Selected by Choice magazine as an Outstanding Academic Title Nowhere in the world is there a greater concentration of significant skyscrapers than in New York City. And though this iconographic American building style has roots in Chicago, New York is where it has grown into such a powerful reflection of American commerce and culture. In Skyscraper: The Politics and Power of Building New York City in the Twentieth Century, Benjamin Flowers explores the role of culture and ideology in shaping the construction of skyscrapers and the way wealth and power have operated to reshape the urban landscape. Flowers narrates this modern tale by closely examining the creation and reception of three significant sites: the Empire State Building, the Seagram Building, and the World Trade Center. He demonstrates how architects and their clients employed a diverse range of modernist styles to engage with and influence broader cultural themes in American society: immigration, the Cold War, and the rise of American global capitalism. Skyscraper explores the various wider meanings associated with this architectural form as well as contemporary reactions to it across the critical spectrum. Employing a broad array of archival sources, such as corporate records, architects' papers, newspaper ads, and political cartoons, Flowers examines the personal, political, cultural, and economic agendas that motivate architects and their clients to build ever higher. He depicts the American saga of commerce, wealth, and power in the twentieth century through their most visible symbol, the skyscraper.
Creating the modern city - Planning for New York City - Real estate values, zoning, density, intervention - Building the vertical city - Empire State Building - Going from home to work - Subways, transit politics - Sweatshop migration - Identity - Little Italy's decline - Jewish neighbourhoods - Cities of light - Street lighting.
A highly interdisciplinary work, The Black Skyscraper reclaims the influence of race on modern architectural design as well as the less-well-understood effects these designs had on the experience and perception of race.
No other architectural genre captures our imagination and reflects our cultural and technological achievements like these towers that pierce the sky. We start off with the history and evolution of building high, from the Egyptian pyramids, Gothic cathedrals, and first American skyscrapers to the contemporary reality in Asia and the Middle East. We present two fascinating interviews, the first one with Carol Willis, the founder and director of the Skyscraper Museum in New York City, who explains the true genetics and economics behind the birth and future of the skyscraper. The second one with Italian artist, Giacomo Costa, who shares his vision about the relationship between the natural environment, human activity, and supernatural reality with provocative images of an apocalyptic urban future. Javier Quintana exposes the time gap between new architectural concepts and their built reality like Arne Hosek’s City of the Future designed in 1928 and materialized in 1998 by Cesar Pelli as the Petronas Towers in Kuala Lumpur or Sergei Lopatin’s 1925 idea for the Veshenka Tower in Moscow, later observed as the Willis Tower (former Sears Tower) in Chicago in 1974. Another group of essays explore the global influence of Manhattan as a contemporary Babylon to be replicated across the world, or the role of the Italian Futurists, Japanese Metabolists, and Archigram, who influenced generations of architects and designers to push forward the concept of vertical living. In the Opinion section you will find critiques on some of the latest ideas for skyscraper design by some of the most forward-looking architects like the concept of pixilated tectonics in Le Project Triangle in Paris by Herzog & de Meuron and the Sky Village by MVRDV. On the other hand, Jean Nouvel redefined the Italian loggia towers of the seventeenth century with the Tour Signal in La Defense, Paris; while Morphosis Architects explores new programs for vertical density with The Phare Tower. Lastly, Studio SHIFT masterfully integrates their Miyi Tower in Sichuan, China, with the existing landscape. Central to this book are thirty projects from eVolo’s 2009 Skyscraper Competition which look into the future of the skyscraper with the use of new technologies, programs, and aesthetic expression. Sustainability, globalization, flexibility, and adaptability are just some of the multi-layered elements explored by some the entries. You will find examples of cities in the sky, horizontal skyscrapers that link various cities, or emergency architecture for disaster zones.
This book examines some of the oldest preserved texts on dreams, such as Artemidorus' Oneirocritica, Sigmund Freud's favourite ancient dream theorist, and dream books by Aristotle, the grandfather of modern dream theory.
It was to be the fifth tallest building in the world, the largest manmade structure outside of New York City, jutting into the skies of the Roaring Twenties over the central downtown of ...Columbus, Ohio. Its socially progressive creators hoped it would stand forever as a symbol of what their titanic parent company called “the noblest work of man”. LeVeque is Michael Perkins’ intriguing tale of what happened when those dreams were dashed by depression, war, and the personal tragedies of the city’s titans. Illustrated by vintage photographs unseen for generations, LeVeque uses a majestic Midwestern skyscraper as the barometer for a century of profound change, change that re-shaped the way we see and use cities and their symbols.
In the mega-selling tradition of The Dreamer’s Dictionary comes a comprehensive, contemporary guide to understanding dreams and the unconscious mind. With over 3,500 symbols and a 7-step guide to applying their definitions to one’s life, this is the ultimate guide for today’s dreamer. It's a double-caf low-fat Frappuccino-kind of world, and all that bustle doesn't stop just because it's time for bed. While you sleep, your mind is busy going over everything you've experienced during the day. Now, with the only dream book that interprets both classic and new twenty-first century symbols - everything from speed dating and Botox to text messages and iPods - you can tap into your unconscious with the turn of a page. Discover the messages hidden in your dreams, your hopes, your fears, your unrealized strengths and potential. You'll learn how to recognize life-altering opportunities and become the person you've always dreamed of being.
Unravels dream symbols and their meanings What do reoccurring dreams reveal? What's the purpose of nightmares—and can they be stopped? Why do some people show up in dreams? Are some dreams actually warnings? Going beyond superficial explanations, The Dream Interpretation Dictionary: Symbols, Signs and Meanings brings a deep and rich understanding to a variety of images, signs, and symbols. It considers the context to help anyone complete their own personal jigsaw puzzle. It provides the tools to allow anyone to sort through possible connections and to make sense of their dreams. From entries ranging from “Abandonment” to “Zoo,” this massive tome analyzes sex dreams, money dreams, dreams of falling, running, or paralysis and much, much more. It brings profound insights to thousands of dream messages. It shows what to look for and what to ignore and teaches how to master dream interpretation. Examples of symbols are given. The complexity and context of a dream are explored. Signs and their meanings are illustrated. Illuminating the intelligence of dreams, decoding clues, explaining symbols, and revealing the universal meanings of each as well as their subtler associations, The Dream Interpretation Dictionary: Symbols, Signs, and Meanings explores the messages delivered by the unconscious mind during sleep. It examines how dreams connect to daily life. It shows how dreams can lead to deeper understanding and self-awareness. Also included are a helpful bibliography and an extensive index, adding to the book’s usefulness.
How a building and the reaction to it signaled the end of an era; the transformation of architectural practice in the context of New York City culture and politics.