Note: This is the Large Print Edition of Solomon's Memory Palace. "Test every fellow of the craft and every apprentice on the art of memory and science thereof." The Second William Schaw Statutes (1599) Freemasons have unique memorization needs. Long passages must be remembered verbatim, yet there are strict restrictions on writing, recording, or even speaking certain esoteric portions outside of the lodge, making unsuitable many of the memorization techniques used by the general public. Fortunately, the craft is not without its working tools. Solomon's Memory Palace provides step-by-step instructions on how to construct the rare memoria verborum memory palace and discusses the curious ties between the art of memory and Speculative Freemasonry.
"Test every fellow of the craft and every apprentice on the art of memory and science thereof." The Second William Schaw Statutes (1599) Freemasons have unique memorization needs. Long passages must be remembered verbatim, yet there are strict restrictions on writing, recording, or even speaking certain esoteric portions outside of the lodge, making unsuitable many of the memorization techniques used by the general public. Fortunately, the craft is not without its working tools. "Solomon's Memory Palace" provides step-by-step instructions on how to construct the rare "memoria verborum" memory palace and discusses the curious ties between the art of memory and Speculative Freemasonry.
Reveals how the art of memory is the origin of the Masonic method • Explains the classical techniques of the art of memory, how they were reworked by hermetic thinkers during the Renaissance, and how they contributed to the transformation of operative Freemasonry into speculative Freemasonry • Traces the creation of speculative Freemasonry to 1637, one hundred years earlier than previously thought • Explores how the “memory palaces” created with the art of memory enabled access to universal knowledge as well as represented the Masonic temple in its imaginary state In Antiquity, the art of memory was a mnemonic device that allowed an orator, such as Cicero, to recall all the points he wished to make by associating each of them with an image or architectural element in the site he was speaking. When this art was rediscovered in the Renaissance, hermetic thinkers like Giordano Bruno reworked it into a method that allowed them to acquire knowledge with the creation of “memory palaces.” The elements of these memory palaces were not intended to trigger the memory but would actually transform into talismanic objects with knowledge entirely new to the seeker. In this book, Charles B. Jameux shows that this hermetic reworking of the classical art of memory was no mystery to operative Masons, who grafted it onto their own rituals, catalyzing the transformation of operative Masonry into speculative Masonry. He shows how the hieroglyphic writing used during the Renaissance in the art of memory provided the groundwork for one of the most esoteric elements of masonic practice: the grasp of the realm of image by the letter, where symbols were “buried” within words. Using archival evidence from 17th-century Scotland and earlier, combined with the research of modern scholars such as Frances Yates and David Stevenson, Jameux argues that the creation of speculative Freemasonry can be traced back 100 years earlier than conventional history records--to 1637, when the first recorded use of the Mason’s Word appeared and with it, the first known appearance of the symbolic Temple of Solomon. He follows Giordano Bruno’s visit to the British Isles in the late 16th century and the subsequent activities of the men he met there, showing that Masonic symbolism owes much of its current form to early memory palaces, which represented the Masonic lodge and temple in their fully imaginary states. Revealing the pivotal role of the memory palace and hermetic traditions in early Masonic symbolism, Jameux sheds new light on the Masonic questions asked of each initiate and the spiritual importance of the Temple of Jerusalem to Freemasonry.
A welcome re-issue of an English translation of Alexander Luria's famous case-history of hypermnestic man. The study remains the classic paradigm of what Luria called 'romantic science,' a genre characterized by individual portraiture based on an assessment of operative psychological processes. The opening section analyses in some detail the subject's extraordinary capacity for recall and demonstrates the association between the persistence of iconic memory and a highly developed synaesthesia. The remainder of the book deals with the subject's construction of the world, his mental strengths and weaknesses, his control of behaviour and his personality. The result is a contribution to literature as well as to science. (Psychological Medicine ).
In T. E. Lawrence’s classic memoir Seven Pillars of Wisdom, Lawrence of Arabia claimed that he inspired a “dream palace” of Arab nationalism. What he really inspired, however, was an American idea of the area now called the Middle East that has shaped U.S. interventions over the course of a century, with sometimes tragic consequences. America’s Dream Palace brings into sharp focus the ways U.S. foreign policy has shaped the emergence of expertise concerning this crucial, often turbulent, and misunderstood part of the world. America’s growing stature as a global power created a need for expert knowledge about different regions. When it came to the Middle East, the U.S. government was initially content to rely on Christian missionaries and Orientalist scholars. After World War II, however, as Washington’s national security establishment required professional expertise in Middle Eastern affairs, it began to cultivate a mutually beneficial relationship with academic institutions. Newly created programs at Harvard, Princeton, and other universities became integral to Washington’s policymaking in the region. The National Defense Education Act of 1958, which aligned America’s educational goals with Cold War security concerns, proved a boon for Middle Eastern studies. But charges of anti-Americanism within the academy soon strained this cozy relationship. Federal funding for area studies declined, while independent think tanks with ties to the government flourished. By the time the Bush administration declared its Global War on Terror, Osamah Khalil writes, think tanks that actively pursued agendas aligned with neoconservative goals were the drivers of America’s foreign policy.
The Palaces of Memories is a journey into India through the Indian Coffee Houses, a national network of worker-owned cafs which can be found in cities throughout the sub-continent. The Coffee Houses simultaneously speak of a Post-Independence optimism and a now-faded grandeur. Stuart Freedman has visited more than thirty of the most significant and beautiful Coffee Houses throughout India. Away from the stereotypes of poverty and exotica they have allowed him to enter an 'ordinary' India, an environment which echoes the greasy-spoon cafes of a long-forgotten London.
This book takes as its starting point a striking paradox: that the antique tradition of the art of memory -- created by an oral culture -- reached its moment of greatest diffusion during an age that saw the birth of the printed book.
National Book Award Finalist: “This man’s ideas may be the most influential, not to say controversial, of the second half of the twentieth century.”—Columbus Dispatch At the heart of this classic, seminal book is Julian Jaynes's still-controversial thesis that human consciousness did not begin far back in animal evolution but instead is a learned process that came about only three thousand years ago and is still developing. The implications of this revolutionary scientific paradigm extend into virtually every aspect of our psychology, our history and culture, our religion—and indeed our future. “Don’t be put off by the academic title of Julian Jaynes’s The Origin of Consciousness in the Breakdown of the Bicameral Mind. Its prose is always lucid and often lyrical…he unfolds his case with the utmost intellectual rigor.”—The New York Times “When Julian Jaynes . . . speculates that until late in the twentieth millennium BC men had no consciousness but were automatically obeying the voices of the gods, we are astounded but compelled to follow this remarkable thesis.”—John Updike, The New Yorker “He is as startling as Freud was in The Interpretation of Dreams, and Jaynes is equally as adept at forcing a new view of known human behavior.”—American Journal of Psychiatry
