trying to teach her all along. Stylist Magazine Top “Books to Read on a Staycation” “Funny, heartbreaking and truly remarkable.”—Susan Barker, New York Times bestselling author “I found the novel most poignant and tender in its depiction of disability, without a whiff of sentimentality . . . it crept under my skill and will stay there for a long time.”—Emma Henderson, Orange Prize-shortlisted author of Grace Williams Says It Loud “Amazing: fierce, intelligent, compassionate and deeply moving . . . an important and very beautiful book.”—Edward Hogan, Desmond Elliot Prize-winning author of Blackmoor “Fresh, poignant and unlike anything else.”—Jill Dawson, Whitbread and Orange Prize-shortlisted author of The Crime Writer
Julie Walker thought she found true love with Jase. Until he betrayed her in the worst way, with one of her best friends. Devastated and heartbroken she runs away, leaving behind her family and friends. She starts a new life filled with secrets.When Julie meets Dean, she thinks he is the answer to all her prayers, but Dean isn't who she thinks he is.Jase Gibson is a player. Even when he had the girl of his dreams, he still played. When he lost Julie, his life fell apart. He turned to whiskey and women, to fill the void. But, only Julie will ever make him whole.Nine years later, Julie's back home, but she's not alone. What will happen when all of Julie's secrets are uncovered?Jase vowed that if he ever got her back, he would do right by her and never let her go. Will he let Julie's secret keep them apart?When Julie's ex-husband refuses to be her ex, Jase must choose to help her or hang on to his anger.Jase and Julie have to find a way to give their whiskey lullaby a happy ending.
Timely and unsettling essays from an important and beloved writer and conservationist In Erosion, Terry Tempest Williams's fierce, spirited, and magnificent essays are a howl in the desert. She sizes up the continuing assaults on America's public lands and the erosion of our commitment to the open space of democracy. She asks: "How do we find the strength to not look away from all that is breaking our hearts?" We know the elements of erosion: wind, water, and time. They have shaped the spectacular physical landscape of our nation. Here, Williams bravely and brilliantly explores the many forms of erosion we face: of democracy, science, compassion, and trust. She examines the dire cultural and environmental implications of the gutting of Bear Ears National Monument—sacred lands to Native Peoples of the American Southwest; of the undermining of the Endangered Species Act; of the relentless press by the fossil fuel industry that has led to a panorama in which "oil rigs light up the horizon." And she testifies that the climate crisis is not an abstraction, offering as evidence the drought outside her door and, at times, within herself. These essays are Williams's call to action, blazing a way forward through difficult and dispiriting times. We will find new territory—emotional, geographical, communal. The erosion of desert lands exposes the truth of change. What has been weathered, worn, and whittled away is as powerful as what remains. Our undoing is also our becoming. Erosion is a book for this moment, political and spiritual at once, written by one of our greatest naturalists, essayists, and defenders of the environment. She reminds us that beauty is its own form of resistance, and that water can crack stone.
A girl searches for a killer on an island where deadly sirens lurk just beneath the waves in this “twisty, atmospheric story that grips readers like a siren song” (Publishers Weekly, starred review). The sea holds many secrets. Moira Alexander has always been fascinated by the deadly sirens who lurk along the shores of her island town. Even though their haunting songs can lure anyone to a swift and watery grave, she gets as close to them as she can, playing her violin on the edge of the enchanted sea. When a young boy is found dead on the beach, the islanders assume that he’s one of the sirens’ victims. Moira isn’t so sure. Certain that someone has framed the boy’s death as a siren attack, Moira convinces her childhood friend, the lighthouse keeper Jude Osric, to help her find the real killer, rekindling their friendship in the process. With townspeople itching to hunt the sirens down, and their own secrets threatening to unravel their fragile new alliance, Moira and Jude must race against time to stop the killer before it’s too late—for humans and sirens alike.
New York Times bestselling author Rainbow Rowell's epic fantasy, the Simon Snow trilogy, concludes with Any Way the Wind Blows. In Carry On, Simon Snow and his friends realized that everything they thought they understood about the world might be wrong. And in Wayward Son, they wondered whether everything they understood about themselves might be wrong. Now, Simon and Baz and Penelope and Agatha must decide how to move forward. For Simon, that means choosing whether he still wants to be part of the World of Mages — and if he doesn't, what does that mean for his relationship with Baz? Meanwhile Baz is bouncing between two family crises and not finding any time to talk to anyone about his newfound vampire knowledge. Penelope would love to help, but she's smuggled an American Normal into London, and now she isn't sure what to do with him. And Agatha? Well, Agatha Wellbelove has had enough. Any Way the Wind Blows takes the gang back to England, back to Watford, and back to their families for their longest and most emotionally wrenching adventure yet. This book is a finale. It tells secrets and answers questions and lays ghosts to rest. The Simon Snow Trilogy was conceived as a book about Chosen One stories; Any Way the Wind Blows is an ending about endings—about catharsis and closure, and how we choose to move on from the traumas and triumphs that try to define us.
Now, in The Song of Songs: The Honeybee in the Garden, author and artist Debra Band presents a breathtakingly beautiful illuminated work in which these two lines of interpretation are harmonized within a stunning visual context.
Time was ticking away and Tiffany was losing her mind, waiting for Mr. Right to show up and press the "START" button on life. That led to a horribly broken relationship, addiction to attention from guys, and fear -- constant, tormenting fear -- that no one would ever love her. This book is a novel-like collection of heartaches, fears, and (just for fun) some weird date stories. But it's also different from your typical book on singleness. It has all sorts of lessons Tiffany wishes she'd learned growing up: tips on how to date, how to be yourself around guys, how to know if a relationship is healthy, and thoughts on what contentment really is. In her humorous, heart-baring way, Tiffany shares her mistakes, questions, and the lessons she learned over the last ten years that brought her from "Boycrazy" to "Single and (Mostly) Sane."
The public image of Elgar as patriotic country squire was established in his lifetime, but, in reality, it concealed a highly complex, sometimes baffling, private individual. Although acquaintances found him a man of endless curiosity and good humour, his family and close friends knew him to be rather different: a prey to despair, neurotically mistrustful both of himself and of those who loved him and so damaged by the condescension and neglect of his early years that emotionally he never recovered. This is a reissue of the third edition of Michael Kenedy's portrait of this complexman - not an analytical survey of the music but a faithful likeness of the composer, recognizable, but at the same time a thoroughly individual interpretation of the subject.