In Slaughter in the Streets, Don Stradley masterfully unfolds the story of how Boston became "boxing's murder capital." From the early days of Boston's Mafia, to the era of Whitey Bulger, Stradley tells the fascinating stories of men who were drawn to the dual shady worlds of boxing and the mob.
The Penguin Classics Marvel Collection presents the origin stories, seminal tales, and characters of the Marvel Universe to explore Marvel’s transformative and timeless influence on an entire genre of fantasy. A Penguin Classics Marvel Collection Edition Collects Fantastic Four #52-53 (1966); Jungle Action #6-21 (1973-1976). It is impossible to imagine American popular culture without Marvel Comics. For decades, Marvel has published groundbreaking visual narratives that sustain attention on multiple levels: as metaphors for the experience of difference and otherness; as meditations on the fluid nature of identity; and as high-water marks in the artistic tradition of American cartooning, to name a few. The Black Panther is not just a super hero; as King T’Challa, he is also the monarch of the hidden African nation of Wakanda. Combining the strength and stealth of his namesake with a creative scientific intelligence, the Black Panther is an icon of Afro-futurist fantasy. This new anthology includes the Black Panther’s 1966 origin tale and the entirety of the critically acclaimed “Panther’s Rage” storyline from his 1970s solo series. A foreword by Nnedi Okorafor, a scholarly introduction and apparatus by Qiana J. Whitted, and a general series introduction by Ben Saunders offer further insight into the enduring significance of Black Panther and classic Marvel comics. The Penguin Classics black spine paperback features full-color art throughout.
"If I wake up, I know I'm a success. The day I don't wake up, I know I'll be home. I have one foot on this earth and one foot has crossed over. I didn’t just die, I lived.”—Johnny Tapia ...the ghost of Johnny Tapia lives on. “Mi Vida Loca” (My Crazy Life) was Johnny Tapia’s nickname and his reason for being. Haunted by the brutal murder of his beloved mother when he was a child, fighting and drugs gave him the escape he craved—and he did both with gusto. In The Ghost Of Johnny Tapia, Paul Zanon, with the help of Tapia’s widow Teresa, tells the harrowing and unforgettable story of a boxing genius who couldn’t, in the end, defeat his demons. The Ghost of Johnny Tapia is the second in the Hamilcar Noir series. Hamilcar Noir is "Hard-Hitting True Crime" that blends boxing and true crime, featuring riveting stories captured in high-quality prose, with cover art inspired by classic pulp novels. From the Foreword: "Johnny had incredible heart, was such a sweet man, but was also tormented. He had two sides to him. The sweetest, nicest guy, but then the other side which could probably kill you. He was tortured with his addictions, but Johnny was always pure emotion in that ring."—Sammy ‘The Red Rocker’ Hagar, Musician
On December 1, 1971, the bodies of Robert Gierse, James Barker, and Robert Hinson were found in their blood-spattered Indianapolis home. All three had reputations as prodigious womanizers, hard-drinking bar fighters, and unscrupulous businessmen--the kind of men with more enemies than friends. When detectives searched the home and discovered an address book used as a sex contest scorecard, their new suspect list included jilted one-night stands, jealous boyfriends, and husbands--dozens upon dozens of names. Sensational reports and rumors soon overwhelmed the investigation , and real answers eluded the police and the media alike for three decades, until Roy West, a detective with a reputation for cracking "unsolvable" cases, re-opened the files... INCLUDES PHOTOS
"If the Coen brothers ever ventured beyond the United States for their films, they would find ample material in this novel." --The New York Times Book Review "Occasionally a book comes along so fresh, strange, and original that it seems peerless, utterly unprecedented. This is one of those books." —Kirkus Reviews (starred review) **Winner of the 2021 Wingate Literary Prize** **Finalist for the 2021 National Jewish Book Awards, "Book Club Award"** An irresistible, picaresque tale of two Jewish sisters in late-nineteenth-century Russia, The Slaughterman’s Daughter is filled with “boundless imagination and a vibrant style” (David Grossman). With her reputation as a vilde chaya (wild animal), Fanny Keismann isn’t like the other women in her shtetl in the Pale of Settlement—certainly not her obedient and anxiety-ridden sister, Mende, whose “philosopher” of a husband, Zvi-Meir, has run off to Minsk, abandoning her and their two children. As a young girl, Fanny felt an inexorable pull toward her father’s profession of ritual slaughterer and, under his reluctant guidance, became a master with a knife. And though she long ago gave up that unsuitable profession—she’s now the wife of a cheesemaker and a mother of five—Fanny still keeps the knife tied to her right leg. Which might come in handy when, heedless of the dangers facing a Jewish woman traveling alone in czarist Russia, she sets off to track down Zvi-Meir and bring him home, with the help of the mute and mysterious ferryman Zizek Breshov, an ex-soldier with his own sensational past. Yaniv Iczkovits spins a family drama into a far-reaching comedy of errors that will pit the czar’s army against the Russian secret police and threaten the very foundations of the Russian Empire. The Slaughterman’s Daughter is a rollicking and unforgettable work of fiction.
A beautiful woman, a powerful Mexican rancher, and an exotic new breed of cattle come to John Slaughter's San Bernardino Valley ranch, along with the prospect of making a small fortune. While Slaughter's men are out keeping the peace in Tombstone, an act of betrayal turns up the heat under his own roof, and a killer is stalking Slaughter's wealthy Mexican guest. Indians suddenly savagely attack Slaughter's ranch, but it is only the first shot in a bigger, blazing Arizona bloodbath. The real enemy is coming next: armed to the teeth, driven by vengeance, and deep into a killing spree that only John Slaughter alone can stop.