Sonata For Violin and Piano No. 3 in A Minor, Op. 105
Author: Robert Schumann
Publisher:
Published: 1945
Total Pages:
ISBN-13:
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Author: Robert Schumann
Publisher:
Published: 1945
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Robert Schumann
Publisher: Alfred Music
Published: 1996-02-01
Total Pages: 40
ISBN-13: 9781457478604
DOWNLOAD EBOOKA Violin solo with Piano Accompaniment composed by Robert Schumann.
Author: Robert Schumann
Publisher:
Published: 1945
Total Pages: 35
ISBN-13:
DOWNLOAD EBOOKAuthor: David Damschroder
Publisher: Cambridge University Press
Published: 2018
Total Pages: 293
ISBN-13: 1108418031
DOWNLOAD EBOOKA creative and accessible harmonic analysis of major works by key composers, demonstrating innovative methods in harmonic theory with sound examples.
Author: David Damschroder
Publisher: Cambridge University Press
Published: 2016-03-31
Total Pages:
ISBN-13: 1316477924
DOWNLOAD EBOOKDavid Damschroder's ongoing reformulation of harmonic theory continues with a dynamic exploration of how Beethoven molded and arranged chords to convey bold conceptions. This book's introductory chapters are organized in the manner of a nineteenth-century Harmonielehre, with individual considerations of the tonal system's key features illustrated by easy-to-comprehend block-chord examples derived from Beethoven's piano sonatas. In the masterworks section that follows, Damschroder presents detailed analyses of movements from the symphonies, piano and violin sonatas, and string quartets, and compares his outcomes with those of other analysts, including William E. Caplin, Robert Gauldin, Nicholas Marston, William J. Mitchell, Frank Samarotto, and Janet Schmalfeldt. Expanding upon analytical practices from the eighteenth and nineteenth centuries and strongly influenced by Schenkerian principles, this fresh perspective offers a stark contrast to conventional harmonic analysis – both in terms of how Roman numerals are deployed and how musical processes are described in words.
Author: Brahms Studies
Publisher: U of Nebraska Press
Published: 2001-01-01
Total Pages: 272
ISBN-13: 9780803261969
DOWNLOAD EBOOKA publication of the American Brahms Society, Brahms Studies publishes essays on the life, work, and artistic milieu of Johannes Brahms. Each volume collects the best in Brahms scholarship, including criticism, analysis, theory, biography, archival and documentary studies, and translations of important studies that have appeared in foreign languages.
Author: Stephen Lehmann
Publisher: Oxford University Press
Published: 2003-01-16
Total Pages: 360
ISBN-13: 019028482X
DOWNLOAD EBOOKThis book is the first biography of 20th-century pianist Rudolf Serkin, providing a narrative of Serkin's life with emphasis on his European roots and the impact of his move to America. Based on his personal papers and correspondence, as well as extensive interviews with friends, family, and colleagues, the authors focus on three key aspects of Serkin's work, particularly as it unfolded in America: his art and career as a pianist, his activities as a pedagogue, including his long association with the Curtis Institute in Philadelphia, and his key role in institutionalizing a redefinition of musical values in America through his work as artistic director of the Marlboro Music School and Festival in Vermont. A candid and colorful blend of narrative and interviews, it offers a probing look into the life and character of this very private man and powerful musical personality.
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
Published: 1999-02
Total Pages: 676
ISBN-13: 9780226470153
DOWNLOAD EBOOKIn Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. This third and final volume ranges across opera, orchestral and chamber music, blackface minstrels, military bands, church choirs, and even concert saloons. Among the many striking scenes vividly portrayed in Repercussions are the rapturous reception of Verdi's Ballo in maschera in 1861; the impact of the Civil War on New York's music scene, from theaters closing as their musicians enlisted to the performance of "The Star-Spangled Banner" at every possible occasion; and open-air concerts in the developing Central Park. Throughout, Lawrence mines a treasure trove of primary source materials including daily newspapers, memoirs, city directories, and architectural drawings. Indispensable for scholars, Repercussions will also fascinate music fans with its witty writing and detailed descriptions of the cultural life of America's first metropolis. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
Author: Walter Frisch
Publisher: Princeton University Press
Published: 1990
Total Pages: 236
ISBN-13: 9780691027135
DOWNLOAD EBOOKThis book has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this edition, the editors reflect new perspectives on Brahms that have developed over the years. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries.