*From the creator of SLOW HORSES and soon to be a major TV series starring Emma Thompson and Ruth Wilson* 'If you haven't read Zoë Boehm yet, welcome to your next fiction addiction' Val McDermid, author of Past Lying 'This is one of these novels where you read it, not just to see what happens at the end, but to see what happens on the very next page' Booklist When a body is hauled from the River Tyne, Sarah Tucker heads to Newcastle for a closer look. She identifies the dead woman, but putting a name to the corpse only raises further questions. Did the woman kill herself? Why was she wearing the jacket a murderer had stolen years before? And what's brought Sarah's former sparring partner Gerard Inchon to the same broken-down hotel where she's staying? Coincidence is an excuse that soon appears pretty unconvincing. Sarah can't leave until she's found the answers to her questions, however dangerous they might turn out to be.
These poems pulse with the language and images of a mangrove-lined river city, the beckoning highway, the just-glimpsed muse, the tug of childhood and restless ancestors. For the first time Samuel Wagan Watson's poetry has been collected into this stunning volume, which includes a final section of all new work.
A fictional account of the establishment of the colony of Jamestown in 1607, narrated by Captain John Smith, who recalls the trials of the colonists, disease, war with the Indians, famine, and fire.
Now in paperback, the heartstopping finale to the New York Times bestseller Flame in the Mist-- from the bestselling author of The Wrath and the Dawn. After Okami is captured in the Jukai forest, Mariko has no choice--to rescue him, she must return to Inako and face the dangers that have been waiting for her in the Heian Castle. She tricks her brother, Kenshin, and betrothed, Raiden, into thinking she was being held by the Black Clan against her will, playing the part of the dutiful bride-to-be to infiltrate the emperor's ranks and uncover the truth behind the betrayal that almost left her dead. With the wedding plans already underway, Mariko pretends to be consumed with her upcoming nuptials, all the while using her royal standing to peel back the layers of lies and deception surrounding the imperial court. But each secret she unfurls gives way to the next, ensnaring Mariko and Okami in a political scheme that threatens their honor, their love and the very safety of the empire.
In 1960s Kentucky, Susanna Braden is one of four children in a dynamic Catholic family that thrives on unpredictability, where painful secrets remain unspoken, allowing sins of the past to be repeated and threatening the security and innocence of another generation. Susanna's childhood begins as one of enchantment, but always with an underlying current of instability. When a series of events lead to the development of a bitter judgment towards parents who failed to protect, either through undisclosed secrets or failure to act, Susanna draws on the support of her friends and siblings as she struggles with whether these experiences should define the person she is to become. These same experiences shape her self-esteem and feelings about love and relationships, while her friendships with Shelly, a funny, allegedly-promiscuous classmate, and Calvin, the honorable boy-next-door with whom she secretly falls in love, keep her grounded. Ultimately, Susanna must decide whether to accept her family, despite its faults, particularly when she recognizes the same failings in herself. And she must determine whether her family's good qualities, including an endearing resilience and appealing ability to rally together, even in the face of profound loss, provide the redemption they all so desperately seek.More detailed description:In 1960's Kentucky, Mama births adventures like golden eggs, but she's not exactly maternal. So, when it comes to the younger Braden children, teenage Susanna does her best to fill in where Mama leaves off – until Susanna unearths shameful secrets about Mama's past and, worse, discovers that Mama has completely failed to warn, or protect, her own children. Furious and filled with righteous indignation, Susanna's through doing Mama's work for her, and all she wants is to somehow escape the drama. Susanna finds comfort in the farm next-door and the boy who's always been her best friend. He's there for her like he always is, steady and appealingly normal and, before long, she's falling for him. For a little while, nothing seems as important as winning Calvin's love. But Calvin is involved with someone else, and when he deploys to Vietnam, it may not be Susanna's love he carries in his heart. Things look bleak, until it becomes clear that Calvin needs her friendship, if not her love, now more than ever. He's the most honorable person Susanna's ever known, and even he is being changed by his experiences. Suddenly Susanna's sense of honor, and fault, are being challenged, just as she has to face what's happening at home – that her withdrawal does not come without a cost, and her beloved brother is paying the price. Now she finds herself at a crossroads – repeat her mother's mistakes or face the awful truth. And it all boils down to a choice between fear and hope.
*From the creator of SLOW HORSES and soon to be a major TV series starring Emma Thompson and Ruth Wilson* 'If you haven't read Zoë Boehm yet, welcome to your next fiction addiction' Val McDermid, author of Past Lying 'Good characterisation, dialogue and a well-paced narrative make this confident first novel frighteningly plausible' Daily Telegraph It's an evening like any other when an explosion rips through the leafy Oxford suburb Sarah Tucker calls home. In the aftermath, a house now stands devastated, with two adults dead and a young girl missing. With the police more interested in keeping the neighbours from rubbernecking than in searching for the missing child, Sarah becomes obsessed with finding her. She enlists the help of Zoë Boehm's investigation agency, but Sarah's and Zoë's search reveals more secrets than answers, taking them from Oxford's cobbled streets to the rugged outer reaches of the British Isles. As Zoë and Sarah draw closer to the truth, they are caught in a web of conspiracy and come up against government forces, cold-blooded mercenaries and vengeful loners. Down Cemetery Road is Mick Herron's debut novel and the first book in the Zoë Boehm series.
Apart from Love is not your typical love story. All-consuming, heart-wrenching, and dark, it is an epic that starts when Ben returns to meet his father, Lenny, and his new wife, Anita. It is then that he discovers a family secret. How will they find a path out of conflicts, out of isolation, from guilt to forgiveness? My Own Voice (“As told by Anita”): Ten years ago, Anita started an affair with Lenny, in spite of knowing that he was married and that his wife was succumbing to a mysterious disease. Now married to him and carrying his child, how can she compete with Natasha’s shadow and with her brilliance in the past? Given Anita's lack of education, how can she resist his compelling wish to transform her? Can she survive his kind of love? Faced with the way he writes her as a character in his book, how can Anita find a voice of her own? And when his estranged son, Ben, comes back and lives in the same small apartment, can she keep the balance between the two men, whose desire for her is marred by guilt and blame? The White Piano (“As told by Ben”): Coming back to his childhood home after years of absence, Ben is unprepared for the secret, which is now revealed to him: his mother, Natasha, who used to be a brilliant pianist, is losing herself to early-onset Alzheimer’s, which turns the way her mind works into a riddle. His father has remarried, and his new wife, Anita, looks remarkably similar to Natasha—only much younger. In this state of being isolated, being apart from love, how will Ben react to these marital affairs, when it is so tempting to resort to blame and guilt? “In our family, forgiveness is something you pray for, something you yearn to receive—but so seldom do you give it to others.” Behind his father's back, Ben and Anita find themselves increasingly drawn to each other. They take turns using an old tape recorder to express their most intimate thoughts, not realizing at first that their voices are being captured by him. These tapes, with his eloquent speech and her slang, reveal the story from two opposite viewpoints. Dealing with the challenging prospects of the marriage of opposites, this book can be read as a standalone novel as well as part of one of family sagas best sellers. Still Life with Memories is a family saga series tinged with family saga romance, fraught with marital issues, and riddled with the difficulty of connecting fathers and sons.
Oxford private detective Zoë Boehm turns up dead in Newcastle, launching her friend Sarah Tucker into an investigation with several leads—but no one she can trust. When a body is hauled from the River Tyne, Sarah Tucker heads to Newcastle for a closer look. She identifies the dead woman as private detective Zoë Boehm, but putting a name to the corpse only raises further questions. Did Zoë kill herself, or did one of her old cases come back to haunt her? Why was she wearing the jacket a murderer had stolen years before? And what’s brought Sarah’s former sparring partner Gerard Inchon to the same broken-down hotel where she’s staying? Coincidence is an excuse that soon appears pretty unconvincing. Sarah can’t leave until she’s found the answers to her questions, however dangerous they might turn out to be.
Although tobacco is a legal substance, many governments around the world have introduced legislation to restrict smoking and access to tobacco products. Smokefree critically examines these changes, from the increasing numbers of places being designated as ‘smokefree’ to changes in cigarette packaging and the portrayal of smoking in popular culture. Unlike existing texts, this book neither advances a public health agenda nor condemns the erosion of individual rights. Instead, Simone Dennis takes a classical anthropological approach to present the first agenda-free, full-length study of smoking. Observing and analysing smoking practices and environments, she investigates how the social, moral, political and legal atmosphere of ‘smokefree’ came into being and examines the ideas about smoke, air, the senses, space, and time which underlie it. Looking at the impact on public space and individuals, she reveals broader findings about the relationship between the state, agents, and what is seen to constitute ‘the public’. Enriched with ethnographic vignettes from the author’s ten years of fieldwork in Australia, Smokefree is a challenging, important book which demands to be read and discussed by anyone with an interest in anthropology, sociology, political science, human geography, and public health.
