Unemployed journalist Tess Monaghan accepts an assigment from a suspected killer who wold have her engage in unorthodox snooping in orde to clear his name
'This volume is a collection of seven fascinating articles...This is a revealing book that probes beneath the surface of what one participant calls the 'sheep to shawl' displays of such historic sites. It is a refreshing work well worth reading.'-THE HUDSON VALLEY REGIONAL REVIEW
First in the New York Times-bestselling mystery series: “A cleverly plotted cozy full of appealing characters and delicious cookie recipes.”—Publishers Weekly Take one amateur sleuth. Mix in some eccentric Minnesota locals. Add a generous dollop of crackling suspense, and you've got the recipe for this mystery series featuring Hannah Swensen, the red-haired, cookie-baking heroine whose gingersnaps are almost as tart as her comments and whose penchant for solving crime is definitely stirring things up. While dodging her mother’s attempts to marry her off, Hannah runs The Cookie Jar, Lake Eden’s most popular bakery. But after Ron LaSalle, the beloved deliveryman from the Cozy Cow Dairy, is found murdered behind her bakery—with Hannah’s famous Chocolate Chip Crunchies scattered around him—she’s determined not to let her cookies get a bad reputation, so she sets out to track down a killer. But if she doesn’t watch her back, Hannah’s sweet life may get burned to a crisp. “Culinary cozies don’t get any tastier than this winning series.”—Library Journal
Attorney and true crime writer examines the unsolved 1969 murders of two female college students whose bodies were left off the Garden State Parkway. In the early hours of May 30, 1969, the brutally stabbed bodies of two nineteen-year-old friends, Elizbeth Perry and Susan Davis, were dumped near Ocean City, New Jersey. This is the story of their case. Among the numerous suspects author and attorney Christian Barth identifies are infamous serial killers Ted Bundy and Gerald Eugene Stano, who were living within an hour’s drive from the murder scene. The killers also resided next to one another on Florida’s Death Row, and indirectly confessed to the double homicide. A culmination of more than nine years of research, Barth’s book is compiled from multiple sources, including interviews with retired New Jersey State Police detectives, law enforcement officials from other jurisdictions, federal agents, possible witnesses, victim family members, as well as information gathered from FBI case files, letters, journals, libraries, newspaper articles, and university archives. In scintillating detail, Barth presents the case, including previously undisclosed information surrounding these brutal murders, as well as an examination of recent technological advancements in crime scene analysis and FBI serial killer profiling that could help identify the killer. When all is said and done, the reader is asked to consider: Why hasn’t this cold case been solved? “The definitive book on the case of the coeds murdered on the Garden State Parkway…Barth has done a remarkable job of gathering all of the information and putting it into a readable narrative.”—William Kelley, Jersey Shore Nightbeat
A Lost Lady is a novel by American author Willa Cather, first published in 1923. It centers on Marian Forrester, her husband Captain Daniel Forrester, and their lives in the small western town of Sweet Water, along the Transcontinental Railroad. However, it is mostly told from the perspective of a young man named Niel Herbert, as he observes the decline of both Marian and the West itself, as it shifts from a place of pioneering spirit to one of corporate exploitation. Exploring themes of social class, money, and the march of progress, A Lost Lady was praised for its vivid use of symbolism and setting, and is considered to be a major influence on the works of F. Scott Fitzgerald. It has been adapted to film twice, with a film adaptation being released in 1924, followed by a looser adaptation in 1934, starring Barbara Stanwyck. A Lost Lady begins in the small railroad town of Sweet Water, on the undeveloped Western plains. The most prominent family in the town is the Forresters, and Marian Forrester is known for her hospitality and kindness. The railroad executives frequently stop by her house and enjoy the food and comfort she offers while there on business. A young boy, Niel Herbert, frequently plays on the Forrester estate with his friend. One day, an older boy named Ivy Peters arrives, and shoots a woodpecker out of a tree. He then blinds the bird and laughs as it flies around helplessly. Niel pities the bird and tries to climb the tree to put it out of its misery, but while climbing he slips, and breaks his arm in the fall, as well as knocking himself unconscious. Ivy takes him to the Forrester house where Marian looks after him. When Niel wakes up, he's amazed by the nice house and how sweet Marian smells. He doesn't't see her much after that, but several years later he and his uncle, Judge Pommeroy, are invited to the Forrester house for dinner. There he meets Ellinger, who he will later learn is Mrs. Forrester's lover, and Constance, a young girl his age.
Full of "can't look away" moments, Dear Killer is a psychological thriller perfect for fans of gritty realistic fiction such as Dan Wells's I Am Not a Serial Killer and Jay Asher's Thirteen Reasons Why, as well as television's Dexter. Rule One—Nothing is right, nothing is wrong. Kit looks like your average seventeen-year-old high school student, but she has a secret—she's London's notorious "Perfect Killer." She chooses who to murder based on letters left in a secret mailbox, and she's good—no, perfect—at what she does. Her moral nihilism—the fact that she doesn't believe in right and wrong—makes being a serial killer a whole lot easier . . . until she breaks her own rules by befriending someone she's supposed to murder, as well as the detective in charge of the Perfect Killer case. As New York Times bestselling author of the Gone series Michael Grant says, Dear Killer is "shocking, mesmerizing, and very smart."
A riveting account of a gruesome triple-homicide at Beekman Place in Depression Era New York, with an intriguing cast of characters including the brilliant but mentally-disturbed sculptor, Robert Irwin.
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