(E-Z Play Today). 49 melodic favorites, including many popular waltzes. Titles include: Edelweiss * If You Go Away * Let Me Call You Sweetheart * Moon River * The Rainbow Connection * Tennessee Waltz * That's Amore * Try to Remember * When Irish Eyes Are Smiling * and more.
The complex art of conducting may look effortless to the casual onlooker, however, it requires a great deal of knowledge and skill. The success of a performance hinges on the director's ability to keep the group playing together and interpreting the music as the composer intended. The Complete Idiot's Guide® to Conducting Music shows student and novice conductors how to lead bands, orchestras, choirs, and other ensembles effectively through sight-reading, rehearsals, and performances.
Welcome to Gospel Tunes for Clawhammer Banjo. After many years of requests by you and the publisher, I have made this collection of Gospel favorites available to those of you who play the clawhammer banjo style. the versions of the tabs presented here are neither overly simple nor particularly complex. Anyone with basic clawhammer skills should be able to play the tab as written or get close enough so they can create a satisfying version of each tune for themselves.Should you find you need an instructional book, please get my Clawhammer Banjo from Scratch book with companion CD's (MB20190BCD) and the corresponding DVD's which are also available from Mel Bay. You may also wish to see Jack Hatfield's Old-Time Gospel Banjo Solos (MB96755BCD) for 3 finger bluegrass/Scruggs versions of many of the tunes presented here.
It's the summer of 1960 in Atkinson, Vermont. Maria Fermoyle is a strong but vulnerable divorced woman whose loneliness and ambition for her children make her easy prey for dangerous con man Omar Duvall. Marie's children are Alice, seventeen—involved with a young priest; Norm, sixteen—hotheaded and idealistic; and Benny, twelve—isolated and misunderstood, and so desperate for his mother's happiness that he hides the deadly truth he knows about Duvall. We also meet Sam Fermoyle, the children's alcoholic father; Sam's brother-in-law, who makes anonymous "love" calls from the bathroom of his failing appliance store; and the Klubock family, who—in contrast to the Fermoyles—live an orderly life in the house next door. Songs in Ordinary Time is a masterful epic of the everyday, illuminating the kaleidoscope of lives that tell the compelling story of this unforgettably family.
Angel enjoys his status as a star high school football player. But a bad decision and some bad luck change all of that. Now, he must complete 90 hours of community service in the band room. Rejected by his coach and teammates, Angel finds himself in a place with people and ideas that are unlike any he has experienced before. Meanwhile, his mother's increasingly erratic behavior has turned her into someone Angel no longer recognizes. In his first novel, Bob Seay pits tribalism, anger, and hate against diversity, acceptance, and compassion while reminding us that everyone is doing the best they can.
The Practice of Popular Music is a music theory and musicianship textbook devoted to explaining the organization of contemporary popular music styles such as pop, rock, R&B, rap, and country. Rooted in recent research showing that the structure of popular music differs from classical music in important ways, this textbook offers an approach to teaching music theory that is fully oriented around popular and commercial genres. Beginning with fundamentals and requiring no previous training in music theory or notation, this book eventually guides the reader through a range of advanced topics, including chromatic mixture, secondary chord function, complex time signatures, and phrase organization. Each chapter develops concepts in tandem with aural comprehension, and the included exercises balance written tasks with listening activities. A companion website provides links to playlists of the music discussed in the book. With an innovative approach designed to broaden the reach of music theory coursework to a wide range of students, including non-majors and those in modern music degree programs such as audio engineering, songwriting, and music business, this textbook enables readers to gain a deep understanding of music theory in the context of popular music.