August Kleinzahler has earned admiration for his musical, precise, wise, and sometimes madcap poems that are grounded in the wide array of places, people, and most especially voices he has encountered in his real and imaginative worlds. Snow Approaching on the Hudson is a collection that moves seamlessly through the often hypnogogic, porous realms of dreams, the past and present, inner and outer landscapes. His haunting, shifting atmospheres are peopled by characters, intimately portrayed, that are at one historical and invented. The poet's signature rhythmic propulsion serves as the engine for his newest collection, and his always masterful free verse conveys a life thoroughly lived and brilliantly perceived.
Cutty, One Rock takes the reader on a wild journey by airplane, bus, ferry, and foot from childhood to early manhood in the company of a New Jersey family in equal measures cultivated and deranged. We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place. These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.
To honor FSG's 75th anniversary, here is a unique anthology celebrating the riches and variety of its poetry list—past, present, and future Poetry has been at the heart of Farrar, Straus and Giroux's identity ever since Robert Giroux joined the fledgling company in the mid-1950s, soon bringing T. S. Eliot, John Berryman, Robert Lowell, and Elizabeth Bishop onto the list. These extraordinary poets and their successors have been essential in helping define FSG as a publishing house with a unique place in American letters. The FSG Poetry Anthology includes work by almost all of the more than one hundred twenty-five poets whom FSG has published in its seventy-five-year history. Giroux's first generation was augmented by a group of international figures (and Nobel laureates), including Pablo Neruda, Nelly Sachs, Derek Walcott, Seamus Heaney, and Joseph Brodsky. Over time the list expanded to includes poets as diverse as Yehuda Amichai, John Ashbery, Frank Bidart, Louise Glück, Thom Gunn, Ted Hughes, Yusef Komunyakaa, Mina Loy, Marianne Moore, Paul Muldoon, Les Murray, Grace Paley, Carl Phillips, Gjertrud Schnackenberg, James Schuyler, C. K. Williams, Charles Wright, James Wright, and Adam Zagajewski. Today, Henri Cole, francine j. harris, Ishion Hutchinson, Maureen N. McLane, Ange Mlinko, Valzhyna Mort, Rowan Ricardo Phillips, and Frederick Seidel are among the poets who are continuing FSG's tradition as a discoverer and promoter of the most vital and distinguished contemporary voices. This anthology is a wide-ranging showcase of some of the best poems published in America over the past three generations. It is also a sounding of poetry's present and future.
A thrilling new collection from one of the most original poets of his generation "His work is a modernist swirl of sex, surrealism, urban life and melancholy with a jazzy backbeat." That praise appeared in the pages of The New York Times in 2005, but it applies no less to August Kleinzahler's newest collection. Kleinzahler's poetry is, as ever, concerned with permeability: Voices, places, the real and the dreamed, the present and the past, all mingle together in verses that always ring true. Whether the poem is three lines long or spans several pages; whether the voice embodied is that of "an adult male of late middle age, // about to weep among the avocados and citrus fruits / in a vast, overlit room next to a bosomy Cuban grandma" as in "Whitney Houston," or that of the title character in "Hootie Bill Do Polonius," who is bidding "adios compadre // To a most galuptious scene Kid"—Kleinzahler finds the throbbing human heart at the core of experience. This is a poet searching for—and finding—a cadence to suit life as it's lived today. Kleinzahler's verses are, as noted in the judges' citation for the 2004 Griffin Poetry Prize (which he won for his collection The Strange Hours Travelers Keep), "ferociously on the move, between locations, between forms, between registers." The Hotel Oneira finds Kleinzahler at his shape-shifting, acrobatic best, unearthing the "moments of grace" buried under the detritus of our hectic, modern lives.
In a debut of great delicacy and distinction, a young nature philosopher describes his journey as he follows the northern migration of the snow goose and reflects on the powerful attraction of home. Every spring, millions of geese embark on an arduous three-thousand-mile homeward journey from their winter quarters in the southern United States to their breeding grounds in the Canadian Arctic. One year William Fiennes, recovering from a long illness, decided to go with them. Intrigued by what he’d read about the birds’ extraordinary annual journey, he was also desperate to escape the depression that had dogged his convalescence, and the belief that at age twenty-six, his life had ground to a halt. Part memoir, part nature study, part travelogue, the story of Fiennes’s journey is not just about geese. It’s about homecoming: the birds on their long trip home, the pull of nostalgia, the urge to leave home and the even stronger urge to return. Fiennes is a gifted natural writer with a distinctive voice that is deeply thoughtful, wry and keenly observant. His book vibrates with ideas, with stories and anecdotes, with humankind as well as wild fowl. The joy of being alive, being on the move and – above all – going home are poignantly captured in this intelligent, exuberant book.
Versions of the Snow White story have been shared across the world for centuries. Acclaimed folklorist and translator Maria Tatar places the well-known editions of Walt Disney and the Brothers Grimm alongside other tellings, inviting readers to experience anew a beloved fantasy of melodrama and imagination.
Look out. Now look up. From the sky one flake falls, then another. And just like that—it's snowing. In this beautiful book from debut creator Bomi Park, a young girl wakes up to the year's first snowy day. From her initial glimpse out the window to her poignant adventures—rolling a snowman, making snow angels—the girl's quiet quests are ones all young readers will recognize. Simple, muted text and exquisite, evocative art conjure the excitement of a day spent exploring the wonder of snow—and the magic that, sometimes literally, such a day brings. As subtly joyful as a snow day itself, this book will find its home in the hearts of young adventurers everywhere. Plus, this is the fixed format version, which looks almost identical to the print edition.
Nobel Laureate Derek Walcott's The Prodigal is a journey through physical and mental landscapes, from Greenwich Village to the Alps, Pescara to Milan, Germany to Cartagena. But always in "the music of memory, water," abides St. Lucia, the author's birthplace, and the living sea. In this book of poems, Derek Walcott has created a sweeping yet intimate epic of an exhausted Europe studded with church spires and mountains, train stations and statuary, where the New World is an idea, a "wavering map," and where History subsumes the natural history of his "unimportantly beautiful" island home. Here, the wanderer fears that he has been tainted by his exile, that his life has become untranslatable, and that his craft itself is rooted in betrayal of the vivid archipelago to which, like Antaeus, he must return for the very sustenance of life.
