This book provides a sociological understanding of the phenomenon of exorcism and an analysis of the reasons for its contemporary re-emergence and impact on various communities. It argues that exorcism has become a religious commodity with the potential to strengthen a religion’s attraction to adherents, whilst also ensuring its hold. It shows that due to intense competition between religious groups in our multi-faith societies, religious groups are now competing for authority over the supernatural by ‘branding’ their particular type of exorcism ritual in order to validate the strength of their own belief system. Sociology of Exorcism in Late Modernity features a detailed case-study of a Catholic exorcist in the south of Europe who dealt with more than 1,000 cases during a decade of work.
This book presents an academic analysis of exorcism in Christianity. It not only explores the crisis and drama of a single individual in a fight against demonic possession but also looks at the broader implications for the society in which the possessed lives. In recognition of this, coverage includes case studies from various geographical areas in Europe, North and South America, and Oceania. The contributors explore the growing significance of the rite of exorcism, both in its more structured format within traditional Christian religions as well as in the less controlled and structured forms in the rites of deliverance within Neopentecostal movements. They examine theories on the interaction between religion, magic, and science to present new and groundbreaking data on exorcism. The fight against demonic possession underlines the way in which changes within the religious field, such as the rediscovery of typical practices of popular religiosity, challenge the expectations of the theory of secularization. This book argues that if possession is a threat to the individual and to the equilibrium of the social order, the ritual of exorcism is able to re-establish a balance and an order through the power of the exorcist. This does not happen in a social vacuum but in a consumer culture where religious groups market themselves against other faiths. This book appeals to researchers in the field.
A guided tour through the burgeoning business of exorcism and the darker side of American life. There is no other religious ritual more fascinating, or more disturbing, than exorcism. This is particularly true in America today, where the ancient rite has a surprisingly strong hold on our imagination, and on our popular entertainment industry. We’ve all heard of exorcism, seen the movies and read the books, but few of us have ever experienced it firsthand. Conducted by exorcists officially appointed by Catholic archdioceses and by maverick priests sidestepping Church sanctions, by evangelical ministers and Episcopal charismatics, exorcism is alive and well in the new millennium. Oprah, Diane Sawyer, and Barbara Walters have featured exorcists on their shows. The New York Times, Los Angeles Times, Time, and other publications have charted the proliferation of exorcisms across the United States. Last year, the Archdiocese of Chicago appointed its first full-time exorcist in its 160-year history; in New York, four priests have officially investigated about forty cases of suspected possession every year since 1995. American Exorcism is an inside look at this burgeoning phenomenon, written with objectivity, insight, and just the right touch of irony. Michael W. Cuneo attended more than fifty exorcisms and interviewed many of the participants–both the exorcists who performed the rituals and the people from all walks of life who believed they were possessed by the devil. He brings vividly to life the ceremonies themselves, conjuring up memories of Linda Blair’s astonishing performance in the 1973 movie The Exorcist and other bizarre (and sometimes stomach-churning) images. Cuneo dissects, as well, the arguments of such well-known exorcism advocates as Malachi Martin, author of the controversial Hostage to the Devil, self-help guru M. Scott Peck, and self-professed demonologists Ed and Lorraine Warren of Amityville Horror fame. As he explores this netherworld of American life, Cuneo reflects on the meaning of exorcism in the twenty-first century and on the relationship between religious ritual and popular culture. Touching on such provocative topics as the “satanic panics” of the 1980s, repressed memory, and ritual abuse, American Exorcism is a remarkably revealing, consistently entertaining work of cultural commentary.
Migrant City tells the story of contemporary London from the perspective of thirty adult migrants and two sociologists. Connecting migrants’ private struggles to the public issues at stake in the way mobility is regulated, channelled and managed in a globalised world, this volume explores what migration means in a world that is hyper connected – but where we see increasingly mobile, invasive and technologically sophisticated forms of border regulation and control. Migrant City is an innovative collaborative ethnography based on research with migrants from a wide variety of social backgrounds, spanning in some cases a decade. It utilises recollections, photographs, poems, paintings, journals and drawings to explore a wide range of issues. These range from the impact of immigration control and surveillance on everyday life, to the experience of waiting for the Home Office to process their claims and the limits this places on their lives, to the friendships and relationships with neighbours that help to make London a home. This title will appeal to students, scholars, community workers and general readers interested in migration, race and ethnicity, social exclusion, globalisation, urban sociology, and inventive social research methods.
"The characteristics of possession are numerous and vary between different socio-cultural and historical contexts. Different ideas of possession can be observed within different cultural and social contexts both past and present. This makes defining possession all the more difficult. Various approaches to "ideas of possession" in different academic disciplines and in different cultural contexts allow the discourse(s) to benefit from insights that would otherwise remain confined to the society under discussion or the field that determines the method of study. The introduction presents an overview of recent interdisciplinary research on possession and scholarly attempts at a working definition, followed by a brief outline of the individual case studies in this volume"--
This book traces the development of exorcism in Catholic Christianity from the fourth century to the present day, and seeks to explain why exorcism is still so much in demand. This is the first work in English to trace the development of the liturgy, practice and authorisation of exorcisms in Latin Christianity. The rite of exorcism, and the claim by Roman Catholic priests to be able to drive demons from the possessed, remains an enduring source of popular fascination, but the origins and history of this controversial rite have been little explored. Arguing that belief in the need for exorcism typically re-emerges at periods of crisis for the church, Francis Young explores the shifting boundaries between authorised exorcisms and unauthorised magic throughout Christian history, from Augustine of Hippo to Pope Francis. This book offers the historical background to – and suggests reasons for – the current resurgence of exorcism in the global Catholic Church.
Belief in possession, including from demonic forces, has ancient roots and continues into the modern world, especially among certain communities. This has been shown in books, movies, places of worship, and in the therapy office. This book traces the global history of possession and looks at ways contemporary mental health professionals can help a person who believes themselves to be possessed. Written especially for clinicians, but interesting to a wide variety of readers, this book uses a variety of disciplines, including cultural studies, psychology, and personal experiences, to try and understand the phenomenon from as wide a perspective as possible, including interviews with exorcists from various backgrounds. Both believers and sceptics will find this to be a fascinating study of a controversial topic.
The inspiration for the film starring Anthony Hopkins, journalist Matt Baglio uses the astonishing story of one American priest's training as an exorcist to reveal that the phenomena of possession, demons, the Devil, and exorcism are not merely a remnant of the archaic past, but remain a fearsome power in many people's lives even today. Father Gary Thomas was working as a parish priest in California when he was asked by his bishop to travel to Rome for training in the rite of exorcism. Though initially surprised, and slightly reluctant, he accepted this call, and enrolled in a new exorcism course at a Vatican-affiliated university, which taught him, among other things, how to distinguish between a genuine possession and mental illness. Eventually he would go on to participate in more than eighty exorcisms as an apprentice to a veteran Italian exorcist. His experiences profoundly changed the way he viewed the spiritual world, and as he moved from rational skeptic to practicing exorcist he came to understand the battle between good and evil in a whole new light. Journalist Matt Baglio had full access to Father Gary over the course of his training, and much of what he learned defies explanation. The Rite provides fascinating vignettes from the lives of exorcists and people possessed by demons, including firsthand accounts of exorcists at work casting out demons, culminating in Father Gary's own confrontations with the Devil. Baglio also traces the history of exorcism, revealing its rites and rituals, explaining what the Catholic Church really teaches about demonic possession, and delving into such related topics as the hierarchy of angels and demons, satanic cults, black masses, curses, and the various theories used by modern scientists and anthropologists who seek to quantify such phenomena. Written with an investigative eye that will captivate both skeptics and believers alike, The Rite shows that the truth about demonic possession is not only stranger than fiction, but also far more chilling.
The SAGE Encyclopedia of the Sociology of Religion takes a three-pronged look at this, namely investigating the role of religion in society; unpacking and evaluating the significance of religion in and on human history; and tracing and outlining the social forces and influences that shape religion. This encyclopedia covers a range of themes from: • fundamental topics like definitions • secularization • dimensions of religiosity to such emerging issues as civil religion • new religious movements This Encyclopedia also addresses contemporary dilemmas such as fundamentalism and extremism and the role of gender in religion.
The Exorcist Effect examines the relationship between horror films and religious culture, focusing on the period from 1968 to the present. Films like Rosemary's Baby (1968), The Exorcist (1973), and The Omen (1976) claimed to be based on actual events, religious traditions, and Biblical texts. These films inspired subsequent beliefs and experiences, which became the basis for yet more horror films. This book draws on archival research to shed new light on such figures as Ed and Lorraine Warren and Malachi Martin, who inserted themselves into this cycle. It also incorporates interviews with horror authors, film writers, and paranormal investigators.
