When Lewis was 51 years old and long established at Magdalen College, Oxford, he wrote the first of this collection of letters to an American widow. She was described as a "very charming, gracious, southern aristocratic lady who loved to talk and speak well". In them are his antipathy to journalism, advertising, snobbery, psychoanalysis, and the petty practices that sap freedoms. They identify events in his life after 1950 including his marriage to Joy Davidman and her death three years later.
Historical events of the last three centuries come alive through these women’s singular correspondences—often their only form of public expression. In 1775, Rachel Revere tries to send financial aid to her husband, Paul, in a note that is confiscated by the British; First Lady Dolley Madison tells her sister about rescuing George Washington’s portrait during the War of 1812; one week after JFK’s assassination, Jacqueline Kennedy pens a heartfelt letter to Nikita Khrushchev; and on September 12, 2001, a schoolgirl writes a note of thanks to a New York City firefighter, asking him, “Were you afraid?” The letters gathered here also offer fresh insight into the personal milestones in women’s lives. Here is a mid-nineteenth-century missionary describing a mastectomy performed without anesthesia; Marilyn Monroe asking her doctor to spare her ovaries in a handwritten note she taped to her stomach before appendix surgery; an eighteen-year-old telling her mother about her decision to have an abortion the year after Roe v. Wade; and a woman writing to her parents and in-laws about adopting a Chinese baby. With more than 400 letters and over 100 stunning photographs, Women’s Letters is a work of astonishing breadth and scope, and a remarkable testament to the women who lived–and made–history. From the Hardcover edition.
With her older sister planning a wedding and her younger sister preparing to launch a career on the stage, Lulu can't help but feel like the failure of the Atwater family. Lulu loves her sisters dearly and wants nothing but the best for them, but she finds herself stuck in a rut. When her mother sends her to look for some old family recipes in the attic, she stumbles across a collection of letters written by her great-great-grandmother Josephine March. Jo writes in detail about every aspect of her life: her older sister Meg's new home and family; her younger sister Amy's many admirers; the family's shared grief over losing Beth; and her own feelings towards a handsome young German. As Lulu delves deeper into the lives of the March sisters, she finds solace and guidance, but can her great-great-grandmother help Lulu find a place in a world so different from the one Jo knew?--From publisher description.
In The Letters of Mary Penry, Scott Paul Gordon provides unprecedented access to the intimate world of a Moravian single sister. This vast collection of letters—compiled, transcribed, and annotated by Gordon—introduces readers to an unmarried woman who worked, worshiped, and wrote about her experience living in Moravian religious communities at the time of the American Revolution and early republic. Penry, a Welsh immigrant and a convert to the Moravian faith, was well connected in both the international Moravian community and the state of Pennsylvania. She counted among her acquaintances Elizabeth Sandwith Drinker and Hannah Callender Sansom, two American women whose writings have also been preserved, in addition to members of some of the most prominent families in Philadelphia, such as the Shippens, the Franklins, and the Rushes. This collection brings together more than seventy of Penry’s letters, few of which have been previously published. Gordon’s introduction provides a useful context for understanding the letters and the unique woman who wrote them. This collection of Penry’s letters broadens perspectives on early America and the eighteenth-century Moravian Church by providing a sustained look at the spiritual and social life of a single woman at a time when singleness was extraordinarily rare. It also makes an important contribution to the recovery of women’s voices in early America, amplifying views on politics, religion, and social networks from a time when few women’s perspectives on these subjects have been preserved.
In 1826 thirty-year-old Anna Briggs Bentley, her husband, and their six children left their close Quaker community and the worn-out tobacco farms of Sandy Spring, Maryland, for frontier Ohio. Along the way, Anna sent back home the first of scores of letters she wrote her mother and sisters over the next fifty years as she strove to keep herself and her children in their memories. With Anna's natural talent for storytelling and her unique, female perspective, the letters provide a sustained and vivid account of everyday domestic life on the Ohio frontier. She writes of carving a farm out of the forest, bearing many children, darning and patching the family clothes, standing her ground in religious controversy, nursing wounds and fevers, and burying beloved family and friends. Emily Foster presents these revealing letters of a pioneer woman in a framework of insightful commentary and historical context, with genealogical appendices.
"Warmly delightful, vigorously affirmative." - The Wall Street Journal. Told with vivid gusto by a young, fiercely determined widow, this towering classic of American frontier life paints a candid portrait of her work, travels, neighbors, and harsh existence on a Wyoming ranch in the early 1900s. Includes 6 original illustrations by N.C. Wyeth.
Judith Sargent Murray (1751-1820), poet, essayist, playwright, and one of the most thoroughgoing advocates of women's rights in early America, was as well known in her own day as Abigail Adams or Martha Washington. Her name, though, has virtually disappeared from the public consciousness. Thanks to the recent discovery of Murray's papers—including some 2,500 personal letters—historian Sheila L. Skemp has documented the compelling story of this talented and most unusual eighteenth-century woman. Born in Gloucester, Massachussetts, Murray moved to Boston in 1793 with her second husband, Universalist minister John Murray. There she became part of the city's literary scene. Two of her plays were performed at Federal Street Theater, making her the first American woman to have a play produced in Boston. There as well she wrote and published her magnum opus, The Gleaner, a three-volume "miscellany" that included poems, essays, and the novel-like story "Margaretta." After 1800, Murray's output diminished and her hopes for literary renown faded. Suffering from the backlash against women's rights that had begun to permeate American society, struggling with economic difficulties, and concerned about providing the best possible education for her daughter, she devoted little time to writing. But while her efforts diminished, they never ceased. Murray was determined to transcend the boundaries that limited women of her era and worked tirelessly to have women granted the same right to the "pursuit of happiness" immortalized in the Declaration of Independence. She questioned the meaning of gender itself, emphasizing the human qualities men and women shared, arguing that the apparent distinctions were the consequence of nurture, not nature. Although she was disappointed in the results of her efforts, Murray nevertheless left a rich intellectual and literary legacy, in which she challenged the new nation to fulfill its promise of equality to all citizens.
"Last night Mel and I were talking about some of the adjustments we'll have to make to our husbands' return. I must admit I'm not exactly the same girl you left-I'm twice as independent as I used to be and to top it off, I sometimes think I've become 'hard as nails'. . . . Also--more and more I've been living exactly as I want to . . . I do as I damn please." [These tough words from the wife of a soldier show that World War Ii changed much more than just international politics.] "From a fascinating collection of letters, filled with wonderfully distinctive human stories, Judy Barrett Litoff and David C. Smith have shpaed a rare and brilliant book that transports the reader back in time to an unforgettable era."--Doris Kearns Goodwin, author of The Fitzgeralds and the Kennedys and Lyndon Johnson and the American Dream. "This is a wonderful volume, full of admirable women struggling in a difficult situation, doing their best for their families and their country. Ah, the memories it brings back! Highly recommended for those who lived through the war, and for those who want to understand it."--Stephen E. Ambrose, author of Eisenhower and D-Day, June 6, 1944 "Offering a remarkable view into the lives of ordinary women during wartime, this book will enlighten and catch at the hearts of general readers and cause historians to reconsider how women experienced World War II."-Susan M. Hartmann, author of The Home Front and Beyond. "From among 25,000 of an estimated six billion letters sent overseas during World War II, Litoff and Smith have culled and skillfully edited a sampling by 400 American women. These letters, starting with one to a seaman wounded at Pearl Harbor, are compelling documents of home-front life in varied ethnic, cultural, and financial milieus. Tragic, touching, and funny, the correspondence is full of prosaic news and gossip about jobs and neighbors, along with accounts of births and intimate allusions to love-making. The stress of separation was intensified for women whose loved ones were hospitalized, or imprisoned as either conscientious objectors or security risks. Some women wrote General MacArthur and others for news of missing men or to obtain details of their deaths. Many of these heartrending documents also express acceptance-and even pride-in the sacrifices required by war."--Publishers Weekly. "Other scholars of WW II have published letters written home by servicemen, but this is the first collection sampling the letters written by sisters, sweethearts, wives, and mothers, saved by thousands of servicemen. Chapters are organized around themes that were important to these women: courtship, marriage, motherhood, work, sacrifices. . . . What women tell readers in these letters about their concerns and their wartime feelings will cause historians [readers?] to rethink what has been written about the homefront."--Choice. "Despite the popular appeal of Rosie the Riveter, nine out of ten mothers with children under six were not in the labor force, which helps to account for the vast outpouring of mail from the home front to 'our boys' in the European and Pacific theaters. Some couples wrote every day for four years. This is the rich historic documentation that the authors have drawn upon to create a panoramic pastiche of indefatigable, energetic, patriotic female letter writers in the war years. . . . One is struck by the hard-headed practicality of many of the letters-stories of plucky, sometimes even grumpy, coping. There are letters of growing independence, with strong and at times explicit indication that the boyfriend or husband will be facing a very different woman upon his return from the one he 'knew' when he disembarked for his own, often terrible, venture. . . . Every war leaves mothers with broken hearts. What this volume most remarkably demonstrates is just how prepared American women on the home front were for that dread eventuality."--Jean Bethke Elshtain in the Journal of American History. "Fascinating and often heartbreaking letters. . . . The letters illuminate a time when sex roles were first showing the changes that would culminate in the women's movement. 'I must admit I'm not exactly the same girl you left,' Edith Speert wrote to her husband, Victor, in 1945. 'I'm twice as independent as I used t be, and I sometimes think I've become hard as nails. I don't think my changes will affect our relationship.'. . . In the end, it is the small human dramas in these letters that stand out. Anne Gudis, miffed to distraction by her soldier-swain Sam Kramer, writes what may be the shortest Dear John on record: 'Mr. Kramer: Go to hell! With love, Anne Gudis.' A woman working at a Honolulu nightclub assures a pilot that she'll wait for him-until she's 20. The wife of an Air Corps navigator reads in a news story that only 15 of 1,500 Allied bombers were lost in a raid over Europe and later learns that her husband died in one of the 15. And a grieving mother whose son died in the Pacific asks Gen. Douglas MacArthur, in desperation, 'Please general he was a good boy, wasn't he? Did he die a hard death?'"--Smithsonian. "'They made it possible for me to retain my sanity in an insane world,' wrote one pilot about the letters his wife sent him throughout World War II. The letters contained in this collection explain the soldier's sentiments. Whether full of passionate longing for a missing sweetheart or merely detailing domestic gossip, the letters offer a rich introduction to how American women experienced the war. Since military authorities ordered soldiers not to keep any letters written them by their loved ones, the authors have done a magnificent service in obtaining letters that soldiers either surreptitiously hid or whose authors copied them before sending them on."--Library Journal.
Presents biographical profiles of American women leaders and activists, including birth and death dates, major accomplishments, and historical influence.
