SOFSEM 2024

SOFSEM 2024

Author: Henning Fernau

Publisher: Springer Nature

Published: 2024

Total Pages: 514

ISBN-13: 3031521137

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This book constitutes the proceedings of the 49th International Conference on Current Trends in Theory and Practice of Computer Science, SOFSEM 2024, held in Cochem, Germany, in February 2024. The 33 full papers presented in this book were carefully reviewed and selected from 81 submissions. The book also contains one invited talk in full paper length. They focus on original research and challenges in foundations of computer science including algorithms, AI-based methods, computational complexity, and formal models.


SOFSEM 2020: Theory and Practice of Computer Science

SOFSEM 2020: Theory and Practice of Computer Science

Author: Alexander Chatzigeorgiou

Publisher: Springer Nature

Published: 2020-01-16

Total Pages: 725

ISBN-13: 3030389197

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This book constitutes the refereed proceedings of the 46th International Conference on Current Trends in Theory and Practice of Informatics, SOFSEM 2020, held in Limassol, Cyprus, in January 2020. The 40 full papers presented together with 17 short papers and 3 invited papers were carefully reviewed and selected from 125 submissions. They presented new research results in the theory and practice of computer science in the each sub-area of SOFSEM 2020: foundations of computer science, foundations of data science and engineering, foundations of software engineering, and foundations of algorithmic computational biology.


Innovation in Music: Technology and Creativity

Innovation in Music: Technology and Creativity

Author: Jan-Olof Gullö

Publisher: CRC Press

Published: 2024-03-27

Total Pages: 348

ISBN-13: 100384796X

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Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals. Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.