Slint's Spiderland
Slint's Spiderland

Author: Scott Tennent

Publisher: Bloomsbury Publishing USA

Published: 2010-11-11

Total Pages: 161

ISBN-13: 1441190147

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Of all the seminal albums to come out in 1991-the year of Nevermind, Loveless, Ten, and Out of Time, among others-none were quieter, both in volume and influence, than Spiderland, and no band more mysterious than Slint. Few single albums can lay claim to sparking an entire genre, but Spiderland-all six songs of it-laid the foundation for post rock in the 1990s. Yet for so much obvious influence, both the band and the album remain something of a puzzle. This thoroughly researched book is the first substantive attempt to break through some of the mystery surrounding Spiderland and the band that made it. Scott Tennent has written a long overdue look at this remarkable album and its origins, delving into the small, insular musical universe that included bands like Squirrel Bait, Maurice, Bitch Magnet, and Bastro. The story, helped by in-depth interviews with band members David Pajo and Todd Brashear, explores the formation of Slint, the recording of Tweez, and the band's dramatic move into the sound of Spiderland.

Slint's Spiderland
Slint's Spiderland

Author: Scott Tennent

Publisher: A&C Black

Published: 2010-11-11

Total Pages: 162

ISBN-13: 144117026X

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A thorough history of Slint, and the Louisville scene that surrounded the band, leading up to and focusing on the creation of their masterpiece, Spiderland.

Gimme Indie Rock
Gimme Indie Rock

Author: Andrew Earles

Publisher: Voyageur Press (MN)

Published: 2014-09-15

Total Pages: 403

ISBN-13: 0760346488

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"Music journalist Andrew Earles provides a rundown of 500 landmark albums recorded and released by bands of the indie rock genre"--

Storm Static Sleep
Storm Static Sleep

Author: Jack Chuter

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9780957249226

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Storm Static Sleep: A Pathway Through Post-Rock is the first publication dedicated to the story of post-rock music. As grunge and britpop ruled the airwaves in the early 90s, post-rock was a vital jolt of innovation for a world sleepwalking back towards rock tradition. Now, more than twenty years on, post-rock's mark on the cultural landscape is significant. Dedicated post-rock festivals exist across the globe and the music is commonplace in film and advertisement soundtracks. Meanwhile, the listenership has bloomed into an international community whose devotion borders on the obsessive. Despite its rise to mainstream cultural prominence, the significance of post-rock remains a subject of some controversy, with the label itself often abused as a journalistic cliché and regularly loathed by the artists tagged with it. To date there is no comprehensive account of post-rock history in either print or online. Storm Static Sleep sets the record straight. It unpicks the meaning of post-rock, tunnelling back to its origins to interrogate the journalists who championed it and the bands who renounced it. Featuring over 30 first-hand interviews with some of the most prominent names in post-rock - including members of Mogwai, Tortoise, Mono, Isis, Slint, God Is An Astronaut and producer Steve Albini - Storm Static Sleep follows one of music's most nomadic terms through every stage of its transformation.

Black Sabbath's Master of Reality
Black Sabbath's Master of Reality

Author: John Darnielle

Publisher: A&C Black

Published: 2008-04-15

Total Pages: 110

ISBN-13: 0826428991

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John Darnielle describesMaster of Reality in the voice of a fifteen-year-old boy being held in an adolescent psychiatric center in southern California in 1985. The narrator explains Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly.

Fugazi's In on the Kill Taker
Fugazi's In on the Kill Taker

Author: Joe Gross

Publisher: Bloomsbury Publishing USA

Published: 2018-05-19

Total Pages: 185

ISBN-13: 1501321412

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By June 1993, when Washington, D.C.'s Fugazi released their third full-length album In on the Kill Taker, the quartet was reaching a thunderous peak in popularity and influence. With two EPs (combined into the classic CD 13 songs) and two albums (1990's genre-defining Repeater and 1991's impressionistic follow-up Steady Diet of Nothing) inside of five years, Fugazi was on creative roll, astounding increasingly large audiences as they toured, blasting fist-pumping anthems and jammy noise-workouts that roared into every open underground heart. When the album debuted on the now-SoundScan-driven charts, Fugazi had never been more in the public eye. Few knew how difficult it had been to make this popular breakthrough. Disappointed with the sound of the self-produced Steady Diet, the band recorded with legendary engineer Steve Albini, only to scrap the sessions and record at home in D.C. with Ted Niceley, their brilliant, under-known producer. Inadvertently, Fugazi chose an unsure moment to make In on the Kill Taker: as Nirvana and Sonic Youth were yanking the American rock underground into the media glare, and “breaking” punk in every possible meaning of the word. Despite all of this, Kill Taker became an alt-rock classic in spite of itself, even as its defiant, muscular sound stood in stark contrast to everything represented by the mainstreaming of a culture and worldview they held dear. This book features new interviews with all four members of Fugazi and members of their creative community.

Can's Tago Mago
Can's Tago Mago

Author: Alan Warner

Publisher: Bloomsbury Publishing USA

Published: 2014-11-20

Total Pages: 151

ISBN-13: 1628921102

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Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up. Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.