Ekina was made in America with African parts, but unfortunately this has never made him indestructible. Precocious at ten years old, Ekina knows that physical strength won't help him fend off his overbearing parents, cruel teachers, and one-sided romance. It won't help him save his baby sister from their traditionally-misogynist father or protect his little brother from their mother's expectations either, although it might've helped him master an adagio--if he hadn't quit ballet class. Nigerian boys don't wear pointe shoes, and anyway, who does he think he is...an American? "So You Think You're American" is a novel about growing up in that world between foreign and native cultures. Poignant, funny, and sometimes hopelessly heartbreaking, "So You Think You're American" will evoke profound emotions, tears or laughter, in even the most stoic of readers.
In this #1 New York Times bestseller, Ijeoma Oluo offers a revelatory examination of race in America Protests against racial injustice and white supremacy have galvanized millions around the world. The stakes for transformative conversations about race could not be higher. Still, the task ahead seems daunting, and it’s hard to know where to start. How do you tell your boss her jokes are racist? Why did your sister-in-law hang up on you when you had questions about police reform? How do you explain white privilege to your white, privileged friend? In So You Want to Talk About Race, Ijeoma Oluo guides readers of all races through subjects ranging from police brutality and cultural appropriation to the model minority myth in an attempt to make the seemingly impossible possible: honest conversations about race, and about how racism infects every aspect of American life. "Simply put: Ijeoma Oluo is a necessary voice and intellectual for these times, and any time, truth be told." ―Phoebe Robinson, New York Times bestselling author of You Can't Touch My Hair
INSTANT NEW YORK TIMES BESTSELLER From Academy Award–nominated actress and 2023 SeeHer award recipient America Ferrera comes a vibrant and varied collection of first-person accounts from prominent figures about the experience of growing up between cultures. America Ferrera has always felt wholly American, and yet, her identity is inextricably linked to her parents’ homeland and Honduran culture. Speaking Spanish at home, having Saturday-morning-salsa-dance-parties in the kitchen, and eating tamales alongside apple pie at Christmas never seemed at odds with her American identity. Still, she yearned to see that identity reflected in the larger American narrative. Now, in American Like Me, America invites thirty-one of her friends, peers, and heroes to share their stories about life between cultures. We know them as actors, comedians, athletes, politicians, artists, and writers. However, they are also immigrants, children or grandchildren of immigrants, indigenous people, or people who otherwise grew up with deep and personal connections to more than one culture. Each of them struggled to establish a sense of self, find belonging, and feel seen. And they call themselves American enthusiastically, reluctantly, or not at all. Ranging from the heartfelt to the hilarious, their stories shine a light on a quintessentially American experience and will appeal to anyone with a complicated relationship to family, culture, and growing up.
Renowned artist and architect Maya Lin's visual and verbal sketchbook—a unique view into her artwork and philosophy. Walking through this parklike area, the memorial appears as a rift in the earth -- a long, polished black stone wall, emerging from and receding into the earth. Approaching the memorial, the ground slopes gently downward, and the low walls emerging on either side, growing out of the earth, extend and converge at a point below and ahead. Walking into the grassy site contained by the walls of this memorial, we can barely make out the carved names upon the memorial's walls. These names, seemingly infinite in number, convey the sense of overwhelming numbers, while unifying these individuals into a whole.... So begins the competition entry submitted in 1981 by a Yale undergraduate for the design of the Vietnam Veterans Memorial in Washington, D.C. -- subsequently called "as moving and awesome and popular a piece of memorial architecture as exists anywhere in the world." Its creator, Maya Lin, has been nothing less than world famous ever since. From the explicitly political to the un-ashamedly literary to the completely abstract, her simple and powerful sculpture -- the Rockefeller Foundation sculpture, the Southern Poverty Law Center Civil Rights Memorial, the Yale Women's Table, Wave Field -- her architecture, including The Museum for African Art and the Norton residence, and her protean design talents have defined her as one of the most gifted creative geniuses of the age. Boundaries is her first book: an eloquent visual/verbal sketchbook produced with the same inspiration and attention to detail as any of her other artworks. Like her environmental sculptures, it is a site, but one which exists at a remove so that it may comment on the personal and artistic elements that make up those works. In it, sketches, photographs, workbook entries, and original designs are held together by a deeply personal text. Boundaries is a powerful literary and visual statement by "a leading public artist" (Holland Carter). It is itself a unique work of art.
The British crime fiction writer Peter Cheyney is the creator of the American FBI agent Lemmy Caution and the English detective Slim Callaghan. These characters were constructed as a British response to the hardboiled detectives of American fiction. In later years Cheyney’s style matured with the ‘Dark’ books, drawing wide praise during World War II for bringing more realism to espionage fiction. Although his works have suffered neglect in recent times, the fame of Cheyney’s novels in the post-war period cannot be underestimated, having sold over 5 million copies. For the first time in publishing history, this eBook presents Peter Cheyney’s complete works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Cheyney’s life and works * Concise introductions to the major texts * All 41 novels, with individual contents tables * The complete Lemmy Caution and Slim Callaghan books * Features rare novels and story collections * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Special chronological and alphabetical contents tables for the short stories * Rare uncollected tales appearing here for the first time in digital publishing * Easily locate the stories you want to read * Ordering of texts into chronological order and genres CONTENTS: The Lemmy Caution Novels This Man is Dangerous (1936) Poison Ivy (1937) Dames Don’t Care (1937) Can Ladies Kill? (1938) Don’t Get Me Wrong (1939) You’d be Surprised (1940) Your Deal, My Lovely (1941) Never a Dull Moment (1942) You Can Always Duck (1943) I’ll Say She Does! (1945) G-Man at the Yard (1946) The Slim Callaghan Stories The Urgent Hangman (1938) Dangerous Curves (1939) You Can’t Keep the Change (1940) It Couldn’t Matter Less (1941) Sorry You’ve Been Troubled (1942) They Never Say When (1944) Uneasy Terms (1946) Calling Mr. Callaghan (1953) The Dark Series Dark Duet (1942) The Stars are Dark (1943) The Dark Street (1944) Sinister Errand (1945) Dark Hero (1946) Dark Interlude (1947) Dark Wanton (1948) You Can Call It a Day (1949) Dark Bahama (1950) Lady, Behave! (1950) Ladies Won’t Wait (1951) Other Novels The Vengeance of Hop Fi (1928) The Curiosity of Etienne MacGregor (1928) The Gold Kimono (1931) Death Chair (1931) The Deadly Fresco (1932) The Sign on the Roof (1935) Another Little Drink (1940) Night Club (1945) Dance without Music (1947) Try Anything Twice (1948) One of Those Things (1949) The Short Story Collections You Can’t Hit a Woman (1937) Knave Takes Queen (1939) Mr. Caution — Mr. Callaghan (1941) Making Crime Pay (1944) No Ordinary Cheyney (1948) Velvet Johnnie (1952) The Adventures of Julia (1954) He Walked in Her Sleep (1954) The Mystery Blues (1954) Miscellaneous Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order
Directed to speakers of English as a second language, a multi-media guide to pronouncing American English uses a "pure-sound" approach to speaking to help imitate the fluid ways of American speech.
A new collection from David Sedaris is cause for jubilation. His recent move to Paris has inspired hilarious pieces, including Me Talk Pretty One Day, about his attempts to learn French. His family is another inspiration. You Cant Kill the Rooster is a portrait of his brother who talks incessant hip-hop slang to his bewildered father. And no one hones a finer fury in response to such modern annoyances as restaurant meals presented in ludicrous towers and cashiers with 6-inch fingernails. Compared by The New Yorker to Twain and Hawthorne, Sedaris has become one of our best-loved authors. Sedaris is an amazing reader whose appearances draw hundreds, and his performancesincluding a jaw-dropping impression of Billie Holiday singing I wish I were an Oscar Meyer weinerare unforgettable. Sedariss essays on living in Paris are some of the funniest hes ever written. At last, someone even meaner than the French! The sort of blithely sophisticated, loopy humour that might have resulted if Dorothy Parker and James Thurber had had a love child. Entertainment Weekly on Barrel Fever Sidesplitting Not one of the essays in this new collection failed to crack me up; frequently I was helpless. The New York Times Book Review on Naked
