Tuba/T.bone solo part: Morceau de Concert op.94 by Camille Saint-Saëns, arranged Angelo Piazzini for Tuba or Bass/Contrabass Trombone and Piano (part available in series). E-book published by Glissato Edizioni Musicali - www.glissato.it
Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
"This is a valuable reference tool for any serious tuba scholar." —TUBA Journal Reviews " . . . an excellent resource . . . " —American Music Teacher Program notes, written by the composers themselves, describe 88 works for the solo tuba. Includes works for the tuba alone, tuba and piano, and tuba with other types of accompaniment. Each entry gives complete publication data, a history of the piece, its instrumentation and movements, and a description of its musical structure and characteristics. Gary Bird provides an invaluable resource for students, teachers, and professional performers in building repertoire and in gaining insight into a vital body of contemporary music.
Dance Music of the French Baroque brings together information on rhythm from the interrelated fields of music, dance, poetry, rhetoric, and philosophy. Part I is devoted to the various factors involved in dance rhythms, including tempos, rhythmic feet, dance steps, declamation of lyrics, instrumental articulation, and performance of ornaments. Part II describes in alphabetic order the fifteen most frequently encountered dances of the period and identifies the most typical performance of each in relation to the factors discussed in Part I. With reference to numerous illustrations and musical examples, it clearly conveys the manner in which the allemandes, bourées, chaconnes, gigues, etc., may be executed. This practical book presents a myriad of information in a form that is easy to use yet as graceful as the dances it describes.
Syrinx for solo flute, was written by French composer Claude Debussy in 1913. It is commonly considered to be an indispensable part of any flutist's repertoire. Historians believe that "Syrinx", a work that gives gives the performer generous room for interpretation, played a pivotal role in the development of solo flute music in the early twentieth century. "Syrinx" was originally written by Debussy without any barlines or breath marks. Flutist Marcel Moyse later added these, and they are included in this edition.