SOLOMON. A SERENATA, In Score, Taken from the CANTICLES. Set to MUSICK By Mr. WILLIAM BOYCE
Author: William Boyce
Publisher:
Published: 1743
Total Pages: 112
ISBN-13:
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Author: William Boyce
Publisher:
Published: 1743
Total Pages: 112
ISBN-13:
DOWNLOAD EBOOKAuthor: William Boyce
Publisher:
Published: 1743
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: William Boyce
Publisher:
Published: 1742
Total Pages: 1
ISBN-13:
DOWNLOAD EBOOKAuthor: Ian Bartlett
Publisher: Cambridge Scholars Publishing
Published: 2011-01-18
Total Pages: 370
ISBN-13: 1443828076
DOWNLOAD EBOOKWilliam Boyce: A Tercentenary Sourcebook and Compendium is published in celebration of the three-hundreth anniversary of the birth in 1711 of England’s leading eighteenth-century composer. It is the first book to be devoted to a musician who more than any of his contemporaries carried the flag in the broadest sense for English music during a period that was inevitably dominated by the towering figure of Handel, who was then resident in London. By the late 19th century, however, Boyce had become generally known only as a composer of anthems and the national song, ‘Hearts of Oak,’ and as the editor of a monumental historical anthology of English anthems, Cathedral Music, which was still in use at that time. The emergent ‘Baroque revival’ led to a gradual broadening of awareness of Boyce from the 1890s onwards. Yet it was only following the initiatives inspired by the bicentenary of his death in 1979 that a significantly wider public appreciation of the quality and range of his achievements came about. Previously neglected works were revived, new recordings made, scholarly articles written, and new editions of his music began to be published. This book brings together diplomatic transcriptions of all the most significant contemporary documents relevant to Boyce’s personal and family life, his career as a composer, editor, theorist, teacher, conductor, Master of the King’s Music, and the reception history of his music. They are accompanied by critical commentaries whenever necessary. The range of sources drawn on includes memoirs, histories, diaries, letters, poems, concert programmes and related press reports, chapel royal, court and parish archives, prefaces to Boyce’s own publications of his music and those edited by others, advertisements for performances of his works and related press reports, details of his subscriptions to musical and literary works, and materials that throw light on his character and professional relationships with the poets, playwrights, churchmen and other musicians with whom he collaborated within the vibrant, burgeoning, and sometimes colourful, English musical culture of his time. The book’s ‘Catalogue of Works’ constitutes the first comprehensive listing of Boyce’s musical output to have been published, and the select, historical ‘Discography’ is the first catalogue of recordings to have been devoted to the composer’s works.
Author: Sacred Harmonic Society (London, England)
Publisher:
Published: 1853
Total Pages: 158
ISBN-13:
DOWNLOAD EBOOKAuthor: Sacred Harmonic Society (London)
Publisher:
Published: 1862
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKAuthor: Edward Moore
Publisher: Gale Ecco, Print Editions
Published: 2018-04-23
Total Pages: 20
ISBN-13: 9781385500460
DOWNLOAD EBOOKThe 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ William Andrews Clark Memorial Library (UCLA) N022565 The libretto only, by Edward Moore. With a half-title. London: printed by John Moore, 1744. 16p.; 8°
Author: Edward Moore
Publisher:
Published: 1742
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Matthew Gardner
Publisher: V&R Unipress
Published: 2008-12-10
Total Pages: 363
ISBN-13: 3862346617
DOWNLOAD EBOOKThe Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Author: Edward Moore
Publisher: University of Delaware Press
Published: 1996
Total Pages: 456
ISBN-13: 9780874135305
DOWNLOAD EBOOK"Finally available to modern scholars, this book is the first critical edition of these two plays by Edward Moore. The success of the initial run of Moore's sentimental comedy The Foundling (1748) was due in part to its cast, which included Susannah Maria Cibber and David Garrick, and the play continued to enjoy moderate success on the London stage. It remained popular among critics throughout the eighteenth century and was reprinted and performed regularly in the nineteenth. In the twentieth century, as the most important and the best sentimental comedy of the mid-eighteenth century, it has been generally accepted by literary historians as the bridge between the comedies of Colley Cibber and Richard Steele in the first part of the century and those of Hugh Kelly and Richard Cumberland in the last. The initial run of Moore's domestic tragedy The Gamester(1753), with Garrick in the title role, was also largely successful. From its first revival in 1771 to its last in 1871, the play was performed by Britain's finest actors and actresses - and performed more frequently on the London stage than any other Restoration or eighteenth-century tragedy." "Anthony Amberg's introduction discusses the sources and composition, production, publication and reception, and final revision of both plays. The text of The Foundling is based on Moore's holograph manuscript, that of The Gamester on the first edition. In both the author's spelling, punctuation, capitalization, and italicization have been retained, and both have been provided with full textual and explanatory notes."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved