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It's something most of us have sensed for years-the rise of a world defined only by “mine” and “now.” A world where business shamelessly seeks the fastest reward, regardless of the long-term social consequences; where political leaders reflexively choose short-term fixes over broad, sustainable social progress; where individuals feel increasingly exploited by a marketplace obsessed with our private cravings yet oblivious to our spiritual well-being or the larger needs of our families and communities. At the heart of The Impulse Society is an urgent, powerful story: how the pursuit of short-term self-gratification, once scorned as a sign of personal weakness, became the default principle not only for individuals, but for all sectors of our society. Drawing on the latest research in economics, psychology, political philosophy, and business management, Paul Roberts shows how a potent combination of rapidly advancing technologies, corrupted ideologies, and bottom-line business ethics has pushed us across a threshold to an unprecedented state: a virtual merging of the market and the self. The result is a socioeconomic system ruled by impulse, by the reflexive, id-like drive for the largest, quickest, most “efficient” reward, without regard for long-term costs to ourselves or to broader society. More than thirty years ago, Christopher Lasch hinted at this bleak world in his landmark book, The Culture of Narcissism. In The Impulse Society, Roberts shows how that self-destructive pattern has grown so pervasive that anxiety and emptiness are becoming embedded in our national character. Yet it is in this unease that Roberts finds clear signs of change-and broad revolt as millions of Americans try step off the self-defeating treadmill of gratification and restore a sense of balance. Fresh, vital, and free of ideological, right-wing/left-wing formulations, The Impulse Society shows the way back to a world of real and lasting good.
This brilliant work explores the tensions in American society. Its principal purpose is to describe how this society has developed and to assess it in its present state. By concentrating on America's differences rather than her common aspects, Professor Wiebe has brought fresh insight into the study of the nation's past.
"Adam Parfrey is one of the nation's most provocative publishers."—Seattle Weekly "Secret society historian Craig Heimbichner follows the Middle Path to wisdom. He works the graveyard shift in the secret lodge."—Joan d'Arc, Paranoia magazine Secret societies—now a staple of bestseller novels—are pictured as sinister cults that use hooded albinos to menace truth-seekers. Some conspiracy books claim that fraternal orders are the work of serpentine aliens and interbred humans who wish to supplant earth of its energy, and later, its very existence. On the other side of the aisle, books by high-ranked Freemasons—skeptical in tone but no less partisan in approach—protect their organization's public image by denying the existence of its most contentious ideas. Ritual America reveals the biggest secret of them all: that the influence of fraternal brotherhoods on this country is vast, fundamental, and hidden in plain view. In the early twentieth century, as many as one-third of America belonged to a secret society. And though fezzes and tiny car parades are almost a thing of the past, the Gnostic beliefs of Masonic orders are now so much a part of the American mind that the surrounding pomp and circumstance has become faintly unnecessary. The authors of Ritual America contextualize hundreds of rare and many never-before printed images with entertaining and far-reaching commentary, making an esoteric subject provocative, exciting, and approachable. Adam Parfrey is the author of Cult Rapture: Revelations of the Apocalyptic Mind and It's a Man's World: Men's Adventure Magazines, the Postwar Pulps. He is editor of the influential Apocalypse Culture series Love, Sex, Fear Death: The Inside Story of the Process Church of the Final Judgment. Craig Heimbichner has recently appeared on a National Geographic documentary about the Bohemian Grove, contributed to the Feral House compilation Secret and Suppressed II, and wrote about the famous occult order the O.T.O. in Blood and Altar.
"Uses a feudal model to analyze contemporary American society, comparing its essential characteristics to those of medieval European societies"--Provided by publisher.
The Trouble with America critiques the theory and practice of American government, focusing on the fatal flaws of America's core political arrangements. Institutionalized pluralism, the structural dispersal of power, generates government too weak to solve our public problems. American constitutionalism, the limitation of government power and authority, protects property rights far better than it defends our civil liberties, and it offers little or no protection for non-citizens. Capitalism is a hyper-competitive and grossly unfair economic system, which rewards pre-existing wealth far better than hard work or talent, and encourages petty materialist consumption of mostly low-quality goods, undermining taste as well as fairness. Taken together, pluralism, constitutionalism, and capitalism in America harm our society in a myriad of ways, leaving us with inadequate representation, poor leadership, social and political paralysis and irresponsibility, unrealistic self-images, and scandalously poor domestic and foreign policies. This book will prove a valuable supplement in American government courses, an alternative to the centrist material currently dominating textbooks on this subject.
Alan Trachtenberg presents a balanced analysis of the expansion of capitalist power in the last third of the nineteenth century and the cultural changes it brought in its wake. In America's westward expansion, labor unrest, newly powerful cities, and newly mechanized industries, the ideals and ideas by which Americans lived were reshaped, and American society became more structured, with an entrenched middle class and a powerful business elite. This is a brilliant, essential work on the origins of America's corporate culture and the formation of the American social fabric after the Civil War.
In“This Is America”: Race, Gender, and Politics in America’s Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what “This Is America” means. Using Childish Gambino’s video for “This Is America” as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson’s presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics.
