The proceedings of the Smithsonian at the Poles symposium is published as part of the International Polar Year 2007-2008 (www.ipy.org), a joint initiative of the International Council for Science and the World Meteorological Organization.
"Writing a poem is like trying to describe a totemic column which passes right through and beyond the world. We see it, but its existence is elsewhere." --Stanley Diamond, Totems--The Northwest Coast totem pole captivates the imagination. From the first descriptions of these tall carved monuments, totem poles have become central icons of the Northwest Coast region and symbols of its Native inhabitants. Although many of those who gaze at these carvings assume that they are ancient artifacts, the so-called totem pole is a relatively recent artistic development, one that has become immensely important to Northwest Coast people and has simultaneously gained a common place in popular culture from fashion to the funny pages.--The Totem Pole reconstructs the intercultural history of the art form in its myriad manifestations from the eighteenth century to the present. Aldona Jonaitis and Aaron Glass analyze the totem pole's continual transformation since Europeans first arrived on the scene, investigate its various functions in different contexts, and address the significant influence of colonialism on the proliferation and distribution of carved poles. The authors also describe their theories on the development of the art form: its spread from the Northwest Coast to world's fairs and global theme parks; its integration with the history of tourism and its transformation into a signifier of place; the role of governments, museums, and anthropologists in collecting and restoring poles; and the part that these carvings have continuously played in Native struggles for control of their cultures and their lands.--Short essays by scholars and artists, including Robert Davidson, Bill Holm, Richard Hunt, Nathan Jackson, Vickie Jensen, Andrea Laforet, Susan Point, Charlotte Townsend-Gault, Lyle Wilson, and Robin Wright, provide specific case studies of many of the topics discussed, directly illustrating the various relationships that people have with the totem pole.--Aldona Jonaitis is director emerita of the University of Alaska Museum of the North and professor at the University of Alaska Fairbanks. An art historian who has published widely on Native American art, she is the author of Art of the Northwest Coast and Looking North: Art from the University of Alaska Museum, among other titles. --Aaron Glass is an assistant professor at the Bard Graduate Center in New York City, where he teaches anthropology of art, museums, and material culture. He has published on visual art, media, and performance among First Nations on the Northwest Coast and has produced the documentary film In Search of the Hamat'sa: A Tale of Headhunting.
Nobel Prize winner Al Gore wrote of Deborah Cramer's previous book Great Waters, "I urge everyone to read this book, to act on its message, and to pass on its teachings." Now Cramer offers a groundbreaking book for an even more urgent time. Our lives depend on the sea. As gifted science writer Deborah Cramer makes clear in this extraordinary volume, the ocean has been earth's lifeline for more than three and a half billion years. Life began in the scalding inferno of deep-sea hot springs. The first cell, the first plant, and the first animal were all born in the sea. Climate changes wrought by the sea created evolutionary pathways for mammals and gave rise to our human ancestors some 200,000 years ago. The one, interconnected sea still sustains us. Invisible plants in the ocean's sunlit surface give us air to breathe. Rushing currents supply water to the atmosphere's protective greenhouse and rain to dry land. But as Cramer reveals in this sweeping look at earth's biography, the vital partnership between earth and the life it nourishes has recently been disrupted. Today, a single terrestrial species, man, has begun to alter the health of the sea itself. The mark of humans on the seas is now everywhere—from the fertile waters of continental shelves to the icy reaches of the poles, from the dazzling diversity of coral reefs to the porous edge of estuaries. Even the open ocean bears clear traces of our harmful ways. Scientists believe human impact may have already sparked a catastrophic event that could change the sea and the earth irrevocably: the sixth mass planetary extinction on a scale unseen since the demise of the dinosaurs 65 million years ago. But unlike the forces that caused previous extinctions, humankind can make a choice. We can choose the mark we wish to make and the legacy we leave behind. Written in the passionate tradition of Rachel Carson, Smithsonian Ocean is at once a book for our time and for the ages. Carson wrote: "One way to open your eyes is to ask yourself: What if I had never seen this before? What if I knew I would never see it again?" Cramer's powerful and inspiring message is equally a wake-up call: "We hold earth's life-giving waters—and our future—in our hands." Our lives depend on the sea.
While the Moon was once thought to hold the key to space exploration, in recent decades, the U.S. has largely turned its sights toward Mars and other celestial bodies instead. In The Value of the Moon, lunar scientist Paul Spudis argues that the U.S. can and should return to the moon in order to remain a world leader in space utilization and development and a participant in and beneficiary of a new lunar economy. Spudis explores three reasons for returning to the Moon: it is close, it is interesting, and it is useful. The proximity of the Moon not only allows for frequent launches, but also control of any machinery we place there. It is interesting because recorded deep on its surface and in its craters is the preserved history of the moon, the sun, and indeed the entire galaxy. And finally, the moon is useful because it is rich with materials and energy. The moon, Spudis argues, is a logical base for further space exploration and even a possible future home for us all. Throughout his work, Spudis incorporates details about man's fascination with the moon and its place in our shared history. He also explores its religious, cultural, and scientific resonance and assesses its role in the future of spaceflight and our national security and prosperity.
This new field guide provides a suite of modern tools to effectively aid in the identification of more than 750 species of birds across North America. It introduces a "whole bird" approach by concisely gathering a collection of information about birds into one portable and well-organized volume. 2,000 stunning color photographs of birds in natural habitats show the most important field marks, regional population differences, life stages, and behaviors 700-plus detailed and up-to-date color range maps show summer, migration, winter, year-round, and rare but regular occurrences of every major species A DVD of birdsongs for 138 major species (587 vocalizations in all for 5½ hours of play); each high-quality MP3 file is embedded with an image of the bird, perfect to view on home computers and portable MP3 players Concise descriptions of habits and ecology, age-related and seasonal differences, regional forms, vocalization, and informative captions pointing out the most important aspects of the bird 46 group essays with information outlining taxonomy, feeding, migration, habitats, behaviors, and conservation status A thorough and accessible introduction to birds and birding includes sections on parts of a bird, plumage and molt, food and feeding, migration, habitats, conservation, tips on bow to become a better birder, and more A detailed glossary of terms, species checklist, and quick index The new Smithsonian Field Guide to the Birds of North America is perfectly designed to give birders the most powerful and user-friendly collection of information to carry into the field or wherever they enjoy learning about birds and nature.
A magnificent new history of America told through 101 treasures from the Smithsonian’s collections. The Deluxe Edition features eight videos that go behind the scenes at the Smithsonian for a closer look at some of the book’s most important objects, hosted by author and curator Richard Kurin. The Smithsonian Institution is America’s largest and most cherished repository for the objects that define our common heritage. Richard Kurin, its Under Secretary for History, Art, and Culture, has for decades served as a driving force in the effort of our national museums to tell America’s whole story. This book is the culmination of a broad effort, led by Kurin and involving all the Smithsonian’s museums and more than a hundred of its top scholars and curators, to select a set of objects that could collectively represent the American experience. Strong deliberation honed literally millions of possibilities down to a careful selection of 101 remarkable objects that do justice to the history of our bountiful land and its people. That history begins with remains from the earliest years of the pre-Columbian continent and relics of the American Revolution and Civil War. It includes the inventions of the industrial revolution, artifacts of the Depression, World War II and cold war eras; icons of pop culture and of the Civil Rights movements as well as the objects that now symbolize the digital age and the first years of the new millennium. Each entry pairs the fascinating history of each object with the place it has come to occupy in our national memory. Kurin sheds new light on familiar objects like the Star-Spangled Banner and Abraham Lincoln’s stovepipe hat, Dorothy’s ruby slippers and Julia Child’s kitchen, the giant pandas and the space shuttle Discovery, including the often astonishing tales of how each made its way into the Smithsonian. Other objects, like the suffragists’ “Great Demand” banner and the Tuskegee flyer, will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of American history. Others, like Sitting Bull’s ledger, Cesar Chavez’s union jacket, and the Enola Gay bomber, illustrate difficult chapters in the nation’s history. Kurin also includes behind-the-scenes insight into controversies arising from their exhibition at the Smithsonian. In Kurin’s hands these marvelous objects come to vivid life, awakening a deep and tactile connection with our nation’s history. A beautiful treasure in its own right, The Smithsonian’s History of America in 101 Objects is an incomparable journey through America’s collective memory, and a celebration of the resilient power of objects to illustrate who we are as a people.
Now perhaps the world's largest participatory art and science project, the Crochet Coral Reef combines mathematics, marine biology, environmental consciousness-raising and community art practice. Almost 8,000 people around the world have contributed to making an ever-evolving archipelago of giant woolen seascapes, which have been exhibited at the Hayward Gallery, the Smithsonian and many other venues. This fully illustrated book, written by the project's creators--Margaret and Christine Wertheim of the Institute For Figuring--brings together the scientific and mathematical content behind the project, along with essays about the artistic and cultural resonances of this unique experiment in radical craft practice. With a wealth of color illustrations, the book serves as a record of the 30-plus Crochet Reefs worldwide and names all 7,000-plus contributors in a specially designed section.
The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.
Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska features more than 200 objects representing the masterful artistry and design traditions of twenty Alaska Native peoples. Based on a collaborative exhibition created by Alaska Native communities, the Smithsonian's National Museum of Natural History, the Smithsonian's National Museum of the American Indian, and the Anchorage Museum at Rasmuson Center, this richly illustrated volume celebrates both the long-awaited return of ancestral treasures to their native homeland and the diverse cultures in which they were created. Despite the North's transformation through globalizing change, the objects shown in these pages are interpretable within ongoing cultural frames, articulated in languges still spoken. They were made for a way of life on the land that is carried on today throughout Alaska. Dialogue with the region's First Peoples evokes past meanings but focuses equally on contemporary values, practices, and identities. Objects and narratives show how each Alaska Native nation is unique—and how all are connected. After introductions to the history of the land and its people, universal themes of “Sea, Land, Rivers,” “Family and Community,” and “Ceremony and Celebration” are explored referencing exquisite masks, parkas, beaded garments, basketry, weapons, and carvings that embody the diverse environments and practices of their makers. Accompanied by traditional stories and personal accounts by Alaska Native elders, artists, and scholars, each piece featured in Living Our Cultures, Sharing Our Heritage evokes both historical and contemporary meaning, and breathes the life of its people.