This handsomely illustrated survey of contemporary international artists and their approaches to smoke-fired pottery is an inspirational resource for ceramics devotees, from seasoned practitioners to curious collectors.
This book should appeal to a wide range of people but particularly those who would like to have a go at pottery without having to spend a lot of money on a kiln.
This book covers techniques of firing and finishing at low temperature without using glazes. Many ancient cultures and contemporary potters use methods of low firing, adding slips and burnishing pieces to create a more natural finish. The advantages are that it can be done without a kiln using old dustbins, pits dug out of the earth, or bonfires, meaning that providing you have outdoor space, it can be done on a low budget. This book is a step-by-step practical approach and beginner's guide, which focuses on how to do low firing and natural finishes, with many illustrations of beautiful work by contemporary makers. Chapters include burnishing, terra sigillata, smoke-firing, pit-firing, saggar firing and raku techniques.
" ... Included is a historical chapter, a how-to chapter, and a series of artist profiles that showcase pit fired ceramics of contemporary practitioners."--Page 2 of cover.
Clay body additions can introduce remarkable new forms and textures in ceramic work. With an emphasis on creativity and experimentation, ceramicist Kathleen Standen reveals a range of possible effects, and profiles the extraordinary work of contemporary makers using additions in their practice.Beginning with an introduction to collecting local clay and making your own clay bodies, the book moves on to cover the array of additions being used by artists today, from hard materials like stones, glass and rust, to combustible matter and fibre, metals including wire and mesh, and colour in various forms. The book is lavishly illustrated throughout with both unique making methods and the beautiful finished works of ceramic artists from around the world.Additions to Clay Bodies is an inspiring introduction to the art of using additions and an essential companion for any artist wishing to expand their practice.
This book brings together a variety of approaches, interpretations, expressions, and technical prowess. It is the first and a long time coming effort to bring the practice of naked raku into a single reference manual by which the reader can observe, attempt, experiment, and practice with confidence