A "hugely fascinating" (Kirkus), "wonderful" (VOYA) historical novel based on the harrowing true story of Minik, an Eskimo boy seized in the name of exploration and brought to New York in the 1900s. In 1897, famed explorer Robert Peary took six Eskimos from their homes in Greenland to be "presented" to the American Museum of Natural History. Among the six were a father and a son. Soon, four were dead, including the father (whose bones, unbeknownst to the son, were put on display). One returned to Greenland. And the other -- the young boy -- remained, the only Eskimo in New York for twelve years. His name was Minik. This is his story. A story of lies and deceptions. A story about the price of exploration. A story about discovering the truth of a culture.
After more than forty years of publishing short stories, Theroux has become a master of the form, with a deep capacity to engage, enchant and unsettle . . . [He] asserts his preeminence in short fiction with an unassuming brilliance. Kirkus Reviews, starred review A family watches in horror as their patriarch transforms into the singing, wisecracking lead of an old-timey minstrel show. A renowned art collector relishes destroying his most valuable pieces. Two boys stand by helplessly as their father stages an all-consuming war on the raccoons living in the woods around their house. A young artist devotes himself to a wealthy, malicious gossip, knowing that it s just a matter of time before she turns on him. In this new collection of award-winning short stories, acclaimed author Paul Theroux explores the tenuous leadership of the elite and the surprising revenge of the overlooked. He shows us humanity possessed, consumed by its own desires and compulsions, always with his carefully honed eye for detail and the subtle idiosyncrasies that bring his characters to life. Searing, dark, and sure to unsettle, Mr. Bones is a stunning new display of Paul Theroux s fluent, faintly sinister powers of vision and imagination (The New Yorker). "
No one knows where he came from...He's what lingers in the shadows behind you when you turn off the lights and race up the stairs...The darkness beneath the bed that keeps your feet tucked tightly under the covers...The Bogeyman... But Evie "Creepy" Morenson has unknowingly found a way to make him something more than what he was, something much more vicious, something much more hungry... A simple blog post causes new nightmares to start, new fears that give him new life, and now, something is very, very wrong. She's lost control of the monster she created, and children are starting to die. Will she and Detective Ezra Dean find a way to stop him before he goes viral? You thought you were afraid of the Boogeyman before...Just wait...
Luka Kane has been inside hi-tech prison the Loop for over two years. A death sentence is hanging over his head but his day-to-day routine is mind-numbingly repetitive. Then everything changes. Soon, Luka has to face a new reality: breaking out of the Loop might be his only chance to save himself - and the world ...
"A script-ready story with blockbuster potential." -- Kirkus (Starred Review)Life inside The Loop--the futuristic death row for teens under eighteen--is one long repetitive purgatory. But when news of the encroaching chaos in the outside world reaches the inmates and disorder begins to strike, the prison becomes the least of their worries. Perfect for fans of The Maze Runner and The Fifth Wave. It's Luka Kane's 16th birthday and he's been inside The Loop for over two years. Every inmate is serving a death sentence with the option to push back their execution date by six months if they opt into "Delays," scientific and medical experiments for the benefit of the elite in the outside world.But rumors of a war on the outside are spreading amongst the inmates, and before they know it, their tortuous routine becomes disrupted. The government-issued rain stops falling. Strange things are happening to the guards. And it's not long until the inmates are left alone inside the prison.Were the chains that shackled Luka to his cell the only instruments left to keep him safe? In a thrilling shift, he must overcome fellow prisoners hell-bent on killing him, the warden losing her mind, the rabid rats in the train tunnels, and a population turned into murderous monsters to try and break out of The Loop, save his family, and discover who is responsible for the chaos that has been inflicted upon the world.
A true story from the great age of Arctic exploration of an Inuit boy's struggle for dignity against Robert Peary and the American Museum of Natural History in turn-of-the-century New York City. Sailing aboard a ship called Hope in 1897, celebrated Arctic explorer Robert Peary entered New York Harbor with peculiar "cargo": Six Polar Inuit intended to serve as live "specimens" at the American Museum of Natural History. Four died within a year. One managed to gain passage back to Greenland. Only the sixth, a boy of six or seven with a precociously solemn smile, remained. His name was Minik. Although Harper's unflinching narrative provides a much needed corrective to history's understanding of Peary, who was known among the Polar Inuit as "the great tormenter", it is primarily a story about a boy, Minik Wallace, known to the American public as "The New York Eskimo." Orphaned when his father died of pneumonia, Minik never surrendered the hope of going "home," never stopped fighting for the dignity of his father's memory, and never gave up his belief that people would come to his aid if only he could get them to understand.
You could be forgiven for thinking that the smile has no history; it has always been the same. However, just as different cultures in our own day have different rules about smiling, so did different societies in the past. In fact, amazing as it might seem, it was only in late eighteenth century France that western civilization discovered the art of the smile. In the 'Old Regime of Teeth' which prevailed in western Europe until then, smiling was quite literally frowned upon. Individuals were fatalistic about tooth loss, and their open mouths would often have been visually repulsive. Rules of conduct dating back to Antiquity disapproved of the opening of the mouth to express feelings in most social situations. Open and unrestrained smiling was associated with the impolite lower orders. In late eighteenth-century Paris, however, these age-old conventions changed, reflecting broader transformations in the way people expressed their feelings. This allowed the emergence of the modern smile par excellence: the open-mouthed smile which, while highlighting physical beauty and expressing individual identity, revealed white teeth. It was a transformation linked to changing patterns of politeness, new ideals of sensibility, shifts in styles of self-presentation - and, not least, the emergence of scientific dentistry. These changes seemed to usher in a revolution, a revolution in smiling. Yet if the French revolutionaries initially went about their business with a smile on their faces, the Reign of Terror soon wiped it off. Only in the twentieth century would the white-tooth smile re-emerge as an accepted model of self-presentation. In this entertaining, absorbing, and highly original work of cultural history, Colin Jones ranges from the history of art, literature, and culture to the history of science, medicine, and dentistry, to tell a unique and untold story about a facial expression at the heart of western civilization.
