The S&I Apocalyptic Winter 2020 Issue brings back Dan Henk to interview dark arts tattooer Jesse Levitt! Brandon Bond interviews Paul Booth, Yamico, and Jay Freestyle about the importance of tattoo collaborations. The beautiful Rachelle Hoffman graces the cover with her horror inspired body suit. Rob Smead of Electrum shares some knowledge nuggets in his article Business of Tattooing. Our fine art feature for this issue is the incredible Derek Hess! S&I sits down and talks Music&Ink with former Judas Priest frontman Ripper Owens and Mike Protich of The Violent. And this issue, of course, is packed with artist features with Kelly Doty, Mashkow, Janelle Hanson, Oash, Benoz, Ove Menduza, Danny Elliott, Lena Diamanti, Hollie Pryce Jones, Goshan, Dustin Delong and Jake Henry.
Brandon Bond gives us his epic coup de grace as he wraps up his three part series on collabs with a hail mary of the world’s best tattooers! Dan Henk sits down with texture master Robby Latos! Nikki Simpson, Poch, Arlo, Yomico, Dom Brown, ATA Ink, Pablo Frias, Tony Justice, Andy Darkh, Josh Herman, Chris Showstoppr and so much more packed into this edition of S&I Magazine!
This double back-to-back issue is packed with tons of juicy features. The beautiful Heather Moss is back on our cover for this special edition. Jessie Smith sits down with Dan Henk to talk New School. Frank LaNatra chats about his humble beginnings. We’ve got artists galore! Frank Miller, Walter Montero, Sabrina Sawyers, Dustin Delong, Cristian Casas, Omri Amar, Daria Stahp, Jan Druff, Fat Tony, Sean Gardener, Josh Peacock, Jamie Ris, and Matsy. Music & Ink sat down with the creepily eccentric Davey Suicide for an interview. Electrum’s Rob Smead talks about retirement for tattooers. Gunnar talks about passing the torch from generation to generation. And last but not least, SouthernGFX, the animation team behind many major Netflix and feature films, introduces our readers to 3D painting and modeling for tattoo artists on the iPad!
We love showcasing tattoo artists that push the envelope with artistic styles askew from what we're accustomed. The Summer 2021 Edition of Skin & Ink Magazine is a prime example of just how many new, inspiring, and innovative features and artists we can cram in between our covers! Daria Pirojenko brings her vibrant graphic design and pop culture portrait mashups to S&I. We had the honor of visiting Allen Williams, the legendary artist behind many of the extraordinary characters in Guillermo del Toro's movies, Pan's Labyrinth and Hellboy. We sat down to chat about the many perspectives of sacred geometry with Dillon Forte. Jake Karamol discusses how he became a Tik Tok Superstar. Dan Henk interviews more tattoo icons than you can count on your fingers and toes about the tools they prefer to create their masterpieces. We interviewed the queen of tattooing, 40+ year tattoo veteran, Kari Barba. Our Music&Ink editors sat down with The Lonely Ones and Jack Russell's Great White to chat about their tattoos. Plus, we packed in a shit ton of artist spotlights to satisfy your burning desire for new art! Check out Brando Chiesa, Amayra, Franky Lazano, Posco Losco, Tommy Lee, Isnard Barbosa, Caleb Stephens, Manh Huynh, and Natsi in this issue!
A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters’ disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond. —from the introduction by Claudia Rankine Claudia Rankine’s first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible? Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles’s intentions. One year later, the second scene brings Charlotte and Charles into the artist’s studio, and their confrontation raises both the stakes and the questions of what—and who—is actually on display. Rankine’s The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.
National Book Award Longlist TIME's 10 Best YA and Children's Books of 2020 NPR's Best Book of 2020 Shelf Awareness's Best Books of 2020 Publishers Weekly's Big Indie Books of Fall Amazon's Best Book of the Month AICL Best YA Books of 2020 CSMCL Best Multicultural Children's Books of 2020 PRAISE "Stirring.... Raw and moving." —TIME "Beautiful imagery and with words that soar and scald." —The Buffalo News "Easily one of the best books to be published in 2020. The kind of book bound to save lives." —LitHub "A powerful narrative about identity and belonging." —Paste Magazine FOUR STARRED REVIEWS ★ "Timely and important." —Booklist, starred review ★ "Searing yet dryly funny." —The Bulletin, starred review ★ "Exceptional." —Shelf-Awareness, starred review ★ "Captivating." —School Library Journal, starred review The term "Apple" is a slur in Native communities across the country. It's for someone supposedly "red on the outside, white on the inside." In APPLE (SKIN TO THE CORE), Eric Gansworth tells his story, the story of his family—of Onondaga among Tuscaroras—of Native folks everywhere. From the horrible legacy of the government boarding schools, to a boy watching his siblings leave and return and leave again, to a young man fighting to be an artist who balances multiple worlds. Eric shatters that slur and reclaims it in verse and prose and imagery that truly lives up to the word heartbreaking.
This companion consists of chapters that focus on and bring forward critical theories and productive methodologies for Indigenous art history in North America. This book makes a major and original contribution to the fields of Indigenous visual arts, professional curatorial practice, graduate-level curriculum development, and academic research. The contributors expand, create, establish and define Indigenous theoretical and methodological approaches for the production, discussion, and writing of Indigenous art histories. Bringing together scholars, curators, and artists from across the intersecting fields of Indigenous art history, critical museology, cultural studies, and curatorial practice, the companion promotes the study and dissemination of Indigenous art and stimulates new conversations on such key areas as visual sovereignty and self-determination; resurgence and resilience; land-based, embodied, and nation-specific knowledges; epistemologies and ontologies; curatorial and museological methodologies; language; decolonization and Indigenization; and collaboration, consultation, and mentorship.
A dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics. Her story weaves in and out of time and place. She's Frida Kahlo, Loïs Mailou Jones and Amrita Sher-Gil en route to Mexico City, Paris or Bombay. She's Suzanne Valadon and Gwen John, craving city lights, the sea and solitude; she's Artemisia Gentileschi striding through the streets of Naples and Paula Modersohn-Becker in Worpswede. She's haunting museums in her paint-stained dress, scrutinising how El Greco or Titian or Van Dyck or Cézanne solved the problems that she too is facing. She's railing against her corsets, her chaperones, her husband and her brothers; she's hammering on doors, dreaming in her bedroom, working day and night in her studio. Despite the immense hurdles that have been placed in her way, she sits at her easel, picks up a mirror and paints a self-portrait because, as a subject, she is always available. Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval. In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.
Entertainment Weekly takes you inside the world of the global superstars, from their early beginnings in the South Korean music scene to their Number 1 Billboard hit “Dynamite” that made pop music history. This 96-page photo-filled issue dedicated solely to BTS goes behind the scenes with the band at awards shows, on the road, and in their Seoul recording studio, where they gave EW an exclusive interview. Features bios of Jin, Suga, J-Hope, RM, Jimin, V and Jungkook. Plus: What's next for BTS.
