SOFT SUCK is the third monograph (2009 - 2020) of the artist Thomas Schostok aka (ths) and the direct successor to his book HARD BLOW published in 2008.SOFT SUCK is a raw compilation (chopped art) of his works, this time in the subsequent years between 2009 - 2020. The concept remains the same: no texts, no descriptions and now we understand that this is exactly the "artist statement" that many people need to get an idea of the artist. The process of creating is the "artist statement", it's nothing but details. Unlike in HARD BLOW, however, here we see his art mostly as a whole picture, even though no effort was made to create a typical boring art book with a nice layout. The art is and always will be the layout, and the viewer is left longing for the habit.
*This is a finished series* A peasant in a 16th century Russian market. A lawyer with a scheming wife. A maiden forced into an arranged marriage. A noble trapped in a life of duty. A cowboy with a knack for train heists. What do these people have in common? Each on is about to die, only to rise again. As vampires they will eventually unit against a common enemy, but for now they must first learn to survive their own transition. This compilation of five short stories can be read at any point in the “Series That Just Plain Sucks.”
WAS HISTORY REPEATING ITSELF? Being left at the altar for her fiancé's first love was a nightmare that Mary Ellen Gallagher took as a wake-up call. Never again would she let into her life a man who came with baggage! And then Greg Torrance arrived on her doorstep…. He was a dream come true—gorgeous, successful and offering Mary Ellen a job that would put her new business on the map. The nightmare began when she fell in love with her sexy new client—only to discover that his heart belonged to someone else…whether he knew it or not….
If you’ve ever felt like you suck at marketing, you’re not alone. Survive and thrive in today’s digital world. Let’s face it, marketing today is really, really hard. From the explosion of digital advertising options to the thousands of martech tools out there on the market, it’s virtually impossible to stay on top of it all. Even more challenging is the deluge of analytics available, leaving marketers swimming in data but thirsting for knowledge. But you don’t have to feel like you suck at marketing. Join award-winning marketing leader Jeff Perkins as he examines how to avoid the pitfalls and survive in today’s ever-changing marketing landscape. Focusing on essential skills for modern marketers, How Not to Suck at Marketing prepares you to: - Create a focused marketing program that drives results - Collaborate effectively with the key stakeholders - Assemble a high-performing marketing team - Define and nurture your company (and personal) brand - Build a focused career and find the right job for you Digital tools allow us to track immediate results, but marketing has always been about the long game. Tackle your marketing strategy and build a focused career with this practical guide.
TO PROTECT HER SECRETS, SHE MUST EXPOSE THEIRS... 'A shocker of a twist' BELLA 'As hard to predict as it is to put aside' THE MORNING STAR 'A pacy thriller' WOMAN'S WEEKLY Amy Mackenzie is on the up. Her florist business is thriving, with a roll call of wealthy clients. And none are more glamorous than architect James Elliott and his beautiful wife, Eleanor. But try as she might to become part of their world, Amy is always on the outside looking in. Hired by the couple to provide the flowers for a lavish party, Amy sees an opportunity to have the kind of lifestyle she's always dreamed of. But when a guest suffers a violent and shocking death, the finger of blame is soon pointing at Amy. As the florist fights to clear her name, it isn't long before she uncovers some ugly truths about the Elliotts. But Amy is hiding an even bigger secret. And by the time she realises the past has finally caught up with her, it might just be too late. A gripping, deliciously dark thriller with a jaw-dropping twist. Fans of The Housemaid, The Mother and The Guilty Couple won't be able to put this down! _______ What readers are saying about The Florist: 'Now this is my kind of thriller! The twists were jaw dropping . . . had me flying through the pages . . . A must read' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'Such an addictive read . . . with a great unexpected twist! ... I really sped through this book, finding myself NEEDING to finish it' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'I've just finished this book, I raced through it in a day it was that unputdownable! . . . highly recommend' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'A mind-blowing, hang on to your seat kind of thriller. Was absolutely extraordinary . . . there was absolutely nothing predictable about this book!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'I could not put this down . . . The twists and turns kept on coming especially towards the end. Will definitely be recommending this to everyone' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'Something a bit different . . . very well written characters. A real shocker twist towards the end which completely took me by surprise!' ⭐ ⭐ ⭐ ⭐ ⭐ reader review 'I couldn't put it down . . . the twists were some I didn't predict, which makes the book all that much better' ⭐ ⭐ ⭐ ⭐ reader review
The stag party was terrific. The incident that followed was terrifying. . . . “The best mystery writer anywere in the English-speaking world.”—The Boston Globe Who could have suspected that the exciting stag party for the groom would be a prelude to the murder of his close friend Charlie Hatton? But it was—and Charlie's death sentence was only the first in a string of puzzling murders involving small-time gangsters, cheating husbands, and loose women. Suspense is spiced with ironic twists as Chief Inspector Wexford and his assistant join forces with the groom to track down a killer. . . . Praise for The Best Man to Die “You cannot afford to miss Ruth Rendell!”—The New York Times Book Review “For readers who have almost given up mysteries . . . Rendell may be just the woman to get them started again.”—Ellery Queen's Mystery Magazine “First-rate entertainment.”—Saturday Review
